Aug. 28, 2020

Best of the States

From the front line to the homefront, behind the scenes with COVID nurses

Photographer Jae Hong wanted to tell the story of the nurses on the front lines of the battle against coronavirus. Not just the long, stressful hours caring for patients, but the fear they carry home of spreading the virus to their own families.

Hong found a Los Angeles-area hospital that would grant access to the COVID unit, then he and reporter Stefanie Dazio spent hours getting to know the nurses and asking to meet them at their homes for interviews and photos. 

The result was an intimate, beautifully rendered look at the nurses, their dedication and their sacrifices. The story included a nurse who is a new mom, comforting a patient’s family as the man took his last breaths.

For a poignant and revealing look at nurses’ commitment to both their patients and their families during the pandemic, Hong and Dazio share this week’s Best of the States award.

Ap 20230082720532 2000

Nov. 04, 2016

Best of the Week — First Winner

Getting the real story out in the Philippines

The Philippine defense secretary said it, and many major papers and news agencies ran with it.

China, the cabinet official said, had pulled its coast guard vessels out of Scarborough Shoal, a chain of reefs in the South China Sea that's at the center of a territorial dispute between Manila and Beijing. It appeared an astonishing diplomatic victory for new President Rodrigo Duterte just days after he visited China.

To Jim Gomez, AP's chief correspondent in Manila, it all seemed a bit too remarkable _ and he pushed officials to back up their claim. Within days, they clarified: Chinese vessels had not left the disputed reef, but had allowed in Filipino fishermen who had been denied access for years.

The story resulting from Gomez' persistent questioning debunked a key government claim and earns the Beat of the Week.

Ap 16303034531077

May 22, 2020

Best of the States

Inside the Navajo Nation as it endures the coronavirus outbreak

If the Navajo Nation were its own state, it would have the second highest per-capita rate of coronavirus cases in the United States, trailing only New York. 

AP’s Felicia Fonseca, one of the preeminent reporters covering Native issues for any news organization, and photographer Carolyn Kaster reported from the heart of the crisis. Donning full protective gear and a healthy measure of courage, they documented families, doctors and volunteers, while national writer Tim Sullivan added further reporting and masterful writing assistance from afar. 

The story and photos capture the vast beauty of the land and the intimate grief of the people, including one family that has lost four members to the virus. The package played heavily in the Southwest U.S. and was among AP’s most downloaded and viewed for several days.

For a revealing look at a Native community in the midst of the health crisis, Fonseca, Kaster and Sullivan share this week’s Best of the States honors.

Ap 20130662157601 2000

May 29, 2020

Best of the States

AP takes a rare behind-the-scenes look into the complex world of contact tracing

With contact tracing in the spotlight as one of the keys to stopping the spread of the coronavirus, journalists across the AP have sought access to the investigators, only to be rebuffed for privacy concerns. But Utah-based correspondent Brady McCombs convinced a county health department that he and photographer Rick Bowmer could show the world how contact tracing is conducted, while protecting private details. 

Once they were in the door, the curtain rolled back. The pair spent parts of five days shadowing investigators as they talked, commiserated and cajoled people to comply with tracing – something simply unseen in other coverage or descriptions of contact tracing. 

And in a major break, McCombs used social media to identify one of the subjects of tracing, getting exclusive all-formats access to tell the story of a family on the other end of a tracer’s call.

For a timely and revealing package on a vital element of the pandemic response, McCombs and Bowmer share this week’s Best of the States award.

Ap 20141843183991 2000 Cr

June 05, 2020

Beat of the Week

(Honorable Mention)

Through the eyes of children: The pandemic and beyond

collaborated on a multinational project, talking to kids about living with the coronavirus and asking them to use art to show what they believe the future might hold. Some sketched or painted, while others sang, danced ballet or built with LEGOs. A few just wanted to talk. The video interviews, story and photos, along with the kids’ art and a masterful presentation on AP News – brought their stories to the world in an intimate, engaging package.https://bit.ly/3cBzRAMhttps://bit.ly/2A4kOCr

Ap 20141644402521 Hm Kids1

April 23, 2021

Best of the Week — First Winner

One shot: AP photographers reflect on covering the pandemic, and the image that most affected them

Since the start of the pandemic, AP photographers have been on the front lines of coverage, taking on risks to bring the world scenes of struggle, death, comfort and hope. And in many ways the images had a profound impact on the photographers themselves.

So as the world approached another grim pandemic milestone of 3 million deaths, New York photo editor Alyssa Goodman asked a group of 15 photographers from 13 countries to each select the one image from their virus coverage that affected them most, and describe why.  

The resulting package, elevated by the elegant writing of Rome reporter Nicole Winfield, offers compelling insight into the emotional impact of bearing witness and documenting the pandemic.

For adding a new and creative dimension to some of AP’s most deeply moving photography of the coronavirus pandemic, Goodman, Winfield and this dedicated team of photojournalists — representing their AP colleagues worldwide — earn AP’s Best of the Week honors. 

Ap 21106585368895 2000 Jae

Feb. 22, 2019

Best of the States

Victims of the Paradise wildfire; stunning portraits of how they lived and died

The wildfire that consumed Paradise, California, claimed 85 lives while virtually burning the town off the map. But beyond those facts lay a rich narrative of the individuals who perished while calling Paradise home.

AP San Francisco reporters Janie Har and Jocelyn Gecker set out to tell the stories of the victims of the deadly Paradise fire far more comprehensively than was possible in the immediate aftermath: Who were they? Where and when did they die? Did they even have a chance to flee?

