for scoring several exclusives amid intense completion during the arrest of former Brazilian President Luiz Inacio Lula da Silva. https://bit.ly/2qoMeev
for using a 360 camera to give readers an immersive experience of the battle for Mosul.
https://www.facebook.com/APNews/videos/10154058631...
for thinking to ask Matthew McConaughey at a red-carpet event about the just-announced death of fellow actor and friend Sam Shepard, and capturing McConaughey’s stunned reaction. https://www.youtube.com/watch?v=kHMF4LlWgZI
captured the conflict unfolding on the Turkish-Greek border in a way that competitors couldn’t match. With gendarmes making it more and more difficult for journalists to get close to the border clashes between Greek riot police and migrants attempting to cross the border from Turkey, the pair had to blend in among migrants to avoid the attention of Turkish police. They carried food and water in plastic bags and hid their cameras inside their clothes, dropping to the ground among migrants to take cover from tear gas fired from the Greek side. Their tactics enabled them to make photos and video – unmatched by other agencies – of the chaos and desperation at the border.https://bit.ly/3aNn1z1https://bit.ly/38KWqRN
As soon as the ground stopped violently shaking in Anchorage on the morning of Nov. 30, Anchorage newsman Dan Joling calmed his nerves and started reporting. Then, within minutes, he went from producing urgents to plotting out with Stephanie Mullen, the West region’s deputy director of storytelling based in San Francisco, how AP would get the most compelling visuals at first light.
Already adept at capturing still photos, Joling would use a tool new to him, the live video streaming app Bambuser, to report on the damage from the two powerful back-to-back earthquakes centered just outside Alaska’s biggest city.
Out in the field, Joling drove up to a vehicle stranded on a crumpled roadway, first using his iPhone to snap photos that he quickly sent to a photo editor. He then fired up the Bambuser app, a tool that he had been trained on exactly one month before.
The live footage he streamed was scooped up immediately by customers in the United States and Europe.
His quick thinking and improvisation put the AP far ahead of the competition and gave viewers and customers unmatched views of the quakes’ aftermath, earning him AP’s Best of the Week honors.
used sharp planning and fast election day pivots to put AP well ahead of the competition, delivering unmatched live and edited video coverage of the first round of France's presidential election — a vote with implications for Europe’s future.As the election unfolded Sunday, senior producer Schaeffer recognized leading French broadcasters heavily using AP’s morning live feed from voting stations. Seeing the demand, he and the team quickly committed to live coverage throughout the day. That usage by French broadcasters was particularly telling: They chose AP over their own coverage — and crucially, over AP’s major French competitor, a tribute to the broad, balanced coverage which dominated AP’s live offerings throughout the day.Read more
The scene is dreamlike – or, more precisely, nightmarish. The untethered camera swoops and swerves through a depopulated wasteland of rubble and bombed-out buildings and wrecked vehicles.
This is Raqqa, devastated capital of the Islamic State group’s self-proclaimed caliphate. And this extraordinary footage – the Beat of the Week – was brought to viewers around the world by freelance drone videographer Gabriel Chaim. He shares the prize with Mideast photo editor Maya Alleruzzo.
for a daylong stakeout of a U.S. base in Japan that yielded the only live video feed of U.S. Secretary of State Mike Pompeo’s plane returning from North Korea with three freed American prisoners.https://bit.ly/2rQfx9E
for quickly getting to the scene of a collapsed building and capturing unmatched images of crews rescuing children. Oyekanmi held the live shot for nearly two hours, allowing AP to send live video as well as framegrabs to customers, while Alamba’s photos dominated websites and newspapers, including front-page placement on the next day’s New York Times print edition.https://bit.ly/2U2WUiThttps://bit.ly/2TSb6Mb
for racing to Nairobi’s Gikomba market early in the morning after getting a tip about a fire, and capturing the first video and first live shots of the disaster that killed 15 people and injured 15, well ahead of Reuters and other competitors. https://bit.ly/2MQwBoZ
hustled to provide the first live images and other exclusive content from the scene of a double-stabbing outside the former offices of satirical magazine Charlie Hebdo.Cetinic, who has covered multiple extremist attacks in France, received an early tip from a friend near the attack scene, and knew to take the tip seriously even before the details became clear. He alerted colleagues and rushed to the site. The chief Paris police spokeswoman wasn’t even aware of the stabbing until AP called to ask about it. In addition to his first live shot, filed by phone via the Bambuser app, Cetinic quickly found and interviewed a witness and obtained exclusive video and photos from another witness, including images of the weapon and the attack scene. Meanwhile, AP aggressively filed text as police hunted the attacker and carried out arrests, staying on top of sometimes contradictory information from authorities and other media.Cetinic’s fast action, and the quick response by the rest of AP’s Paris staff, provided customers swift on-the-scene images that beat other major agencies and were widely used. https://bit.ly/3jib60Whttps://bit.ly/2SbZu3n
When heavily-armored police stormed protesters occupying Hong Kong’s Polytechnic University, AP journalists were there to comprehensively document the violent confrontation that ensued.
