March 13, 2020

Beat of the Week

(Honorable Mention)

NRA firearms auction pulled after AP query

noticed that the NRA planned to auction off firearms during a fundraiser at Country Music Hall of Fame and Museum, but she knew that the Nashville, Tennessee, museum didn't allow weapons inside. So she reached out to the museum, the NRA, country artists and more for comment. Soon after Hall raised the question of the apparent violation of museum policy, a spokesperson confirmed to her that the April event will not take place at the site. Other news outlets had to cite AP’s reporting. https://bit.ly/2vSOAbz

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March 13, 2020

Beat of the Week

(Honorable Mention)

Dual AP exclusives on controversial book releases

scored two book publishing exclusives in one week: He was first to report on a Woody Allen memoir being released by Hachette, the same publisher that released the #MeToo book by Allen’s estranged son, Ronan Farrow. Days of criticism – including a walkout by Hachette employees – followed, and the publisher canceled the book. Italie also landed a joint interview with Oprah Winfrey and author Jeanine Cummins when he was the only media representative to attend a town hall about the controversial book “American Dirt,” which has been accused of perpetuating stereotypes of Latinos.https://bit.ly/2QaUeMPhttps://bit.ly/2U6siv0https://bit.ly/33d4p8Yhttps://bit.ly/2TTpC3q

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March 06, 2020

Best of the Week

AP’s tour de force coverage of Weinstein verdict sweeps all formats

Coverage by an Associated Press team dominated the closely watched Harvey Weinstein verdict, delivering wins in all formats with speed, depth and exclusivity. Superior planning and preparation, and outstanding coordination on the day of the verdict, gave AP the edge.

Highlights included the breaking news story moving on the wire within a minute of the verdict, exclusive video of Weinstein leaving the courthouse by ambulance, and an enterprising behind-the-scenes photo essay on the women journalists covering the trial that earned remarkable play.

For quick, comprehensive and distinctive coverage that kept the AP ahead on one of the biggest trials of the year so far, Mary Altaffer, Michael R. Sisak, Tom Hays, David Martin, Ted Shaffrey, Robert Bumsted, John Minchillo, Craig Ruttle and Sophie Rosenbaum win AP’s Best of the Week award.

 

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Dec. 13, 2019

Beat of the Week

(Honorable Mention)

1979 concert tragedy links The Who and an Ohio suburb

for breaking the news that The Who would return to the Cincinnati area for the first time since a concert 40 years ago in which 11 fans were trampled to death. During an interview, Carucci developed a rapport with Who guitarist Pete Townshend, who opened up in general terms about the group’s plans. Carucci brought in the rest of the team, who produced a richly reported anniversary story in all formats. https://bit.ly/2qMqs7Hhttps://bit.ly/36qVLnChttps://bit.ly/2PJoMVbhttps://bit.ly/36zaGMT

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May 31, 2019

Best of the Week

AP photo team scores with a fresh approach to annual Cannes festival coverage

Early in the planning stage for this year’s Cannes film festival, London-based Dejan Jankovic, deputy director of entertainment content, decided to build his photo team with a combination of experience and fresh eyes, including Athens photographer Petros Giannakouris, who had no Cannes experience, and Invision entertainment specialists Ali Kaufman and photographers Joel Ryan, Vianney le Caer and Arthur Mola

The resulting coverage visually captured the glamour and excitement of the event in new ways without sacrificing the traditional elements that have worked in the past. AP won the Cannes Photograph of the Day award five times over the two weeks, impressive recognition in a competition open to every accredited photographer there.

For showing the glamour, fashion and celebrities of Cannes in a fresh and arresting manner, Jankovic, Giannakouris, Kaufman, Ryan, le Caer and Mola earn AP’s Best of the Week award.

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March 01, 2019

Best of the Week

Months of planning, smart execution result in dominating Oscars coverage

The envelope was opened, “Green Book” was announced as best picture at the 91st Oscars, and entertainment writer Andrew Dalton’s eyes shifted over to Spike Lee.

The director threw up his hands in exasperation and attempted to storm out of the Dolby Theatre before being told to return to his seat. Social media quickly lit up with disdain for the selection by the Academy of Motion Picture Arts and Sciences, and Dalton’s eyewitness reporting quickly fueled the criticism.

In a packed theater filled with actors and other journalists, Dalton reported what few saw and the television cameras didn’t show, giving the AP exclusive material and driving audiences to its comprehensive Oscars coverage.

Later that night, entertainment producer Mike Cidoni Lennox interviewed “Green Book’s” producers outside the Oscars’ official after-party, helping drive the following day’s coverage of the controversial win.

The reaction to the best picture winner capped dominating all-formats team coverage of the Oscars, the result of months of planning and preparation. AP customers received a steady stream of photos, video and stories, including film writer Jake Coyle’s deadline story which was viewed more than 88,000 times. Coyle had crafted prep for all the likely winners, allowing for fast updates when the envelopes were opened.

For their extensive planning, professional expertise and swift work, Dalton, Coyle and Lennox win AP’s Best of the Week award.

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Nov. 16, 2018

Best of the States

Multiple AP exclusives in all formats from mass shooting at California bar

Just before midnight on the day after California staffers were up late covering the midterm election came reports of a shooting at a country music bar in Thousand Oaks, about 40 miles northwest of Los Angeles. Over the next 12 hours, as the scale of the carnage emerged, Sacramento correspondent Kathleen Ronayne, Washington-based reporters Mike Balsamo and Tami Abdollah, and photographer Mark Terrill and video journalist Krysta Fauria, both based in Los Angeles, combined to provide exclusive all-formats content for AP customers.

Despite the hour, Fauria and Terrill were on the scene within 90 minutes of the first reports coming in. Terrill made tight shots of the scene that no one else could match – his photos were used heavily by numerous outlets. Meanwhile, Fauria quickly set up a live shot, the first of four she would do over 12 hours at three locations. She also got AP’s first interview from a survivor.

Reporter Ronayne, bleary-eyed from the long election night, provided the first live video of authorities searching the shooter's home, while Balsamo used a source to break the widely played news that the murder weapon was a handgun, not an assault weapon.

As other news organizations pulled photos of the gunman from social media, Balsamo’s Washington colleague – and fellow AP-Los Angeles alumnus – Tami Abdollah used a source to obtain a driver’s license photo that is believed to be the first and still perhaps the only rights-cleared image of the gunman.

For providing news, photos and video that others couldn’t, Ronayne, Terrill, Balsamo, Abdollah and Fauria win this week’s Best of the States award.

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