for building on her previous source work to get the AP advance notice of the findings of a secretive investigation into the drug death of the musical icon Prince two years ago. The inquiry resulted in no criminal charges. https://detne.ws/2F9ODyh
took advantage of agency exclusive all-formats backstage access at the Grammy Awards, resulting in a wealth of interviews for video, and photo access unmatched by wire service rivals. Isaza, Landrum and Pizzello underwent numerous COVID-19 screenings in the six days leading up to the show in order to gain access. That access came about because of the AP’s decade-plus relationship with the Recording Academy — and a firm stand by AP: Some artists demanded approvals of performance photos, which the AP declined, and some talent said they would only do interviews if certain questions were off limits. Again, no.The AP landed at least 20 video interviews with stars such as Dua Lipa, Da Baby, Miranda Lambert and H.E.R, touching on fashion, racial injustice, their pandemic experiences, the return to performing and more. The biggest wins were photos of Beyoncé and Taylor Swift, both rarely photographed by AP, on their big night. AP was one of four photo outlets onsite and the only photo news wire. Competitive news services were forced to use years-old pictures of the pair, as well as several other stars, with their stories.Isaza produced a behind-the-scenes video feature, and Fekadu’s mainbar — powered by photos from Pizzello and Strauss, and quickly updated thanks to his preparedness — racked up nearly 110,000 pageviews by Monday afternoon. Google listed AP’s story first in searches for Grammys or Beyoncé during the evening. https://apnews.com/hub/grammy-awards
obtained exclusively the results of the opera union’s investigation of sexual harassment accusations against superstar Placido Domingo, revealing that 27 people told investigators that they either had been harassed or had witnessed inappropriate behavior by Domingo. AP was also the first to report Domingo’s apology. Gecker’s story moved about nine hours before the union released an extremely brief description of its findings, offering few details. As a result of her reporting, a new accuser came forward to speak to the AP on the record, and a cascade of performance cancellations began among music companies in Domingo’s native Spain, where he previously had been staunchly defended. https://bit.ly/2Io9lOEhttps://bit.ly/2Io9amIhttps://bit.ly/2Q4TER1https://apnews.com/PlacidoDomingo
used his red carpet video interview with Rihanna to get the superstar’s take on her long-delayed album, getting a response that became on online sensation.Rihanna’s answer, during a Los Angeles premiere of her fashion lingerie line, described a departure from the sounds that have won her nine Grammys so far. “You’re not going to expect what you hear. Just put that in your mind,” she told entertainment journalist Landrum, immediately piquing the interest of her legion of fans. AP Entertainment’s original social post was viewed more than 1.1 million times and widely retweeted, while numerous media outlets picked up on the quotes, crediting AP.https://aplink.news/a5uhttps://aplink.video/fzh
teamed up with their Beijing colleagues, fast-filing all-formats content to keep AP ahead on the challenging, high-profile story of the World Health Organization mission to Wuhan to investigate the origins of the deadly COVID-19 virus. Video performance was consistently strong and notably outdid AP’s major competition on at least two days.Wang and Guan scrambled all week to follow the movements of the WHO delegation arriving and departing hotels and hospitals. Wang managed multiple live shots and Guan found angles to grab photos of the team; he also revealed some of their luggage: yoga mats and musical instruments.Meanwhile, the Beijing bureau was producing video edits from the live shots and expediting text based on the reports coming from the AP pair in Wuhan. On one day, Feb. 1, AP delivered five video edits, including a brief but rare comment from a WHO team member speaking from his car window, while a competitive agency had just two edits.https://bit.ly/2O6sVoWhttps://bit.ly/2MWrUishttps://bit.ly/3cHwbRRhttps://bit.ly/3jh6lVW
spent a chunk of Election Day documenting George Floyd’s brother in New York.With racial justice a central issue in the election, race and ethnicity reporter Morrison thought it fitting to tell a story through the lens of someone who lost a loved one to police violence. He had met Terrence Floyd, the younger sibling of George Floyd, in Minneapolis over the summer at the spot where a white police officer pressed his knee into Floyd’s neck for nearly eight minutes. Terrence, who lives in New York, agreed to let Morrison shadow him exclusively as he rode around the city in an SUV calling on a loudspeaker for people to vote, and later while waiting for election results at a watch party. At one point Terrence chanted “Don't forget to vote!” in rhythm with musicians outside a Brooklyn museum, a moment captured by Morrison, photographer Franklin and video journalist Shaffrey.https://bit.ly/38FgXe2https://bit.ly/3kqmQyb
revealed that former President Donald Trump’s social media posts have regularly amplified QAnon, a platform for baseless conspiracy theories.New York-based Swenson had noticed a pattern of Trump referencing QAnon in his online posts. She and Klepper, both of whom report on disinformation, then began monitoring the activity; they found that far from distancing himself from a false narrative, Trump embraced it, publishing dozens of recent QAnon-related posts and evoking the movement at rallies.Read more
broke the news that gunshot-detection company ShotSpotter gives its human reviewers broad discretion to overrule an artificial intelligence-powered law enforcement tool’s determination about whether something is a gunshot. The exclusive came after Burke, an investigative reporter in San Francisco, obtained a confidential ShotSpotter document. The document provided a unique window into the company whose data is sent to police and used in criminal cases nationwide.Read more.
were the first to piece together video, records and interviews for an in-depth, multiformat story outlining how a Black teen in Kansas ended up in foster care and died at a juvenile intake center after being restrained on his stomach for 40 minutes.AP had written previously about the death of Cedric “C.J.” Lofton, but Kansas City reporter Hollingsworth sensed a backstory waiting to be told. Her exhaustive reporting and Sheridan’s revealing video tell the story of a troubled youth and the disturbing confluence of events and decisions leading to his death.Read more
In the weeks after Jocelyn Gecker’s bombshell investigation detailing multiple sexual harassment allegations against Placido Domingo, competitors were out in full force, trying to produce their own stories about women who had encounters with the opera superstar.
