Sept. 08, 2016
Beat of the Week
Actor Gene Wilder dies at 83
for being first to report the death of legendary comic actor Gene Wilder. http://bit.ly/2c1KqUB
for being first to report the death of legendary comic actor Gene Wilder. http://bit.ly/2c1KqUB
In a gripping exclusive that reads like the plot of a Hollywood film, Latin America correspondent Josh Goodman revealed the failed plot to oust Venezuelan President Nicolás Maduro by a ragtag group of 300 volunteers led by a former U.S. Green Beret. The ill-conceived plan called for the group to invade Venezuela from Colombia and ignite a popular rebellion that would end in Maduro’s arrest.
The plot was uncovered and dismantled with barely a whisper, but a cryptic tip to the well-sourced Goodman planted the seed of the story. Over the next several months he reviewed documents and interviewed more than 30 Maduro opponents and aspiring freedom fighters with knowledge of the plot, piecing together the narrative with a strong assist from investigative researcher Randy Herschaft.
Goodman’s story broke and reaction was strong: International media struggled to catch up and authorities in the U.S. and Colombia launched investigations. Senate Democrats have sent a letter to the Trump administration demanding answers.
For his impressive scoop on the failed coup that has been dubbed “The Bay of Piglets,” Goodman and Herschaft win AP’s Best of the Week award.
for being first with a named source confirming that Angelina Jolie Pitt had filed for divorce from Brad Pitt. http://bit.ly/2d9TKlQ
conducted a gripping video interview with a 33-year-old Italian lawyer and water polo player about the man’s battle with COVID-19, underscoring how the disease not only hits the elderly or those with underlying health conditions. Santalucia interviewed Andrea Napoli by Skype and filmed him waving from a hotel that is being used for patients recovering from the coronavirus. The video and a text story by Milan correspondent Colleen Barry won widespread play. https://bit.ly/39x7cLX
teamed up to trace the elusive origin of Pope Francis’ bombshell comment on same-sex civil unions in a three-day run of stories that broke news.After Winfield reported that Pope Francis had endorsed civil unions in a new documentary, she discovered that the origin of the quote in the film was not clear. When Winfield asked the director whether he had understood at the time that the civil union comment was news, his longwinded and indirect answer was the first hint that something was off – triggering a 36-hour reporting effort.Thomas, who was covering the premiere of “Francesco” in Rome, got a top papal communications aide on camera insisting that the quote didn’t come from an interview for the film, but a 2019 interview Francis granted Mexican broadcaster Televisa. After three days of contradictory claims, the reporters nailed down that the comments were made during a May 2019 Televisa interview that was never broadcast in its entirety. Verza pressed and elicited a sourced confirmation that the Vatican had cut the quote out of the raw interview footage it provided to Televisa.AP’s story with the information from Mexico moved three hours before major newspapers reported the story. The Vatican, meanwhile, has refused all comment.https://bit.ly/3kBGZlyhttps://bit.ly/31R6VCq
produced a creative and innovative package that gave young people around the world an opportunity to tell their own stories during the pandemic. Using contacts inside and outside the AP, Irvine asked people, ages 16 to 24, to talk about their experiences and film a bit about their lives. Her story, with the video compilation as the centerpiece, revealed the concerns the subjects have in common, as well as their unique circumstances.https://bit.ly/2JRBkHwhttps://bit.ly/2xeKvif
AP investigative reporter Jason Dearen received a curious email on Dec. 1, claiming to be from Joseph Moore, a man Dearen had written about months earlier. Moore was an FBI undercover informant who had infiltrated the Ku Klux Klan in Florida and disrupted a murder plot by three klansmen working as prison guards.
Dearen and AP visual journalist Robert Bumsted soon found themselves in Florida interviewing Moore about his years in the klan.
Moore said he’d identified dozens of law enforcement officers who were either sympathetic to the klan, or active members, telling AP, “It is more prevalent and consequential than any of them are willing to admit.” Dearen also came away with details to further challenge Florida officials’ claims that they have no indication of wider klan or other criminal gang activity among their prison guards.
The “must read” story, accompanied by Bumsted's video, lit up online and numerous film producers inquired about film rights.
