May 24, 2018
Beat of the Week
Visual journalists capture exclusive images of the Kilauea eruption
for capturing exclusive, dramatic visuals of lava spewing from the eruption of Kilauea in Hawaii. https://bit.ly/2s9yaFD
for capturing exclusive, dramatic visuals of lava spewing from the eruption of Kilauea in Hawaii. https://bit.ly/2s9yaFD
for delivering exclusive agency coverage for all formats when North Korea demolished its nuclear test site in the country's sparsely populated northeast. https://bit.ly/2xEKYtR
The low-key, secretive trip by senior official Kim Yong Chol from North Korea to the U.S., carrying a letter for President Donald Trump, could have gone undocumented were it not for clever, enterprising work by staffers on two continents.
Senior video producer Raf Wober, based in Hong Kong, noticed high security in Beijing's airport, recognized Kim, and used his cellphone to capture video as the North Korean walked through the airport. Wober's video and his alert to the Asia Desk set off a worldwide scramble as Trump later announced that Kim was heading to the U.S. for talks about the upcoming U.S.-North Korea summit.
In New York, the team of video journalists Sara Gillesby, Joseph Frederick, Luke Sheridan, Ted Shaffrey, David Martin and Robert Bumsted picked up Wober’s efforts, using technology and street smarts to get exclusive live shots that included Kim’s plane arriving at John F. Kennedy airport, Kim walking on the tarmac to a motorcade, and his arrival at a Manhattan hotel.
All of which was unmatched by the competition, resulting in strong play in the U.S. and internationally.
For their quick and creative thinking to net AP worldwide exclusives, Wober and the New York video team share the Beat of the Week award.
for quick reaction to get photo and video coverage when news broke that U.S. consulate employees in Guangzhou, southern China, had suffered mystery illnesses at their residences reminiscent of similar illnesses among U.S. diplomats in Cuba. https://bit.ly/2HSgRP8
AP explored the effect of new guidelines for treatment of kids with severe obesity that came out in January. Read more
for careful planning, effective customer service and impactful, all-format coverage of typhoon Mangkhut and its aftermath in the Philippines and Hong Kong.https://bit.ly/2Ijr5Knhttps://bit.ly/2xEWjr5https://bit.ly/2xEWVwT
Even by the standards of Chinese state surveillance, the capital of the Xinjiang region stands out for the scope of repression. So, when protests broke out in Urumqi against coronavirus restrictions, AP journalists knew something unusual was happening.
It started with an apartment fire blamed by many on China’s harsh coronavirus measures. Dake Kang, who has covered the region closely for the past five years, scored an early interview with a relative of victims of the fire, beating out competitors. By reaching out to people on the ground online, Taipei-based writer Huizhong Wu confirmed protests that had followed, adding critical eyewitness accounts.
Within 24 hours of the fire, Chinese social media was swamped with anti-government messages – people angry at restrictions that have locked them into their homes for weeks or months at a time, and critically blaming the leadership. In a country where media is restricted, residents are surveilled, and individuals are punished for speaking out against authority, this was extraordinary.
As unrest spread, AP staff in Beijing, Bangkok and Hong Kong used all their tools and cooperated across borders to produce swift, careful coverage of the unprecedented demonstrations, earning Best of the Week 1st winner.
took a fresh, insightful look at racial injustice, exploring the trauma caused by exposure to images of police brutality.
Nasir started reporting on the issue while in Minneapolis covering the aftermath of the George Floyd killing. She followed up with interviews of people who experienced the trauma, as well as a psychiatrist and others who specialize in racial trauma therapy. Hong meanwhile delivered fresh images of a man who tries to find balance between his awareness of racial injustice and the pain inflicted by such images.https://bit.ly/2VY45sehttps://bit.ly/3iEqqF5
for scoring an all-formats exclusive interview with a senior North Korea official amid high tension on the Korean peninsula. http://apne.ws/2ox5a6X
teamed up on Thanksgiving Day to deliver a standout package that showed the various ways that Americans observed the holiday in the year that COVID-19 upended tradition.Reporters and photographers fanned out to deliver intimate, heartbreaking and heartwarming tales from homes and dinner tables around America, the diverse elements coming together in a seamlessly edited narrative.Among the highlights: From New York, an elderly nursing home resident marking the holiday alone, and a family with an empty spot at the table to commemorate a mother lost to the virus. In Kansas City, a nurse who recently lost her mother and marked the holiday after completing an overnight shift at the hospital. A Florida woman who skipped the family gathering to write Thanksgiving notes to her loved ones. A Utah family of three, all of whom tested positive for COVID-19, who found boxes outside their home overflowing with canned goods, desserts and a turkey. And in Southern California, a man who spent $1,000 on rapid virus tests so he could share Thanksgiving Day with family. https://bit.ly/3lIUgZy
Los Angeles-based reporter Brian Melley reported the initial news of a human skeleton discovered near California’s second-highest peak in 2019, and he broke the news connecting the find to the World War II internment of 110,000 people of Japanese descent. But Melley didn't stop there. He persisted in tracking down family members of Giichi Matsumura, whose body had lain in the mountains for almost 75 years.
