A video beat of 15 minutes on a terrorism story in the heart of a European capital? Footage showing militants in Asia actually plotting an attack? On two continents in the same week, Associated Press journalists obtained these exclusives through remarkable ingenuity and persistence.
Their efforts are rare co-winners of the Beat of the Week.
for quickly getting two exclusive video clips that helped give AP a major edge on the story of Best Actress winner Frances McDormand’s stolen Oscar. The video showed the theft suspect holding up her Oscar up proudly.http://bit.ly/2HF96wehttps://tinyurl.com/y8aecxud
With a powerful and evocative photo gallery, AP journalists in Italy captured the heroism of 16 Italian medical personnel on the front lines of the battle against the coronavirus pandemic.
Photo editor Alberto Pellaschiar proposed the idea, and hospitals – reassured by AP’s reputation for professionalism – permitted photographers Antonio Calanni and Luca Bruno and chief photo editor Domenico Stinellis to make photos of the doctors and nurses during breaks or as they finished their shifts.
The intimate portraits conveyed the fatigue and determination of the men and women working round-the-clock to save lives. Chief correspondent Nicole Winfield studied the portraits and interviewed some of the subjects to put their struggle into words.
The impact was tremendous – the stark, understated images and accompanying story riveted audiences around the globe.
For conceiving and executing a brilliant series of images that captures in human terms the battle against the disease, Pellaschiar, Stinellis, Calanni, Bruno and Winfield win AP’s Best of the Week.
As sweeping restrictions and lockdown measures rolled out across the world in the wake of the coronavirus pandemic, AP’s team of staff and freelancers in Italy set an example for how to produce compelling and competitive journalism in all formats despite major challenges affecting them both professionally and personally, including the very real risk of being placed in self-quarantine for covering stories in risk zones.
Three weeks into the Italian outbreak, AP produced some of the strongest coverage yet including multiple exclusives and beats across formats. That work included: How the northern town of Codogno greatly reduced the spread of the virus, a first-person account of the lockdown’s impact on families, overwhelmed doctors drawing parallels to war-time triage, rioting at Italian prisons, residents showing solidarity from their balconies, and more.
AP’s coverage throughout the crisis in Italy has consistently won heavy play online and in print.
For resourceful, dedicated and inspired journalism under unusually demanding circumstances, the Rome and Milan bureaus receive AP’s Best of the Week award.
For more than a month, video journalist Mstyslav Chernov and photographer Dmitri Lovetsky tirelessly documented fierce fighting over the disputed region of Nagorno-Karabakh.
Then, as they were wrapping up their assignment, Armenia signed an agreement ceding the territory to Azerbaijan, triggering protests in Armenia and an exodus of ethnic Armenians from the region now falling into enemy hands. When Chernov and Lovetsky learned that Armenians were burning their own homes as they fled the region, the AP pair repeatedly made risky and arduous trips into the territory, producing powerful, emotionally charged reporting and images, including the moving story of a family abandoning its home.
For displaying exceptional commitment and courage in their coverage of last week’s dramatic developments — as they have throughout this weekslong story — Chernov and Lovetsky earn AP’s Best of the Week award.
It was supposed to be a 15-minute interview. Instead, Associated Press Chief White House Correspondent Julie Pace kept President Donald Trump talking for an hour in a wide-ranging Oval Office discussion that was exclusive, illuminating and full of news.
Pace's sit-down with the president – resulting in multiple stories that others scrambled to follow and a transcript that readers devoured despite its 8,000-word length – earns the Beat of the Week.
What happens when the state of Nevada announces it intends to use its own photographer to cover the parole hearing of O.J. Simpson, and exclude all others?
The Associated Press steps up, rallies the media and forces the state to backtrack. For their efforts to ensure news photo access to a high-profile story, the team of Stephanie Mullen, Ken Ritter and Tom Tait is awarded Beat of the Week.
used sophisticated imaging technology, expert analysis and longtime source building to deliver a series of exclusive stories on Iran’s nuclear program and America’s response to it.Read more.
Two years ago, Barcelona video journalist Renata Brito learned of a mysterious boat that had washed up in Tobago with dead men aboard. With that, she and colleague Felipe Dana, a photographer and video journalist, began a dogged quest to find out who the men were, what had happened to them, and what heartbreak and unresolved questions they had left behind. From Mauritania to France and Tobago, they found forensic evidence and built trust with a network of sources. By the end of their exhaustive journey, they knew who these men were and what led them to their deaths. They even confirmed one man’s identity with a DNA test.
Immersive storytelling’s Nat Castañeda worked with Brito and Dana to shape the project, including a 13-minute minidocumentary. Immersive developer Linda Gorman worked up a complex interactive, and an Audience Engagement team led by Sophia Eppolito spent weeks developing a social plan.
For compiling the compelling and tragic story of a group of doomed migrants who would otherwise have been forgotten, Brito, Dana, Gorman, Castañeda and Eppolito earn this week’s Best of the Week — First Winner.