For chasing the story so long and covering it so well that it brought an underground FBI informant out of the shadows, Dearen and Bumsted earn AP’s Best of the Week — First Winner honors.
Building on his recent coverage of the collapse of the Super League, AP global soccer writer Rob Harris knew he needed to attend Sunday’s match between two teams that were part of the failed breakaway league — Manchester United and Liverpool — amid rising fan anger at the clubs.
Reporters were prevented from entering the stadium hours before the scheduled kickoff, with most waiting outside the entrance to Old Trafford. But Harris looped around the opposite side of the stadium to get closer to the expected protests.
What followed was a multiformat win. As the the crowd grew unruly, eventually breaking into the stadium and onto the field, lighting flares and lobbing bottles, Harris phoned in text and uploaded video from the melee, including the start of clashes between fans and police. He and a pair of stringers supplemented with photos. On an important day for Premier League coverage, Harris’ video was featured in major networks’ coverage, and AP’s text alert on the postponement of the game beat even Britain’s top agency.
For all-formats command of his beat under difficult circumstances, and significant wins against the competition, Harris earns AP’s Best of the Week honors.
for sharp all-formats coverage in obtaining the first Western news and video of an Australian student released from North Korean custody, a scoop hailed as “brilliant” by the news director of the Australian Broadcasting Corp.https://bit.ly/2NxraAfhttps://bit.ly/2JxcrQI
The low-key, secretive trip by senior official Kim Yong Chol from North Korea to the U.S., carrying a letter for President Donald Trump, could have gone undocumented were it not for clever, enterprising work by staffers on two continents.
Senior video producer Raf Wober, based in Hong Kong, noticed high security in Beijing's airport, recognized Kim, and used his cellphone to capture video as the North Korean walked through the airport. Wober's video and his alert to the Asia Desk set off a worldwide scramble as Trump later announced that Kim was heading to the U.S. for talks about the upcoming U.S.-North Korea summit.
In New York, the team of video journalists Sara Gillesby, Joseph Frederick, Luke Sheridan, Ted Shaffrey, David Martin and Robert Bumsted picked up Wober’s efforts, using technology and street smarts to get exclusive live shots that included Kim’s plane arriving at John F. Kennedy airport, Kim walking on the tarmac to a motorcade, and his arrival at a Manhattan hotel.
All of which was unmatched by the competition, resulting in strong play in the U.S. and internationally.
For their quick and creative thinking to net AP worldwide exclusives, Wober and the New York video team share the Beat of the Week award.
crafted a tender, poignant photo package of nursing home residents in Spain hugging their relatives through protective sheets of plastic, his images almost instantly resonating among audiences worldwide. “One of the most moving epidemic-era photos I have seen,” wrote one Twitter user. Another called it “an ode to love and so heartbreaking. Terrific work.” Multiple media organizations including The Guardian and CNN included Morenatti’s work in their must-see photo collections of the week. https://bit.ly/2YK0iRg
for braving security restrictions and overcoming a complete communication lockdown to report in all formats on life under siege from Indian-administered Kashmir.When New Delhi moved Aug. 5 to revoke the Himalayan region of its statehood, all lines to the outside world were severed. With a strict curfew in place the AP crew overnighted in the office, but transmission in any format was a challenge. Defying the crackdown on movement and filming, the team managed to send photos, video and text with a passenger on a flight to Delhi.Meanwhile, Saaliq, a native Kashmiri himself, spoke to people struggling to buy necessities and to those injured during sporadic protests. His story, some of which he dictated over the phone from a Srinagar hotel, was one of the first reports in the international media that allowed Kashmiri voices to be heard after the dramatic developments. Hussain followed with personal stories of how Kashmiris were coping with life surrounded by armed police and paramilitary soldiers. And with short windows of internet access and many trips to the airport, the AP team managed to move words and images of thousands of protesters, including a widely used photo of a group of women marching after Friday prayers, and security forces patrolling the city. The lockdown continues. While some local media have suggested normalcy has returned to Kashmir, AP offers a critical counter narrative grounded in dogged reporting to show the world what is happening in the disputed region.https://bit.ly/31EKii3https://bit.ly/2H8adH7https://bit.ly/3063jJV
kept AP ahead with fast, definitive all-formats coverage of the Oscars moment that shocked the world: Will Smith’s slap of Chris Rock. As soon as Smith walked onto the stage and struck Rock over a joke about the actor’s wife, the AP Entertainment team pivoted its coverage of the otherwise generally upbeat Academy Awards ceremony, expediting remarkable photos, text and video of the confrontation — quickly but carefully. While other news outlets at first mischaracterized the incident, AP had it right from the start. Read more
for the seventh installment of the “What Can Be Saved” series, working across formats to produce a stunning look at one of the planet’s rare conservation victories: the recovering populations of Africa’s mountain gorillas. The team endured long, steep hikes and fought through dense underbrush to get close to the animals, as well as building strong portraits of the people who live and work alongside the gorillas.https://bit.ly/2pDO7H5https://bit.ly/2oSWH49https://bit.ly/2Cj44VR
From the first blasts, gunfire and panicked phone calls, the Nairobi bureau immediately assumed a terror attack, aggressively mobilizing resources in a textbook example of cross-format journalism that put the AP ahead on every element of a major breaking story: an extremist attack on a hotel complex that left 21 people dead, in addition to the five attackers.
