delivered a 24-hour text and video exclusive, reporting that 12-year-old Keedron Bryant had signed a record deal after his single, “I just Wanna Live” – written by his mother following George Floyd’s death – went viral. https://bit.ly/3hUVQqh
In the weeks after Jocelyn Gecker’s bombshell investigation detailing multiple sexual harassment allegations against Placido Domingo, competitors were out in full force, trying to produce their own stories about women who had encounters with the opera superstar.
But only the AP was able to advance the story, offering the accounts of an additional 11 women who said the legend had behaved inappropriately, including one who said on the record that Domingo insisted on kissing her and later forcefully grabbed her bare breast under her robe. In addition, backstage staff told the Jocelyns – AP’s Gecker and Noveck – how they strove to keep young women from ever being alone with Domingo.
No one could match the pair’s reporting, which produced one of the most-read stories on AP’s platform and formed the basis of stories by many other media outlets. Meanwhile, more opera companies announced they were canceling or reassessing their relationship with Domingo.
For remarkable source building and reporting that continued to give AP ownership of this highly competitive story, Gecker and Noveck earn this week’s Best of the States award.
Aretha Franklin always had a soft spot for The Associated Press; over the years, she would seek out global Entertainment Editor Nekesa Mumbi Moody to chat – “We spoke when she was working on new music, or about an upcoming performance (like when she sang for the pope in 2015) or even her fitness plan and weight loss,” Moody recalled. Music editor Mesfin Fekadu, too, had interviewed Franklin, and witnessed her last public performance last November.
So when the Queen of Soul was in her last days, her people knew who to call. The result: Fekadu was so far ahead with Franklin’s death that that the news was widely attributed to the AP, even by at least one major competitor. His news break is the Beat of the Week.
The farewell to the Queen of Soul promised to be an extravaganza – days of tributes, musical performances and a marathon funeral.
The AP team diligently prepared for the events and when the time came, the combined efforts of Detroit-based photographer Paul Sancya and Miami-based visual journalist Josh Replogle turned a pair of pool opportunities into two exclusives during the week of mourning for Aretha Franklin in Detroit.
Among the highlights: Sancya’s shot of Franklin lying in her casket with red heels clearly visible, video and photos of the singer in her final resting place and an exclusive interview with a controversial pastor.
Their work earns the Beat of the Week.
for reporting accounts from three opera singers and a classical musician that renowned conductor Charles Dutoit sexually assaulted them, immediately causing widespread tumult and outrage in the classical music world. http://bit.ly/2COFJcQ
for securing, in all formats, the first interview in some time with Roberta Flack, who is 81 and in an assisted living facility after a stroke, ahead of a performance at a ceremony honoring the legendary singer. https://yhoo.it/2AfkAWD
Kristin Hall, entertainment producer and writer, Nashville, Tennessee, for being first to report that country star Roy Clark, the guitar virtuoso and singer who headlined the cornpone TV show “Hee Haw” for nearly a quarter century, had died. https://bit.ly/2QKXtJj
for raising with Ken Ehrlich, producer of the Grammys, the question of why Ariana Grande did not perform at the awards show. Ehrlich said that the singer had declined due to inadequate time to prepare. Within moments of the report, Grande took to Twitter, pointing to Fekadu’s story and telling her 61 million followers that Ehrlich’s explanation was untrue, blaming Ehrlich for “stifling” her and rejecting the songs she offered to perform. https://bit.ly/2S2IbiL
for breaking news that Adele and her husband Simon Konecki have separated, getting the first statement from the singer’s rep about the split. https://bit.ly/2UCZGr9
for swift collaborative action, first retracing a lost call from a source at Doris Day’s longtime animal foundation who confirmed that the much-loved actress and singer had died, and then assembling a series of urgent news updates and preparedness that moved before the competition. https://bit.ly/2EqBbIC
for the first interview since Prince’s death with Apollonia Kotero, the Purple One’s former protégé and close friend. Kotero opened up about falling into depression after Prince’s death, and the superstar’s unfulfilled plans to re-launch her career – 30-plus years after she appeared in his “Purple Rain” film and became the lead singer of the group he formed, Apollonia 6. https://bit.ly/2ZkU7Aw
for using public records in Ohio to resolve questions about the age of actress and singer Doris Day. The entertainer responded to Elber's story by saying, “I’ve always said that age is just a number and I have never paid much attention to birthdays, but it’s great to finally know how old I really am!” http://apne.ws/2nSjAip
Jocelyn Gecker’s bombshell investigation of sexual harassment allegations against opera superstar Placido Domingo started with a song.