The days leading up to Catalonia’s independence referendum pointed toward trouble on the day of the vote. The autonomous region in northeast Spain was pushing ahead with the election despite the country’s constitutional court ordering it to be stopped. In the weeks leading up to the vote, thousands took to the streets, demonstrating for and against independence. The election, set for Oct. 1, was sure to be a defining moment for the region and the country.
It also posed a challenge to those planning AP’s visual report: How best to capture the expected chaos? How to navigate its major city, Barcelona, which would be flooded with demonstrators and police? How to get photographers and video journalists in the right positions, knowing they might be stuck there for hours?
These decisions fell to Emilio Morenatti, AP’s chief photographer for Spain and Portugal. A longtime Barcelona resident, he anticipated those obstacles as he deployed AP’s staff and freelance photographers.
The result was some 200 photographs that captured the violence and passion of a remarkable moment in Spanish history. For planning creatively, making smart in-the-moment decisions and risking personal safety, Morenatti and his team of photographers win this week’s Beat of the Week.
Vatican Correspondent Nicole Winfield's tenacious reporting has already delivered numerous exclusives over a two-decade career covering three popes. Yet an on-camera, sit-down interview with a pontiff had eluded the AP.
That changed dramatically Jan. 24. After years of lobbying, the pope sat down for an historic interview with Winfield, whom Francis has for years called the “prima della classe,” or “first in class,” as a sign of respect for her tough but fair reporting on his pontificate. In fact, during the interview, he mentioned how Winfield’s questions about sex abuse during a 2018 airborne press conference led to his “conversion” moment when he realized that Chilean bishops had been covering up cases of abuse for decades.
For weeks, Winfield prepared the interview with Rome Senior Producer Maria Grazia Murru, who for decades has led the Vatican video operations. They coordinated every detail and prepared the right questions and approach for the interview. Murru designed the video coverage plan and spearheaded the production of social media promotion material. And together, they wrote letters in the most formal Italian to Francis’ private secretaries, until a date was finally arranged — for late January, a time that seemed ripe to make news. It was one week ahead of his planned trip to Africa and just over a month ahead of the 10th anniversary of his pontificate.
Video’s Paolo Santalucia and Photos’ Domenico Stinellis planned the lighting at the venue and sorted out technical details, and photographer Andrew Medichini’s images captured the historic event. Spanish language editor Cristina Fuentes-Cantillana transcribed and translated the full interview, conducted in the pope’s native Spanish.
were quick to deliver exceptional, wide-ranging coverage as devastating floods left some 200 dead across Northern Europe. Sweeping stories and arresting visuals showed the scale and severity of the flooding while also capturing the human suffering and loss.Berlin-based correspondent Frank Jordans recognized the scope of the unfolding tragedy, sending multiple alerts and urgent updates as the death toll began to rise. His stories reported not only the developing story in Western Germany but also in Belgium, the Netherlands, France, Austria and Switzerland.Jordans and fellow Berlin writer Geir Moulson continued to track the story over the coming days as the toll grew, while Brussels-based Raf Casert contributed a powerful piece examining the links to climate change. Highlighting the multinational impact of the disaster, Austrian freelance reporter Emily Schultheis crafted a dramatic story of close escapes, elegantly drawing on interviews collected by video crews in all the affected countries.Live video was quickly established through a combination of partner feeds and our own video complement of Berlin’s Christoph Noelting, field producer Pietro di Cristofaro and senior field producer Dorothee Thiesing, Frankfurt producer Daniel Niemann, video journalist David Keyton in Paris, freelancer Eric Fux in Belgium, and Aleks Furtula and Bram Janssen in the Netherlands. The Belgian and Dutch teams, headed by Western Europe News Director Angela Charlton, navigated closed roads and muddy terrain to reach the hardest-hit areas, reporting compelling personal stories amid the destruction. Fux found a family that spent a terrifying night on the roof of their destroyed home, waiting for rescue, and London producer Nadia Ahmed delivered a key user-generated video showing the moment a whole house was swept away by the torrents, snapping off a tree and smashing into a bridge.Photos, both from the ground and from the air, revealed the extent of the damage. Spot coverage included work from Michael Probst and Janssen in Germany, and from Virginia Mayo, Francisco Seco and Valentin Bianchi in Belgium. A striking photo gallery showed the devastation across Europe; AP’s photos were used by hundreds of customers, from The New York Times to Sky News.https://aplink.news/kb4https://aplink.news/gh6https://aplink.news/3chhttps://aplink.photos/9xkhttps://aplink.video/1xwhttps://aplink.video/3vzhttps://aplink.video/g6t
for getting the first video of Lebanese Prime Minister Saad Hariri in France after he ended a mysterious trip to Saudi Arabia that sparked fears he had been kidnapped. The images proved he is a free man.http://bit.ly/2i7RvWNhttp://bit.ly/2hTBfVD
Russia has been open about its desire to turn Ukrainian orphans into Russian citizens with Russian families — a flashpoint of the war. But whether or not they have parents, raising the children of war in another country or culture can be a marker of genocide, an attempt to erase culture and identity.
