May 29, 2020

Best of the Week

Stories of lives lost, told with photos: 2 remarkable projects share Best of the Week

As the COVID-19 pandemic raged across the world last week, and the confirmed U.S. death toll approached 100,000, AP photographers on two continents found unusual and meaningful ways to bring home the tragedy of lives lost. They were:

– Photographer David Goldman, who met with the families of COVID-19 victims at a Massachusetts soldiers’ home, literally projecting veterans’ images onto the exterior of the families’ homes for a series of arresting, ghostly and emotion-laden scenes.

– And Rodrigo Abd, who spent weeks with Venezuelan migrants collecting bodies in a poor area of Lima, Peru, showing the abject desperation of that city’s victims. Also honored is Lima reporter Franklin Briceño who accompanied Abd, documenting for text and video the funeral home workers on their grueling rounds.

Both projects had immense impact online and in print, drawing praise from readers and editors. For intrepid and creative multiformat storytelling emphasized by unforgettable images, Goldman, Abd and Briceño share AP’s Best of the Week honors. 

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May 01, 2020

Best of the States

AP Exclusive: All-formats access to a lifesaving New York emergency room

With coronavirus infection and death rates mounting, hospitals in the New York City area imposed strict guidelines allowing only a small handful of media outlets limited access. After weeks of reaching out to hospitals, St. Joseph’s in Yonkers agreed to give the AP access to its emergency room and screening tent. 

But only one journalist would be allowed into the hospital. Versatile New York staff photographer John Minchillo was an easy choice.

Once inside in full protective gear, Minchillo connected with the hospital staff, who also granted access to the intensive care unit. He made the most of the next four hours, working in all formats to capture the mundane and the extreme, including the dramatic moments when a COVID-19 patient in cardiac arrest was saved. Turned around virtually overnight, Minchillo’s all-formats package was heavily played by major media outlets.

For his powerful, comprehensive all-formats storytelling that takes us inside medical workers’ daily fight save lives against the coronavirus, John Minchillo wins AP’s Best of States Award.

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April 24, 2020

Beat of the Week

(Honorable Mention)

The motorcycle diary: Photos of NYC in the pandemic era

found themselves in a city that had gone to ground. Faced with the challenge of photographing the absence of life in a city normally teeming with it, they took more than a dozen motorcycle trips through a New York virtually emptied by the virus, making raw, “drive-by” images. They recorded ghostly pedestrians, lone workers, eerie post-apocalyptic streetscapes and shrouds of fog. And while the virus is unseen, the threat of it appears in the eyes of the people still on the street.https://bit.ly/2Vz99nlhttps://bit.ly/3bxhKMIhttps://bit.ly/2S2pnmuhttps://bit.ly/3bBvfen

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April 17, 2020

Best of the States

AP traces black Americans’ history of mistrust toward the medical field

As New York, Chicago, New Orleans and other cities with large black populations began to emerge as hot spots for COVID-19, reporters Aaron Morrison and Jay Reeves decided it would be relevant to examine how black Americans have historically mistrusted the medical field.

The pair connected the skepticism in the black community in part to the aftermath of the notorious “Tuskegee Study,” in which roughly 600 poor black Alabama men were left untreated for syphilis to track the disease’s progress. The secret program was exposed in 1972 and ended, but its effects linger, well beyond Alabama.

With photography by Bebeto Matthews, the story received heavy play as the nation wrestled with the high rate of coronavirus infections among the black community.

For setting the AP apart with a timely examination of black Americans’ mistrust of the medical field, Morrison, Reeves and Matthews win this week’s Best of the States award. 

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March 27, 2020

Beat of the Week

(Honorable Mention)

In the time of coronavirus, a study of Tokyo in black and white

Tokyo photographer Jae C. Hong documented in stark black and white the unsettling new norm of Japan’s largest city during the coronavirus pandemic. Struck by the contrast of the white protective masks against the shadowed buildings and backdrops, Hong thought black and white photography would convey the right tone. He produced a stunning package, unique among the global flood of coronavirus images.https://bit.ly/3dsTIE9https://bit.ly/33RxV4Ihttps://bit.ly/2x4TjXE

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Dec. 27, 2019

Best of the States

‘Sundays After’: Portraits of resilience in the wake of clergy abuse

Photographer Maye-E Wong wanted to find a new way to tell the stories of those who suffered from clergy abuse, emphasizing that they were survivors, not victims. 

Her plan: She would photograph them with a Polaroid camera, then soak the prints and release the thin fragile membranes that held the images. The images were imperfect – wrinkled and distressed – but they endure, a metaphor for the survivors they portrayed.

Wong and reporter Juliet Linderman traveled the country to interview and photograph survivors, spending days with them and listening to their stories. The result was a stunning presentation that set AP viewership records and earned praise from both the subjects and the public.

For an arresting package of inspired photography and sensitive, insightful reporting, Wong and Linderman receive this week’s Best of the States award.