San Francisco-based Gecker was at a party about 18 months ago when she noticed the beautiful voice of the woman next to her singing “Happy Birthday,” and complimented her. The woman was a former opera singer who confided that the industry had a dark underbelly, offering her assessment that “Placido Domingo is the Bill Cosby of the opera world.”
The discussion sparked months of work by Gecker to publicly reveal what many said had been an open secret in the opera world. In all, Gecker would find nine women who accused Domingo of sexual harassment and a half-dozen more who said the star made them uncomfortable. Getting people to go on the record proved challenging, but a breakthrough came when one of Domingo’s accusers agreed to tell her story on camera. The resulting 5,200-word story – and Domingo’s response – commanded instant attention and heavy engagement in global media.
For finding a major international story in an unlikely setting, and her care in dealing with sources while reporting tenaciously on a sensitive topic, Gecker earns AP’s Best of the Week honors.
for holding AP to high standards by not reporting on Instagram posts, apparently by long-loyal R. Kelly girlfriend Joycelyn Savage, attacking the singer. With news sites including The New York Times and the Chicago Sun-Times reporting on the salacious posts, there was huge pressure to publish, but Savage’s lawyer could offer only 85-90% assurance the posts were actually Savage’s. AP held off – and Savage eventually denied the account was hers.
was the only reporter who attended a hearing involving singer Billie Eilish, who sought a restraining order against a man who trespassed at her home. With Eilish and her family attending remotely, Dalton convinced a bailiff to let him in and was the only one in the courtroom aside from court staff. Other news outlets were forced to rely on details in his exclusive story for their own reporting. https://bit.ly/3fWVNZw
scored a coveted exclusive: an all-formats interview with Placido Domingo. Barry spent a year convincing Domingo’s team that the singer should sit down and talk to the news agency that broke the story about investigations and sexual misconduct allegations against him. When Domingo’s team finally agreed, Barry was able to negotiate access for photos and video to cover not just the interview, but the concert on the eve of the interview, which for cultural events in Italy is not always the case.Barry conducted the interview in English and Italian, keeping her composure even when her line of questioning prompted Domingo’s family to “swarm” her. The story received wide play with news outlets directly crediting the AP’s interview and previous reporting. Some non-AP customers, including the BBC, were forced to credit the AP in their stories on the interview and Domingo’s denial of abusing power.https://bit.ly/34CurW0https://bit.ly/3ltJKGG
Correspondent Adrian Sainz drew on his deep knowledge of Memphis’ musical history to tell the fascinating but sometimes overlooked story of Steve Cropper, the 79-year-old guitarist who worked at Stax Records alongside Otis Redding, Wilson Pickett, Sam & Dave and others, leaving an indelible imprint on the American songbook.
Complemented by Kristin Hall’s engaging video and Mark Humphrey’s striking portraits, Sainz lays Cropper's story out in rich detail, from the birth of Redding’s “(Sittin On) The Dock of the Bay” to his work with the Blues Brothers and current projects.
For an illuminating, unexpected holiday offering that reveals the low-key man whose music everyone celebrates, Sainz earns AP’s Best of the States award for the week of Dec. 28.
used thorough preparation and planning to overcome access hurdles, putting the AP ahead of the competition on the sentencings in two of the highest-profile cases of the #MeToo era: Ghislaine Maxwell and R. Kelly.With no cameras and no electronics of any kind allowed in the federal courtroom, teamwork, careful execution and a quick sprint enabled AP to get the news out first on two consecutive days.Read More
When word came that country singer-songwriter Toby Keith had died of stomach cancer at age 62, AP recognized that his impact went beyond music and touched a central part of the culture in the years after 9/11.Read more
for pursuing an interview with Ugandan pop star Bobi Wine, one of Africa’s leading opposition figures. Wine had long been coy about whether he would become a presidential candidate, but after Muhumuza posed the question repeatedly, the singer finally confirmed he would run against long-serving President Yoweri Museveni – while expressing fear for his own safety. https://bit.ly/2Gr49ZK