used AP feeds from across the country to report exclusively that millions of doses of hydroxychloroquine, the malaria drug touted by President Trump, were flowing from private companies and the federal stockpile to states and cities, despite warnings from doctors that the drug was unproven for treatment of COVID-19. https://bit.ly/2zJ7fYP
made AP the first news organization to report that coronavirus-linked hunger is leading to the deaths of 10,000 more children a month over the first year of the pandemic, according to the United Nations.The story was sparked by a riveting set of photos and video by Mednick, showing an emaciated baby in Burkina Faso who had lost half her (already low) birth weight because her mother couldn’t feed her enough. Hinnant decided to tell the story of the worldwide increase in hunger through children, arranging with the United Nations to share the grim statistics with AP.The numbers went along with a global effort to talk to children, families, doctors and aid workers across five countries in various regions. In reporting on Yemen, AP went back to the family with a hungry baby whom we had spoken to previously – only to find out that the baby had died.The widely used story struck a nerve with readers, some of whom reached out seeking to help the families.https://bit.ly/3kenos1https://bit.ly/2F2DJjv
pulled off a thoughtful, enterprising story about how the pandemic was playing out in France’s South American territory, French Guiana. With revealing interviews, Pedram showed how French Guiana’s outbreak exposed deep economic and racial inequality in the overseas department of about 300,000 people where poverty is rampant and health care is scarce. The story hit the two themes that are dominating news agendas among AP clients: the pandemic and racial inequality.In an AP interview, a representative of French Guiana’s Indigenous communities explained how the appearance of white doctors sent from the French mainland caused alarm, not relief. “There is still in the minds the time of colonization and the havoc wreaked by viruses brought by colonizers,” Jean-Philippe Chambrier, a member of the Arawak tribe, told Pedram. “So when they saw white people from the mainland, they made the link.”The story included images by photojournalist Pierre Olivier Jay. https://bit.ly/2WRNPK1
revealed how pressure and politics have corrupted and delayed the scientific process, slowing the development of effective treatments against the coronavirus pandemic.Marchione reviewed studies that are underway and interviewed dozens of doctors, researchers, patients and policy experts as she looked at organizations trying to do rigorous science, as well as the issues undermining that research. Young found creative ways to tell the story visually, including a GoPro mounted on a medical cart. Together they document a Pennsylvania COVID-19 patient enrolled in a clinical trial.The story – challenging to report because of the fluid and chaotic nature of the subject itself – attracted readers and generated interest on social media, a strong showing for non-breaking news.https://bit.ly/2B1uyxRhttps://bit.ly/2CFLpqo
As the coronavirus pandemic enters a new phase in a reopening nation, its psychological toll is sinking in for the frontline workers who have cared for the sickest patients.
Writer Jennifer Peltz, video journalists Robert Bumsted and Ted Shaffrey, and photographer John Minchillo went into New York City hospitals to see the impact in person, in real time and on the record. They interviewed health care workers and spent time with them on the job, seeing firsthand the lingering effects of months spent treating COVID-19 patients.
“In my wildest dreams, I never imagined how hard it would be,’’ one doctor said.
For a fully rendered package that takes a close personal look at this important aspect of the pandemic, the team of Peltz, Bumsted, Shaffrey and Minchillo earns this week’s Best of the States award.
broke the news that a U.S. Navy veteran detained in Iran for two years, Michael White, had been released from custody as part of a deal that resolved a Justice Department case against an American-Iranian doctor in the United States. The AP was far ahead of competitors with the breaking story and key details of the deal, the result of months of reporting by Lee and Tucker, including constant checks with sources in government and elsewhere. https://bit.ly/3cQC3or
followed up on their initial spot story about a Madrid nursing home that became a flash point when the Spanish army found the body of an 84-year-old resident locked in his room at the height of the virus outbreak. The AP team gained the trust of relatives of residents who had died as well as workers from the care home, learning that the 160-bed facility had seen widespread cost cutting for years and that management made a series of highly questionable decisions during the crisis.https://bit.ly/2U9jdCshttps://bit.ly/2XyMf0l
The end of May saw unprecedented news: The coronavirus pandemic continued to spread infection and wreak economic havoc around the globe, while much of the world’s attention pivoted suddenly to protests across the U.S. that spread to Paris, London, Australia and elsewhere after the suffocation death of George Floyd in Minneapolis on May 25.