Senior video producer Khaled Kazziha called freelance video journalist Joe Mwihia, who slipped into the scene with Kenyan special forces, filming exclusive footage as officers cleared rooms, guns drawn, and ran down rumors of a grenade. His three hours of exclusive reporting earned him the byline on the text story based on his detailed contributions.
Meanwhile, staff video journalist Josphat Kasire rushed to the scene with a LiveU and quickly scooped competitors with the first live shot showing burning cars, injured people, survivors fleeing in droves and witness accounts. His compelling footage became the heart of the text story, and the live images continued overnight as the attack unfolded.
Contributing to the outstanding video coverage were freelance cameraman Idi Ali Juma, freelance camera assistant Moses Ndungu and freelance producers Geoffrey Kaviti and Desmond Tiro.
“Sheer bravery,” international editor Ian Phillips said later of the team’s work.
Around the same time, Nairobi photographers Ben Curtis and Khalil Senosi captured gripping images of people fleeing the mayhem and security forces aiming weapons at attackers, among their standout photos.
The play for the photos, video and text was off the charts, including major client Sky News running live and packaged videos on a day busy with Brexit news.
For their formidable breaking news coverage across all formats, the Nairobi team of Kazziha, Curtis, Senosi, Mwihia, Kasire, Ali Juma, Tiro, Kavita and Ndungu wins AP’s Best of the Week.
The Best of the AP committee has also awarded a special lifetime citation to Libya freelance photographer and video journalist Mohamed Ben Khalifa, who died Jan. 19 when the military convoy with which he was traveling came under missile fire in southern Tripoli.
The committee honored Ben Khalifa for the body of his work, carried out with integrity and courage for The Associated Press and his other media clients.
navigated issues of access, multiple locations and complex logistics in covering this year’s one-of-a-kind Academy Awards ceremony, altered from top to bottom by the pandemic.The event was one of the largest photo pools AP has ever run. AP’s remarkable access came as the result of years of relationship building with the film academy, which trusted AP to not only shoot photos of its marquee event, but also distribute those images to news outlets around the globe.Under the leadership of Kaufman, assistant director of photography, and with a workflow developed largely by photo editor Munoz, the team expedited some 1,500 still images to 11 members of the pool. Meanwhile, in London, Jankovic coordinated photographers and editors handling the Oscars’ global satellite locations — from Sydney to Stockholm to Kilkenny, Ireland, and points in between. Success meant assembling a team of AP staffers, including a team of 10 editors — most off-site due to pandemic restrictions — who quickly edited, captioned and transmitted the images. In addition, at the academy’s request, video journalist Turner shot the Oscars’ pool fashion feed – a key position that is highly valuable to clients looking for red carpet looks and unscripted moments.Bottom line: If you saw a photo from the red carpet, or a winner clutching the coveted statuette, chances are it was shot by the AP. The images were used in countless tweets, online stories and on dozens of newspaper front pages, notably above-the-fold play for shots of “Nomadland’s” best picture winners by Pizzello, who also authored a “Virus Diary” with his reflecions on being an entertainment photographer during the pandemic.https://bit.ly/3vpV8HDhttps://bit.ly/3gOI1eY
went beyond just documenting the fires that swept across Brazil’s Pantanal wetlands, decimating wildlife, but also reported that the government’s meager response allowed the blazes to spiral out of control. Almost one-quarter of the Pantanal, the world’s largest tropical wetlands, went up in flames – an area bigger than the state of Maryland, and double what California lost this year.