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Dec. 13, 2019

Best of the Week

‘What Can Be Saved?’: Global series explores heroic efforts to revive ecosystems

The brief for the project was anything but simple: find a way to cover climate change’s effects on the planet in a way that avoided turning the audience off with a gloom-and-doom or heavily text-centric approach. 

The result was a sprawling environmental series that expanded the boundaries of AP’s visual storytelling. The series traveled to 10 countries on five continents, focusing on everything from attempts to bring back Jamaica’s coral reefs, to the conservation of lions and gorillas in Africa, to China’s ambitious plans to build a national park system, to a trip down one of Europe’s last wild rivers.

It was the work of 33 journalists, 15 editors and four translators throughout AP’s global newsroom, reaching millions of people across all formats – and not just because Leonardo DiCaprio touted some of the installments on Instagram and Twitter. 

For ambitious storytelling and compelling display on a subject of global significance, the extended team behind the “What Can Be Saved?” series wins AP’s Best of the Week award. This week’s cash award will be donated to AP’s Employee Relief Fund.

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Sept. 20, 2019

Beat of the Week

(Honorable Mention)

Persistence, preparation pay off in all-formats Mugabe coverage

for a collaborative effort that produced outstanding images and powerful storytelling surrounding Robert Mugabe’s death, and explored the hardships of the people he left in economic crisis.

The distinctive work done by AP’s all-formats team in Zimbabwe was due in large part to the efforts of photographer Tsvangirayi Mukwazhi. His tireless negotiations with Zimbwabwean authorities over the preceding months meant AP staffers were already accredited to work in the country and could fly into Harare soon after news broke of Mugabe’s death. AP was reporting the story while other news organisations struggled to get into the country.

Mukwazhi’s persistent face-to-face contact with the information ministry was also crucial for obtaining press accreditation for Johannesburg-based Africa News Editor Andy Meldrum, AP’s foremost expert on Zimbabwe, who had been on a blacklist for 16 years for his reporting on Mugabe’s rule. Meldrum’s personal reporting from the ground defined AP’s coverage, while photo, video and text colleagues delivered comprehensive coverage ranging from the official funeral ceremonies to the daily life of Zimbabeans struggling to get by.https://bit.ly/2m2Hlbphttps://bit.ly/2m0JODehttps://apnews.com/RobertMugabe

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July 12, 2019

Best of the Week

Decisive win at Women’s World Cup – for AP Photos team

We all want to perform well on the big stage, and AP’s photo team did exactly that at the recent Women’s World Cup in France, a tournament that is being called the greatest edition yet of the sport’s most prestigious event.

AP’s photo coverage was strong from the outset of the 52-match marathon, but it was the crew’s performance in the championship final that really stood out. Intelligent planning from Paris and London, and brilliant execution by specialist photographers and remote editors saw AP photos dominate play with their coverage of the 2-0 victory by the U.S.

A five-strong team of photographers – staffers Alessandra Tarantino, based in Rome; Francisco Seco, Brussels; and Francois Mori, Paris; joined by freelancers Vincent Michel and Claude Paris – won the day in a manner arguably even more decisive than the U.S. women.

The list of front pages is long and includes prestigious titles like The New York Times, L’Equipe, The Guardian, The Times, the Los Angeles Times and the Houston Chronicle.

For a performance that befitted the biggest stage in the world on July 7, the team of Tarantino, Seco, Mori, Michel and Paris – with international AP support – shares AP’s Best of the Week.

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July 05, 2019

Best of the Week

Searing photo of migrant drownings launches all-formats AP coverage across borders

When New York photo editor Pablo Salinas alerted colleagues to the image of a drowned father and daughter from El Salvador lying face-down in the Rio Grande after they tried to cross into Texas, it was clear it captured, like few other images, the dangers faced by migrants and asylum-seekers trying to make it to the United States.

AP’s much-applauded decision to acquire and publish that image by freelance reporter Julia Le Duc, showing the stark and often-hidden reality of migrants dying by the hundreds each year along the U.S. border, showcased AP’s significant role in shaping the news agenda.

It also stands as a lesson for AP staff with several important takeaways, highlighting the role of editors to find, gather and acquire important images for AP’s global audience, the role of AP’s Top Stories Hub to coordinate and amplify news stories, and the value of rapid response by journalists in the region to verify, report and provide context for any news-making picture.

Finally, it showed how the thoughtful implementation of AP’s standards across all platforms and social media can allow AP to stand out.

For an exceptional multinational effort in finding, recognizing and acquiring Le Duc’s tragic and important image, and presenting it to AP’s worldwide audience with context and sensitivity, the team of Pablo Salinas, Marcos Alemán, Eduardo Verdugo, Rebecca Blackwell, Chris Sherman, Gerardo Carrillo and Peter Orsi shares AP’s Best of the Week award.

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June 07, 2019

Best of the States

Teamwork and drone visuals lead coverage after tornadoes rip western Ohio

There’s a real difference between straight aerial photography and the bird’s-eye view that AP’s audience had of the destruction after a series of tornados touched down in western Ohio late on Memorial Day. Using a drone, Cincinnati photographer John Minchillo and video journalist Angie Wang provided those images from a rare perspective – both still photos and video – showing residents coping with the wreckage and sorting through their gutted homes.