This week’s Best of the Week recognizes AP’s work surrounding each of those mega-stories, with top honors going to Baltimore-based photographer Julio Cortez for his iconic photo of a protester holding an American flag aloft, and to the AP all-formats team in Brazil for continuing coverage of the virus in a nation being ravaged by COVID-19.
If the Navajo Nation were its own state, it would have the second highest per-capita rate of coronavirus cases in the United States, trailing only New York.
AP’s Felicia Fonseca, one of the preeminent reporters covering Native issues for any news organization, and photographer Carolyn Kaster reported from the heart of the crisis. Donning full protective gear and a healthy measure of courage, they documented families, doctors and volunteers, while national writer Tim Sullivan added further reporting and masterful writing assistance from afar.
The story and photos capture the vast beauty of the land and the intimate grief of the people, including one family that has lost four members to the virus. The package played heavily in the Southwest U.S. and was among AP’s most downloaded and viewed for several days.
For a revealing look at a Native community in the midst of the health crisis, Fonseca, Kaster and Sullivan share this week’s Best of the States honors.
Video journalist Mstyslav Chernov and freelance photographer Evgeniy Maloletka used their extraordinary access to western Ukrainian hospitals to produce powerful images of medical workers desperately treating COVID-19 patients despite a medical system in crisis. They also visited one hospital’s makeshift morgue and a cemetery where families grieved over lost loved ones. Chernov had driven 2,500 kilometers (1,600 miles) across three countries, then worked tirelessly to earn the trust of medics who eventually gave him and Maloletka rare access to document the dire situation. The play was impressive among AP customers and across media in Ukraine. One foundation even reached out to the pathologist who had set up an outdoor morgue, supplying the medic with protective gear, disinfectants and a tent.https://bit.ly/2LmvBKuhttps://bit.ly/2WsZdvWhttps://bit.ly/2WwwUNb
for months of careful relationship building with opioid addicts and their loved ones, resulting in a richly-detailed package about opioid addiction in Australia, where stigma around addiction remains high. The stories revealed how drug companies and the Australian government have contributed to the crisis, and an intimate narrative provided striking detail about the pain and impact of opioid dependency on addicts and their families. To find the right subjects, Gelineau contacted countless rehab centers, doctors, pain groups, nonprofits and addiction specialists, combed through online forums and social media and read through thousands of signatures on petitions related to opioid abuse. Putting the pieces together also required painstaking sifting through data from Australia’s de-centralized health system and 12 years of coroners’ reports to find early warnings about the opioid crisis. The work resonated with readers, and the director of the Pulitzer Center on Crisis Reporting, which funded the stories, called them “stellar journalism ... so well told and presented,” while the mother profiled in the team’s narrative piece wrote to Gelineau, “I’m so grateful for having met you, Sam and Goldie. You have given me a voice.”https://bit.ly/2kebqV7https://bit.ly/2lKn9ez
A scathing letter sent in early April by doctors in Italy’s Lombardy region provided the first tangible inkling that something had gone terribly wrong in its fight against the coronavirus.
With Lombardy accounting for roughly half of Italy’s 27,000 deaths, chief Rome correspondent Nicole Winfield set out to document how the virus overwhelmed a medical system long considered one of Europe’s best.
Over the next three weeks, Winfield methodically collected details, conducted interviews, pored over government reports and briefings, and referenced AP’s vast reporting on the pandemic to craft the first explanatory account of the missteps and failures that allowed the virus to become so pervasive in northern Italy.
Winfield’s story quickly became one of the most-read on the AP News and was picked up by outlets globally.
For crafting a thorough, compelling and heartbreaking account of how COVID-19 got a pervasive, deadly grip on Lombardy, Winfield wins AP’s Best of the Week honors.
spent weeks searching for patients to put faces on two clinical trials testing COVID-19 treatments: One was a coronavirus survivor who opted to donate her blood for research; the other was a doctor turned patient who decided to join a study testing an experimental biotech drug. The stories were part of AP’s ongoing effort to tell the behind-the-scenes stories of people affected by the pandemic.https://bit.ly/2JQKbcwhttps://bit.ly/2XlHOWQ
“No.”
“Never.”
“Not possible.”
“Can't be done.”
Photographer Felipe Dana and video journalist Renata Brito were told in no uncertain terms that Spanish hospitals and their intensive care units in particular would not allow access to journalists reporting on the coronavirus pandemic. And in New York, the all-formats team of John Minchillo, Robert Bumsted and Jake Seiner was given largely the same answer when they tried to get into a funeral home to document the surge of victims literally piling up.