The Brazilian government said it mobilized hundreds of troops and agents. as well as aircraft dropping water, to douse the fires. The AP team used witness testimonials, local data and its journalists’ own observations – they didn’t find a single armed forces member during five days in the northern Pantanal, where the fires were centered. Sources yielded further evidence and a government source who was involved in the Pantanal fire response later confirmed the AP’s findings, despite continued assertions by Brazil’s environment ministry that its response was stellar.
The team produced multiple packages with especially strong video and photos. The work was the most used from Latin America by AP clients for all of September.https://bit.ly/33zTrMvhttps://bit.ly/36KwSad
were determined to capture for all formats the stories of evacuees from the the bombarded Mariupol steel plant, delivering the first extended account of life in the bunkers under the plant as war raged overhead.In Zaporizhzhia the team staked out a car park for days, poised for a “safe passage” operation evacuating civilians from the besieged plant. When the buses arrived, AP’s coverage included extensive live video, and the following day the journalists spent two hours with a woman and her family who described their life below ground — and the feeling of “visiting the sky” when they would dare emerge from the bunkers.Read more
There’s always a better story behind a statistic.
Chicago’s homicide rate is one of the worst in the United States. By digging into one drive-by shooting, Chicago-based legal affairs reporter Michael Tarm and Houston-based video journalist John Mone found out how one victim’s life had inspired a generation of gang territory storytellers.
Telling it took a lot of sourcework.
Tarm had already been working on a story about social media and gangs, and he’d watched a few of Zack Stoner’s reports on Chicago street gangs and rappers on his ZackTV1 YouTube channel. When reports surfaced that Stoner was gunned down, Tarm began to look deeper, stumbling across a wider story – about a new brand of gutsy gangland reporters in Chicago and elsewhere who have avid followers on YouTube.
Getting access to the storytellers was tough, but eventually the name of Texas-based reporter Shawn Cotton emerged. Cotton was eager to discuss Stoner, his impact on the genre and the effect his killing had on him and others. Mone rode along with Cotton to the Meadow Brook subdivision in Fort Worth, dubbed “Murder Brook” by some of the kids on the street where Cotton filmed.
The multi-platform work played prominently with impressive reader engagement.
For relentless sourcework to show how a generation of storytellers is impacting its communities, Tarm and Mone win this week’s Best of the States.
overcame countless obstacles to provide on-the-ground coverage from a remote area of northwest Nigeria after the abduction of 300 students from a school in Katsina state. With perseverance, stamina and resourcefulness, the pair delivered content for a series of powerful stories in all formats, including live video coverage of the eventual release of the students.The pair had been covering Lagos Fashion Week when news of the mass abduction broke. After arranging with local stringers for AP’s first images from the school in Kankara village, Oyekanmi and Alamba flew north, then drove for hours over single-lane roads, dodging trucks and potholes, and talking their way through security checkpoints to reach Kankara, a town now in shock. After making images — captured with difficulty among a populace cowed by fear — more hours of travel followed to reach a safe town where they could file photos and video, and get some sleep.That work pattern repeated over the coming days: six or more hours on the road, then filing late into the night with visuals and reporting that brought detail and color to text stories.When they learned that the release of the boys had finally been secured, Oyekanmi and Alamba rushed to the state capital, staying up all night to wait for the students’ arrival. When the freed boys finally did arrive the next morning, Oyekanmi was ready with LiveU gear, streaming exclusive live coverage of their return, while Alamba filed first photos via Whatsapp. Both formats scored heavy usage by AP global clients.https://bit.ly/3rkaQmxhttps://bit.ly/2WFlKozhttps://bit.ly/2KwM9CDhttps://bit.ly/38uEQTXhttps://bit.ly/3nFUpP3