The effort to retake the school and arrest protesters trapped on the campus was beamed to customers around the globe in real-time, putting AP ahead of the competition with photos and live video of a dramatic escalation in the struggle between authorities and those protesting Beijing’s tightening policies toward Hong Kong.
The scoops were the result of months of protest coverage by AP visual journalists in Hong Kong, careful planning of how to report the siege, and wise use of AP resources around the world.
The team on the ground – photographers Vincent Yu and Kin Cheung of Hong Kong; Han Guan Ng, Beijing; and Achmad Ibrahim, Jakarta; and video journalists Raf Wober, Hong Kong; Johnson Lai, Taipei; Dake Kang, Beijing; Andi Jatmiko, Jakarta; and freelancers Katie Tam and Alice Fung – delivered days of impressive coverage around the siege.
For smart planning and outstanding execution to document a chaotic story with breathtaking speed and depth, the visuals team covering the Hong Kong protests wins AP’s Best of the Week.
for alertly elevating a routine ceremony into the day’s top visual story. Kienoel noticed that German Chancellor Angela Merkel looked unwell, and focused his video camera on her as she began to shake uncontrollably. Then he discretely phoned from the crowded media scrum to flag the episode for staffers in all formats, resulting in a text story and a video edit that moved ahead of any competitor.https://bit.ly/2KFefKrhttps://bit.ly/2KFTFJX
for breaking the news that Luis Fonsi’s “Despacito” was not nominated for even a single MTV Music Video Award despite now being the most-streamed music video in history. http://bit.ly/2wnnC9X
for securing chilling video of the final harrowing moments aboard a Thai boat loaded with dozens of Chinese tourists before it sank, along with details and comments from family of one of the victims.https://bit.ly/2uDL8gjhttps://wapo.st/2LfZFFK
for their work on Hurricane Michael. Holed-up in a collapsing hotel, dealing with a smashed vehicle and dodging downed trees to get to Mexico Beach for the first comprehensive, all-format look at a shredded town after Hurricane Michael. The video of the hotel awning collapse was a live exclusive for AP. The mainbar netted more than 600 source matches, and a sidebar added nearly 700 more. The top 10 AP images the next day were all from the storm, many from Mexico Beach. The photos, nearly all of them from Mexico Beach, ran on at least 75 front pages. One of our video pieces scored 72 channels with 273 hits and was unmatched by the competition. https://bit.ly/2yxKtinhttps://bit.ly/2S0gGYD
for transmitting live, world exclusive broadcast-quality video from a submersible operating 200 meters (656 feet) below the surface of the Indian Ocean as we accompanied scientists mapping the depths to better understand the impact of climate change. Using technology involving LED lights that pulse faster than the human eye can see, live pictures of the scientific mission near the Seychelles were sent to hundreds of AP customers around the world. https://bit.ly/2VPu0ji
produced a creative and innovative package that gave young people around the world an opportunity to tell their own stories during the pandemic. Using contacts inside and outside the AP, Irvine asked people, ages 16 to 24, to talk about their experiences and film a bit about their lives. Her story, with the video compilation as the centerpiece, revealed the concerns the subjects have in common, as well as their unique circumstances.https://bit.ly/2JRBkHwhttps://bit.ly/2xeKvif
AP scored an exclusive interview with a candidate in the state’s high-stakes legislative elections who was revealed during the campaign to have once live-streamed sex videos with her husband on a pornographic website.Read more
for providing the first live video and first photos from the scene of a rescue helicopter crash that killed six people in Italy, two hours ahead of Reuters. http://fxn.ws/2k3Wi9H