To paint a picture of how the tragedy unfolded, the pair spent months tracking down family members – many of whom were wary – to talk about their loved ones, assuring them that AP’s coverage would be more than a recitation of the grim facts. Interviews with California fire officials, a newly available simulation of the fire’s movement on the fateful morning and public records requests enabled AP to produce an interactive graphic giving the exact locations where people died and their approximate times of death.

The result was a riveting package that coupled intimate portraits of the victims with the circumstances of their death. Most never had a chance to flee their homes as the fast-moving fire barreled through.

The moving package was well-received by members throughout California and from coast-to-coast.

For carrying the Paradise story forward with enterprising, sensitive work that focused on the victims’ narratives, Har and Gecker share this week’s Best of the States award.

Ap 19044037472995 1024

July 31, 2020

Beat of the Week

(Honorable Mention)

Troubling pandemic thought: Are THESE the good old days?

took a sobering look at futurists’ predictions that things may yet get so bad that we'll look back on the gloomy year of 2020 as the good old days. His story struck a nerve with many Americans and touched off a spirited conversation that continues on social media. Writing from Hope Valley, R.I., Kole interviewed futurists and other thinkers about the likelihood that life, virus-related and otherwise, could get worse before it gets better, and he came away with the provocative, dystopian vision. https://bit.ly/2X53t4z

Ap 20203634065311 Hm Kole1

Feb. 02, 2024

Best of the Week — First Winner

AP scores with the kiss seen around the world

Hail Mary? Hail Julio. As swarms of players and media surrounded Taylor Swift and Travis Kelce after the Kansas City Chiefs’ AFC championship win, photographer Julio Cortez captured the perfect shot: the couple kissing on the field, Swift’s hand pressed against Kelce’s cheek. It was an intimate moment amid chaos, one that only Cortez — AP’s chief photographer for Texas and Oklahoma, temporarily returned to Baltimore — got. Other outlets made photos of the couple embracing, but Cortez had the singular — and viral — angle.

Before Sunday’s game, the only photos of Swift’s football attendee era were made in tunnels or from afar as she watched in luxury suites. But Cortez knew that if the Chiefs punched their ticket to another Super Bowl, players’ friends and families would end up on the field. With AP’s Matt Slocum, Alex Brandon and Nick Wass in their assigned on-field positions, Cortez called an audible, walking around the stage to find Swift. A believer in being “pushy but professional,” Cortez “sweet-talked” bodyguards to get into unique position. Swift and Kelce’s reunion was, well, swift. As Kelce “gave her the fastest kiss,” Cortez jumped in front of the NFL Films camera, raising his own over a guard’s head. About a minute after the photo was made, photo editor Mike Stewart knew it was the shot of the game, affixing the golden APTOPIX stamp. It was immediately picked up by hundreds, rocketing around the world with usage by customers ranging from The New York Times, People to India’s Hindustan Times and Argentina’s La Voz.

For an image that’s assuredly a first-ballot Hall of Famer, Cortez is Best of the Week — First Winner.

AP24028853845342

July 06, 2018

Best of the Week — First Winner

An AP blockbuster: Algeria forces 13,000 migrants into the desert, some to their deaths

“Here in the desert, Algeria has abandoned more than 13,000 people in the past 14 months, including pregnant women and children, stranding them without food or water and forcing them to walk, sometimes at gunpoint, under temperatures of up to 48 degrees Celsius (118 degrees Fahrenheit).”

With that chilling declaration, the AP opened a new chapter in the ongoing, global saga of migrant suffering. Reporter Lori Hinnant and visual journalists Jerome Delay and Bram Janssen revealed the Algerian government’s complicity in a horror that had gone unreported – and had led to the deaths of an unknown number of migrants. Their exclusive story is the Beat of the Week.

Ap 18170755810571 1024

May 25, 2017

Best of the States

AP Exclusive: a look inside the 'pie car' and the last days of Ringling Bros.

New York City photographer Julie Jacobson and Michelle Smith, Providence, Rhode Island, correspondent, spent weeks negotiating with the parent company of the Ringling Bros. and Barnum & Bailey Circus about what sort of access they could get to the performers and crew as “The Greatest Show on Earth” drew to a close after 146 years.

What they really wanted was to get on the train where the workers lived, the last of its kind in the world. Finally the word came down: We could get on the “pie car” for the clowns’ last breakfast, but they would not be in costume, and we could absolutely not see the rest of the train, out of respect for the privacy of the performers.

But Jacobson and Smith don’t take no for an answer. The access they got, the stories they heard and the images they saw formed the basis for an exclusive and heart-tugging package of photos, traditional and 360 video, and text.

For their resourceful and revealing behind-the-scenes look at the end of a cultural icon, Jacobson and Smith receive this week's Best of the State honors.

Ap 17136770091771 1024

Dec. 22, 2016

Best of the Week — First Winner

Assassination of the Russian Ambassador

On his way home, AP photographer Burhan Ozbilici stopped at the opening of a photo exhibit at Ankara’s Contemporary Arts Center. The Russian ambassador to Turkey was to speak, and Ozbilici figured the AP could use images of the envoy for its archives.

Shockingly, Ozbilici instead found himself a witness to an assassination. With cool head and steady hands, he documented the killing of Ambassador Andrei Karlov, capturing some of the most astonishing images of this or any other year. His photo of the raging gunman _ one hand holding the gun, the other pointed to the ceiling, his lifeless victim on the floor _ would appear on countless front pages and broadcasts and websites. Within hours, it was seen by some 18 million people on Facebook alone.

Even in a year of remarkable work by AP staffers, Ozbilici’s photos and actions were extraordinary _ and richly deserving of the final Beat of the Week award of 2016.

Ap 16354618219505 Tall