Feb. 12, 2021

Beat of the Week

(Honorable Mention)

Dolly Parton tells AP she’s waiting to get her vaccination

scored an exclusive interview with Dolly Parton who announced her new Super Bowl commercial.During the interview, Fekadu asked if she had gotten her Covid-19 vaccine, and Parton, who donated $1 million to coronavirus research, said she was waiting to get her vaccination shot because she didn’t want to seem like she was “jumping the line,” a story that was picked up by the “Today” show, WebMD, People magazine, Yahoo! and many more. She rocked the commercial too. https://bit.ly/3d3E6Jk

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April 30, 2021

Beat of the Week

(Honorable Mention)

AP visual journalists lead the way at a one-of-a-kind Oscars

navigated issues of access, multiple locations and complex logistics in covering this year’s one-of-a-kind Academy Awards ceremony, altered from top to bottom by the pandemic.The event was one of the largest photo pools AP has ever run. AP’s remarkable access came as the result of years of relationship building with the film academy, which trusted AP to not only shoot photos of its marquee event, but also distribute those images to news outlets around the globe.Under the leadership of Kaufman, assistant director of photography, and with a workflow developed largely by photo editor Munoz, the team expedited some 1,500 still images to 11 members of the pool. Meanwhile, in London, Jankovic coordinated photographers and editors handling the Oscars’ global satellite locations — from Sydney to Stockholm to Kilkenny, Ireland, and points in between. Success meant assembling a team of AP staffers, including a team of 10 editors — most off-site due to pandemic restrictions — who quickly edited, captioned and transmitted the images. In addition, at the academy’s request, video journalist Turner shot the Oscars’ pool fashion feed – a key position that is highly valuable to clients looking for red carpet looks and unscripted moments.Bottom line: If you saw a photo from the red carpet, or a winner clutching the coveted statuette, chances are it was shot by the AP. The images were used in countless tweets, online stories and on dozens of newspaper front pages, notably above-the-fold play for shots of “Nomadland’s” best picture winners by Pizzello, who also authored a “Virus Diary” with his reflecions on being an entertainment photographer during the pandemic.https://bit.ly/3vpV8HDhttps://bit.ly/3gOI1eY

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Jan. 11, 2021

Best of the States

He’s a ‘Soul Man’: AP profiles Steve Cropper, a low-key musical legend

Correspondent Adrian Sainz drew on his deep knowledge of Memphis’ musical history to tell the fascinating but sometimes overlooked story of Steve Cropper, the 79-year-old guitarist who worked at Stax Records alongside Otis Redding, Wilson Pickett, Sam & Dave and others, leaving an indelible imprint on the American songbook.

Complemented by Kristin Hall’s engaging video and Mark Humphrey’s striking portraits, Sainz lays Cropper's story out in rich detail, from the birth of Redding’s “(Sittin On) The Dock of the Bay” to his work with the Blues Brothers and current projects.

For an illuminating, unexpected holiday offering that reveals the low-key man whose music everyone celebrates, Sainz earns AP’s Best of the States award for the week of Dec. 28.

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March 01, 2019

Best of the Week — First Winner

Months of planning, smart execution result in dominating Oscars coverage

The envelope was opened, “Green Book” was announced as best picture at the 91st Oscars, and entertainment writer Andrew Dalton’s eyes shifted over to Spike Lee.

The director threw up his hands in exasperation and attempted to storm out of the Dolby Theatre before being told to return to his seat. Social media quickly lit up with disdain for the selection by the Academy of Motion Picture Arts and Sciences, and Dalton’s eyewitness reporting quickly fueled the criticism.

In a packed theater filled with actors and other journalists, Dalton reported what few saw and the television cameras didn’t show, giving the AP exclusive material and driving audiences to its comprehensive Oscars coverage.

Later that night, entertainment producer Mike Cidoni Lennox interviewed “Green Book’s” producers outside the Oscars’ official after-party, helping drive the following day’s coverage of the controversial win.

The reaction to the best picture winner capped dominating all-formats team coverage of the Oscars, the result of months of planning and preparation. AP customers received a steady stream of photos, video and stories, including film writer Jake Coyle’s deadline story which was viewed more than 88,000 times. Coyle had crafted prep for all the likely winners, allowing for fast updates when the envelopes were opened.

For their extensive planning, professional expertise and swift work, Dalton, Coyle and Lennox win AP’s Best of the Week award.

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May 25, 2017

Best of the States

AP Exclusive: a look inside the 'pie car' and the last days of Ringling Bros.

New York City photographer Julie Jacobson and Michelle Smith, Providence, Rhode Island, correspondent, spent weeks negotiating with the parent company of the Ringling Bros. and Barnum & Bailey Circus about what sort of access they could get to the performers and crew as “The Greatest Show on Earth” drew to a close after 146 years.

What they really wanted was to get on the train where the workers lived, the last of its kind in the world. Finally the word came down: We could get on the “pie car” for the clowns’ last breakfast, but they would not be in costume, and we could absolutely not see the rest of the train, out of respect for the privacy of the performers.

But Jacobson and Smith don’t take no for an answer. The access they got, the stories they heard and the images they saw formed the basis for an exclusive and heart-tugging package of photos, traditional and 360 video, and text.

For their resourceful and revealing behind-the-scenes look at the end of a cultural icon, Jacobson and Smith receive this week's Best of the State honors.

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