The resulting video coverage was our overall top U.S. video story for the week, and Minchillo’s still photos were widely played, including front pages of the Washington Post and Wall Street Journal. Two of his photos appeared in NBC’s The Week in Pictures.

From small details to sweeping landscapes of destruction, their dedication, teamwork and speed of delivery make John Minchillo and Angie Wang this week’s Best of the States winners.

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May 31, 2019

Best of the Week

AP photo team scores with a fresh approach to annual Cannes festival coverage

Early in the planning stage for this year’s Cannes film festival, London-based Dejan Jankovic, deputy director of entertainment content, decided to build his photo team with a combination of experience and fresh eyes, including Athens photographer Petros Giannakouris, who had no Cannes experience, and Invision entertainment specialists Ali Kaufman and photographers Joel Ryan, Vianney le Caer and Arthur Mola

The resulting coverage visually captured the glamour and excitement of the event in new ways without sacrificing the traditional elements that have worked in the past. AP won the Cannes Photograph of the Day award five times over the two weeks, impressive recognition in a competition open to every accredited photographer there.

For showing the glamour, fashion and celebrities of Cannes in a fresh and arresting manner, Jankovic, Giannakouris, Kaufman, Ryan, le Caer and Mola earn AP’s Best of the Week award.

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Aug. 03, 2018

Best of the States

Aggressive photo coverage, sharp reporting on devastating California wildfire

San Francisco-based freelance photographer Noah Berger is one of the foremost wildfire photographers in California.

His experience helped put him in the right place to shoot stunning images as the Carr Fire swept into Redding and threatened to devour much of the Northern California city of 92,000. It also made AP the first major news outlet to have boots on the ground in the city, a competitive advantage that produced details other didn’t have, and enabled managers to quickly get Sacramento reporter Jonathan J. Cooper headed to the scene.

Berger described the Carr Fire as one of the most intense fire fights he has ever witnessed. His dramatic images put the AP ahead of key competitors by more than a day.

Cooper's reporting included a key measurement of a wildfire’s destructive force: the number of homes lost. When authorities kept saying 65 structures had been destroyed, Cooper went back to two neighborhoods he had visited and counted all the homes burned to the ground. He found 60 in one and 66 in the other. AP’s figure, and the context that the number would ultimately be much higher, quickly became the headline on the story.

A wildfire is among the toughest assignments for any photographer but Berger gave the AP a significant competitive advantage. Cooper’s savvy gave AP a figure others didn’t have. For their work, they share this week’s Best of the States award.

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March 09, 2018

Best of the Week

Nothing routine about it: Larger-than-life photo of Putin dominates play

It's hard to pull off a truly distinctive photo at a set-piece event with the world's press also gathered there. Russia's Chief Photographer Alexander (Sasha) Zemlianichenko, a two-time Pulitzer Prize winner, did just this with a low angle on the big screen of Putin's face, staring down and dominating the audience at Putin's state-of-the nation address March 1. The photo, which graced front pages and websites around the world, wins the Beat of the Week.

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Nov. 10, 2017

Best of the States

Rapid response after truck driver kills eight on New York bike path

AP photographers often scramble to the scene of a news story before it’s clear what is happening.

That was the case on a beautiful Halloween afternoon last week when a call came in to the New York City bureau that there was a swarm of police activity near the AP’s lower Manhattan headquarters. News Editor David Caruso ran to the windows and saw an unbroken string of police cars speeding south on the West Side Highway, going down the wrong side of the street. That was enough for him to scramble reporters, photographers and videographers out the door.

At the scene, AP photographer Bebeto Matthews slipped behind police lines and started walking up the street near the west side bike path. He noticed something white on the path and soon realized it was a body covered in a sheet, surrounded by crumpled bicycles and other debris. He began furiously taking pictures, called in what he saw to the desk and then ducked behind some construction equipment to start transmitting his photos on the spot.

Meanwhile, AP photographer Mark Lennihan and stringer photographers Craig Ruttle and Andres Kudacki had also rushed to the scene, making dramatic photos of what would become the worst terrorist attack in New York City since 9/11.

For strong breaking news work that put AP ahead and kept us there, Matthews, Lennihan, Ruttle and Kudacki win this weeks’ Best of the States Award.

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Jan. 27, 2017

Best of the Week

Inaugural images: Talent and tech combine in sweeping, instant photo coverage

Remember these images from the Inauguration: The new first couple dancing across a giant presidential seal at a ball? Faces in the crowd cheering or crying in the rain? The instant when Donald Trump took in the scene through an opening door before stepping onto the podium to become the 45th U.S. president?

Credit for those signature images, which appeared across the globe almost as they happened, goes to the skill and artistry of a hand-picked team of AP photographers and photo editors – and also to the cutting-edge, behind-the-scenes efforts of AP technicians working hand-in-hand with them to cover the intensely competitive event.

Their extraordinary work, a stream of 2,000 photos sent from daybreak until well after midnight, earns the Beat of the Week.

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