July 07, 2023

Best of the Week — First Winner

AP goes into overdrive, with honesty and sensitivity, to document a restive France  

The Paris suburb of Nanterre was at the heart of violent protests after a French policeman killed a 17-year-old at a traffic stop, and AP journalists in Paris worked around the clock and at a competitive disadvantage to document the unrest and its aftermath.    

Photographer Christophe Ena was among the first on the scene, taking AP’s first photos and video of flames in Nanterre on the first night and alerting our customers — and competitors — of the gravity of the story. He and a photographer from the European Pressphoto Agency were the only international journalists on the scene at the time and worked together to ensure each other’s safety as tensions rose around them.    

Cara Anna, arriving from Nairobi, was among just a few journalists to cover the boy’s funeral and discreetly filmed a brief video of the cemetery where people were gathering to mourn. It was the only footage published of the event, but also respected the organizers’ request not to have cameras at the funeral itself.    

For sensitive, honest work in unpredictable, often hostile conditions to show a part of France tourists see rarely and understand even less, Ena and Anna earn this week’s first citation for Best of the Week. 

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June 09, 2023

Best of the Week — First Winner

Despite great physical risks, AP delivers searing live coverage of clashes in Kosovo 

Many of the AP’s most iconic images from the 1998–99 war in Kosovo were the products of video crew Vojislav Stjepanovic and Radul Radovanovic in Bosnia.    

Their deep experience meant they knew something big was about to happen when minor disturbances broke out following mayoral victories by ethnic Albanians in Serb-majority towns where Serbs overwhelmingly boycotted the elections.   

Soon, the situation in northern Kosovo unraveled as ethnic Serb demonstrators began clashing with NATO-led peacekeepers. Stjepanovic and Radovanovic were at the heart of the action, documenting the story and broadcasting it live, even with Molotov cocktails and tear gas flying just a stone’s throw away.    

Some journalists fled the scene, and others were targeted while trying to cover the story. Stjepanovic and Radovanovic found a balcony just above the fray that offered a wide view of the clashes, where soldiers were being pelted with rocks and firearms were being discharged. They delivered live shots through it all, a feat unmatched by local channels, let alone international competitors.    

When the violence finally cooled, 30 international soldiers and more than 50 protesters had been injured. The crew delivered 11 hours of live coverage through it, and Belgrade producer Ivana Bzganovic swiftly produced multiple edits that won hundreds of hits.   

For showing immense bravery in providing images no one else could, Stjepanovic, Radovanovic and Bzganovic are this week’s Best of the Week — First Winner.  

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