Melley found and earned the trust of Matsumura’s granddaughter Lori. In this beautifully elegiac exclusive he reveals how the family’s life in the U.S. was abruptly upended by the Japanese internment, the tragedy compounded by the death of Giichi and the inability to give him a proper burial. It was Lori Matsumura who managed to bring him home for reburial 75 years later, reuniting three generations in a Santa Monica cemetery.
For his determination to follow Giichi Matsumura’s narrative to conclusion, breaking news while telling one family’s poignant story, Melley wins AP’s Best of the States award.
Since the start of the pandemic, AP photographers have been on the front lines of coverage, taking on risks to bring the world scenes of struggle, death, comfort and hope. And in many ways the images had a profound impact on the photographers themselves.
So as the world approached another grim pandemic milestone of 3 million deaths, New York photo editor Alyssa Goodman asked a group of 15 photographers from 13 countries to each select the one image from their virus coverage that affected them most, and describe why.
The resulting package, elevated by the elegant writing of Rome reporter Nicole Winfield, offers compelling insight into the emotional impact of bearing witness and documenting the pandemic.
For adding a new and creative dimension to some of AP’s most deeply moving photography of the coronavirus pandemic, Goodman, Winfield and this dedicated team of photojournalists — representing their AP colleagues worldwide — earn AP’s Best of the Week honors.
were not alone in trying to find a way to capture the essence of France after more than six months of virus lockdown — AP’s Paris bureau pulled out all the stops to cover the reopening of museums, restaurants and other sites in a country famous for its “joie de vivre,” and other news organizations were looking to do the same. But multiformat journalist Leicester and photographer Mori outmaneuvered the competition by securing exclusive access two days beforehand to Monet’s gardens in Giverny where the gardeners were furiously weeding, sewing and planting to make the site picture-perfect for visitors. Leicester’s widely used video package complemented his elegantly written text piece. And Mori, drawing inspiration from Monet, delivered a knock-out package of images that verged on art, evoking the historic setting. The all-formats package played for days around the world, from New York to South Korea to Hong Kong. The piece even netted a rare byline for Mori and Leicester in The Guardian.https://aplink.news/pg6https://aplink.video/nghhttps://bit.ly/3hYlEUP
AP’s sleuth work helped AP capture images of a North Korean international sports delegation, believed to be the first since the start of the COVID pandemic.Read more
Rarely does AP’s Best of the Week award go to an editor. But this week — a particularly strong one for AP with multiple exclusives — the honor is truly deserved by Top Stories Hub photo editor Alyssa Goodman. Goodman was the driving force behind “Kids Left Behind,” an extraordinarily moving photo package that takes an intimate look at children who have lost parents to the pandemic.
Goodman coordinated with photographers around the globe to find the young subjects, get permission to photograph and interview them, then make their portraits in a cohesive style.
The result was one of the most compelling packages AP has done in recent years, the photos complemented by poignant text moving many readers to tears, with stories ranging from a 10-year old in India who lost both parents in a matter of weeks, to video of a California 13-year-old performing the song she composed for her father’s funeral, on the guitar he gave her days before he died.
For generating an inspired and challenging project, handling it with sensitivity and tenaciously seeing it through in collaboration with global colleagues, Alyssa Goodman wins AP’s Best of the Week award.