This investigative piece, reported from Ukraine, Russia and France, made AP the first news organization to show the disturbing process from beginning to end — and prove that many of the children are not orphans at all. The all-formats story led with the account of a Ukrainian mother who, against the odds, successfully retrieved six children who had been trapped in Mariupol and seized by pro-Russia forces.
The story won wide play online, was a hit on Twitter and was singled out during a State Department briefing.
For documenting a severe breach of human rights with a heart-wrenching story that resonated across audiences, Sarah El Deeb, Tanya Titova, Anastasiia Shvets, Elizaveta Tilna and Kirill Zarubin earn AP’s Best of the Week — First Winner honors.
From images of a young girl killed by shelling to an eyewitness account of a makeshift maternity ward inside a bomb shelter, AP’s team of more than two dozen journalists across Ukraine documented for the world in vivid detail how the Russian invasion is playing out on the ground.
The all-formats coverage began as Russian troops massed at Ukraine’s borders and has not let up since the assault began more than a week ago.
AP staffers across the world have been vital in explaining the economic, political and social repercussions of the war, but the journalists in Ukraine have been the anchor — setting AP’s coverage apart, delivering memorable images and authoritative text as the story develops by the hour.For tenacity and bravery in chronicling the Russian invasion, the team in Ukraine earns the respect and gratitude of their colleagues worldwide and is AP’s Best of the Week — First Winner.
followed up on their exceptional initial work and continued their record-breaking coverage in the week leading up to the queen’s funeral, delivering outstanding all-formats journalism and giving clients an array of offerings from virtually every event and every perspective.AP’s stories and visuals captured the pomp and ceremony, and the emotions of mourners lined up for many for hours to pay their respects as the queen lay in state. AP’s stories ranged from a first-person account of waiting in that queue to how the queen set the stage for the transition to Charles to an evocative account inside Westminster Abbey during Monday’s funeral — and much more.Coverage of the funeral itself saw stunning usage of AP’s content, while the collective 12-day round-the-clock effort won near-unanimous praise from AP customers.Read more
delivered must-read, must-watch stories, adding new layers of depth to AP’s already pacesetting journalism as the Russian invasion of Ukraine grinds into its fifth month.AP journalists in the region, seeking to dispel the notion voiced by Western leaders that global audiences are beginning to experience “war fatigue,” recognized the need for a shift in focus from increasingly incremental developments. They pivoted swiftly to impactful big-picture views of the conflict, all while ensuring competitive coverage of major spot news.Ranging from analysis of the war’s shifting front lines to essential multiformat reporting on longer-term repercussions — the legacy of land mines, the plight of Ukrainian youth, the effect on global food security, among others — and including exclusive video and photos from front-line positions, the AP provided clients and readers with an exceptional body of work over the course of seven days.Read more
Over the course of several months, more than 30 AP staffers across five continents teamed up to execute the illuminating and alarming six-part Sacred Rivers series. The ambitious project leveraged all-formats skills to tell lyrical stories, each with compelling images and presentation, engaging audiences with the intersection of spirituality, religion, Indigenous culture, business practices, energy, environmental degradation — even geopolitical conflicts.
The series resonated with AP’s readers and customers worldwide.
For an enterprising, inspiring and unmatched creative collaboration that showcased AP journalism at its best, the Sacred Rivers project team is AP’s Best of the Week — First Winner.
Vatican correspondent Nicole Winfield sensed a potentially explosive development in Chile's long-running sex abuse and cover-up scandal when she noticed a cryptic tweet from a former member of the Pope Francis' abuse advisory board.
Board member Marie Collins had tweeted that Francis was well aware that victims of Chile's most infamous predator priest had placed Bishop Juan Barros at the scene of their abuse. Collins herself had been involved in relaying those concerns to him.
Intrigued and sensing an important twist in a story that AP has already dominated, Winfield and Santiago correspondent Eva Vergara kicked off an extraordinary effort that would culminate in a three-day, multinational, cross-format papal fact-check, prompting calls for the pope to come clean about a scandal that now threatens his legacy.
Over the course of one frantic weekend the enterprise involved a Paris airport stakeout by senior TV producer Jeff Schaeffer, a missed Super Bowl party hosted by Philadelphia-based TV producer Yvonne Lee and a surreal TV interview conducted by AP reporters on three continents.
For teamwork that spanned the globe, in service of a story of immense global interest, Winfield, Vergara, Schaeffer and Lee are recognized with Beat of the Week.
sprang into action on Jan. 8 when violence erupted in Brazil’s capital. Supporters of former President Jair Bolsonaro rampaged through the presidential palace, Supreme Court and Congress.Read more.