Neither team took no for an answer. Both teams produced haunting images and text documenting the stark reality wrought by the pandemic.
The tenacity, skill and bravery on display from both teams was the difference between getting the story out to the world and revealing the human cost of the crisis – or not. It’s the latest example of AP journalists proving that “No. Never. Not Possible,” does not apply to them. And it is why Dana, Brito, Minchillo, Bumsted and Seiner share AP’s Best of the Week award.
With a powerful and evocative photo gallery, AP journalists in Italy captured the heroism of 16 Italian medical personnel on the front lines of the battle against the coronavirus pandemic.
Photo editor Alberto Pellaschiar proposed the idea, and hospitals – reassured by AP’s reputation for professionalism – permitted photographers Antonio Calanni and Luca Bruno and chief photo editor Domenico Stinellis to make photos of the doctors and nurses during breaks or as they finished their shifts.
The intimate portraits conveyed the fatigue and determination of the men and women working round-the-clock to save lives. Chief correspondent Nicole Winfield studied the portraits and interviewed some of the subjects to put their struggle into words.
The impact was tremendous – the stark, understated images and accompanying story riveted audiences around the globe.
For conceiving and executing a brilliant series of images that captures in human terms the battle against the disease, Pellaschiar, Stinellis, Calanni, Bruno and Winfield win AP’s Best of the Week.
told the story of New York City’s besieged emergency rooms, where overwhelmed nurses, doctors and paramedics face warzone-like conditions. The reporting team mined sources developed over the years and others on social media to reveal caregivers contending with a flood of sick and dying patients, equipment shortages and the impossible task of deciding who lives and who dies. With hospitals closed to cameras, photo staffers, notably Mary Altaffer and John Minchillo, documented the story with shots of exhausted-looking health workers and paramedics coming and going from hospitals amid makeshift morgues and lines of anxious people waiting for tests.https://bit.ly/2w423guhttps://bit.ly/2R7dY4F
continued to provide exclusive, heart-wrenching visuals and text from the epicenter of the coronavirus outbreak in northern Italy, including powerful interviews with doctors and families of victims and exclusive access to hospitals.https://bit.ly/3bteZLThttps://bit.ly/2UGJHus
As sweeping restrictions and lockdown measures rolled out across the world in the wake of the coronavirus pandemic, AP’s team of staff and freelancers in Italy set an example for how to produce compelling and competitive journalism in all formats despite major challenges affecting them both professionally and personally, including the very real risk of being placed in self-quarantine for covering stories in risk zones.
Three weeks into the Italian outbreak, AP produced some of the strongest coverage yet including multiple exclusives and beats across formats. That work included: How the northern town of Codogno greatly reduced the spread of the virus, a first-person account of the lockdown’s impact on families, overwhelmed doctors drawing parallels to war-time triage, rioting at Italian prisons, residents showing solidarity from their balconies, and more.
AP’s coverage throughout the crisis in Italy has consistently won heavy play online and in print.
For resourceful, dedicated and inspired journalism under unusually demanding circumstances, the Rome and Milan bureaus receive AP’s Best of the Week award.
for keeping AP ahead with images of the massive Dec. 28 bomb blast in Mogadishu that killed at least 79 people. The team was first with video, sourcing unmatched user-generated content of smoke rising from the area of the blast, while also filing quick staff photos and video, then following up with a touching, character-driven feature of a woman who lost one daughter and had another critically injured. https://bit.ly/36wyRvzhttps://bit.ly/2tA146ehttps://bit.ly/2QEGv1zhttps://bit.ly/303nzwo
It was supposed to be the safer opioid, a way to fight pain with little risk of addiction. That promise has meant much less regulation of tramadol than other opioids. And its relatively low cost has made tramadol the drug of choice in many developing countries, becoming what the United Nations calls “the other opioid crisis.”
National writer Claire Galofaro spent months researching the issue – but how to illustrate the story from a fresh perspective?
Galofaro turned to New Delhi-based correspondent Emily Schmall, who traveled to India’s Punjab state, where she talked to people struggling with addiction, visited a treatment center and gained unprecedented access to officials trying to stem the crisis.
The deeply reported story, one of the top-read pieces on AP News, also delved into tramadol’s heavy toll in Africa, and its trafficking among terrorist groups.
For their work exposing an aspect of the international opioid crisis that has received far less attention, Galofaro and Schmall win AP’s Best of the Week award.