kept the AP in the forefront of 2020 census coverage, exploring the crucial undercount question for the first in-depth national story on the subject since demographic data was released by the U.S. Census Bureau on Aug. 12.By comparing the new numbers to earlier estimates, Schneider revealed a pattern in which the numbers consistently came in below what had been projected for both Hispanic and Black populations, suggesting that some areas were overlooked. The official numbers have implications for the distribution of federal funds and congressional representation.Phoenix-based Galvan uncovered Somerton, Arizona, a Latino community building new schools and taking other steps to accommodate its growing population — although the official census numbers showed 90 fewer people than a decade earlier. In a vivid example of show-don’t-tell reporting, Galvan teamed up with Los Angeles photographer Jae Hong and videographer Eugene Garcia to convey the texture of the community, capturing voices of outrage and disbelief among local officials that their population numbers were so low.Schneider, meanwhile, worked with graphic artist Francois Duckett to put together national maps showing that the biggest shortfalls among Latino people came in the Southwest, while the count of Black individuals fared worst in the South. The highly visual presentation complemented the data, helping AP once again set the pace for national coverage of the 2020 headcount.https://aplink.news/mb2https://aplink.video/w10https://aplink.photos/k3o
teamed up across formats, beats and states, drawing on AP resources throughout the West to dominate coverage of the high-profile Northern California wildfires that threatened an international gem, Lake Tahoe.Striking photos by Noah Berger and Jae Hong captured the drama as the fire raged toward the resort city and a vast swath of the Sierra Nevada. Report for America journalist Sam Metz was indefatigable on the ground, interviewing rescue workers, residents and firefighters, then capturing the chaos of the evacuation. Reporters John Antczak, Janie Har and Jocelyn Gecker worked the phones from Los Angeles and San Francisco providing detail and context as they wrote the spot stories. Video journalist Terence Chea and Michelle L. Price reported on people who refused to leave.For this latest in a series of major blazes, the West region dug to identify wildfire-related stories of interest beyond the breaking news, including Tom Verdin’s story on the special sites that were threatened, Don Thompson’s assessment of what went wrong in fighting the blaze, Brian Melley’s report on canceled vacations nationwide and a piece by Metz and Scott Sonner on price gouging.https://aplink.news/rwdhttps://aplink.news/qo4https://aplink.news/slxhttps://aplink.news/cp0https://aplink.video/4jlhttps://aplink.video/a3bhttps://apnews.com/hub/wildfires
set a new standard for The AP Interview, thanks to a 3-year source-building effort that persuaded Grace Meng, wife of the ex-Interpol boss jailed in China, to go on camera and go public with her story for the first time.When Meng revealed in 2018 that her husband, Meng Hongwei, was missing in China, Leicester was the only Chinese speaker among reporters in the room. Leicester saw a unique and untold story: that of a former insider among China’s secretive governing elite whose powerful husband had fallen afoul of the Communist Party, with its long and brutal history of political purges. “The monster” is how Meng now speaks of the government her husband worked for. “Because they eat their children.”Tiptoeing around the interview room in Lyon, France, Cipriani captured the range of emotions expressed by Meng, while Turnbull, collaborating with Cerrone, raised the bar for the interview series with his masterclass camerawork. Luke Sheridan in New York turned around the edited, branded video so quickly that the package was available in all formats almost immediately.The video was by far the most impactful segment of The AP Interview on AP’s YouTube channel to date, and the story was No.1 for the week in reader engagement.https://aplink.news/7zshttps://aplink.video/40rhttps://aplink.news/v6z
China and the Trump administration had opposing narratives about the early days of the new coronavirus epidemic: China bragged about providing information quickly to the world through the World Health Organization, while the Trump administration accused China and WHO of colluding to hide information.
It took The Associated Press – drawing on recordings, documents and interviews – to tell the definitive story: Rather than colluding with China, WHO itself was being kept in the dark, praising China in public to shake loose information while expressing considerable frustration in private.
AP’s widely praised story, months in the making, was so sensitive that we did not name the two main journalists to avoid blowback in China and to prevent anyone from identifying our sources.
For in-depth reporting that drew back the curtains and punctured the preferred narratives of China, WHO and the Trump administration at the same time, the AP reporters who produced this stunning piece earn Best of the Week honors.
AP journalists were on the U.S-Mexico border for an immigration assignment May 24 when they got word of a school shooting in Uvalde, Texas. They quickly gathered their gear and rushed to Robb Elementary School, where they found chaotic scenes of law enforcement surrounding the school. The staffers immediately went to work providing photos and live video.
That swift response to the unfolding tragedy made the AP the first national news organization on the scene and set the tone for the rest of the week. As more staff deployed, AP delivered dominant, all-formats coverage that explored with sensitivity not only the shooting that left 19 fourth graders and two teachers dead, but inconsistencies in the actions and statements of police — and much more.
Readers and customers responded with exceptional engagement.
For a powerful example of the AP at its finest on a major news story that has led to an outpouring of sympathy for the families, questions about police practices and the latest reckoning on guns and school safety, the AP Uvalde coverage team earns Best of the Week — First Winner.