But only the AP was able to advance the story, offering the accounts of an additional 11 women who said the legend had behaved inappropriately, including one who said on the record that Domingo insisted on kissing her and later forcefully grabbed her bare breast under her robe. In addition, backstage staff told the Jocelyns – AP’s Gecker and Noveck – how they strove to keep young women from ever being alone with Domingo.
No one could match the pair’s reporting, which produced one of the most-read stories on AP’s platform and formed the basis of stories by many other media outlets. Meanwhile, more opera companies announced they were canceling or reassessing their relationship with Domingo.
For remarkable source building and reporting that continued to give AP ownership of this highly competitive story, Gecker and Noveck earn this week’s Best of the States award.
Just before midnight on the day after California staffers were up late covering the midterm election came reports of a shooting at a country music bar in Thousand Oaks, about 40 miles northwest of Los Angeles. Over the next 12 hours, as the scale of the carnage emerged, Sacramento correspondent Kathleen Ronayne, Washington-based reporters Mike Balsamo and Tami Abdollah, and photographer Mark Terrill and video journalist Krysta Fauria, both based in Los Angeles, combined to provide exclusive all-formats content for AP customers.
Despite the hour, Fauria and Terrill were on the scene within 90 minutes of the first reports coming in. Terrill made tight shots of the scene that no one else could match – his photos were used heavily by numerous outlets. Meanwhile, Fauria quickly set up a live shot, the first of four she would do over 12 hours at three locations. She also got AP’s first interview from a survivor.
Reporter Ronayne, bleary-eyed from the long election night, provided the first live video of authorities searching the shooter's home, while Balsamo used a source to break the widely played news that the murder weapon was a handgun, not an assault weapon.
As other news organizations pulled photos of the gunman from social media, Balsamo’s Washington colleague – and fellow AP-Los Angeles alumnus – Tami Abdollah used a source to obtain a driver’s license photo that is believed to be the first and still perhaps the only rights-cleared image of the gunman.
For providing news, photos and video that others couldn’t, Ronayne, Terrill, Balsamo, Abdollah and Fauria win this week’s Best of the States award.
Ten years ago, Kristin M. Hall noticed several cases in which U.S. troops stole military guns and sold them to the public. Hall, a military beat reporter at the time, then fired off the first of many Freedom of Information Act requests. The Army, however, refused to release any records and the story could easily have ended there, with Hall moving on to become a Nashville-based entertainment video journalist focused on country music. Yet, she kept at it.
Last week, Hall’s decade-long journey — and the work of a host of others on the global investigations, data and immersive storytelling teams — paid off in “AWOL Weapons,” a multilayered, visually rich project revealing that at least 1,900 military weapons — from handguns to rocket launchers — had been either lost or stolen during the 2010s, with some used in street violence in America.
Two days after publication, the Pentagon’s top general and the Army each said they would seek systematic fixes for the missing weapon problem, and through a spokesman, the chairman of the Joint Chiefs of Staff called AP’s investigation “another example of the free press shining a light on the important subjects we need to get right.”
With deep reporting and a riveting digital presentation, the multistory package saw outstanding customer use and reader engagement.
For remarkable persistence that revealed a problem the military wanted to keep quiet, generating immediate prospects for reform, Hall receives special distinction alongside colleagues Justin Pritchard, James LaPorta, Justin Myers and Jeannie Ohm as winners of AP’s Best of the Week award.
It’s well-known that many U.S. factory jobs have been shipped overseas or automated out of existence. What’s not so well-known is that American manufacturing is no longer shrinking. Factories have actually added nearly a million jobs in the past seven years.
But the jobs have changed: The new ones generally require advanced education, technological know-how or specialized skills to survive in what are now highly automated workplaces. Yet training opportunities are limited, particularly for older workers.
Cincinnati correspondent Dan Sewell and photographer John Minchillo pinpointed this uneasy mix in southwestern Ohio and proposed an immersive multimedia story to illuminate the trend for readers and viewers. Collaborating with Washington business writer Chris Rugaber, video-first reporter Mike Householder and others, they produced a multifaceted package that made full use of the AP’s global reach, earning this week’s Best of the States prize.
AP boasts about its global reach. An all-formats package reported from Iraq demonstrates how the deep expertise of its journalists also reaches back through history.
We have an amazing team that covers Iraq day in and day out. But we also have a hidden resource: people who were there when history happened and are with us today. When we see the opportunity, we can offer our readers and customers that context. That was the case with Jerome Delay and John Daniszewski, both of whom were there in 2003 at the beginning of it all. They went back to offer some context about what has changed.
Delay and Daniszewski were both among the few international journalists in Baghdad when the U.S. launched its “shock and awe” campaign. They joined with video journalist Lujain Jo, a native Iraqi, and video journalist Jerry Marmer, who was embedded with Marines who invaded by land 20 years ago, to deliver an authoritative and nuanced portrait of a country that’s been out of the spotlight since the defeat of the Islamic State group five years ago.
Instead of focusing solely on the war-torn image that many Iraqis say is outdated, the AP team’s package also focused on what’s ahead for Iraq. Beyond exclusive interviews with the Iraqi president and prime minister, they also conducted dozens of interviews with Iraqi youth. These gave a deeper and sometimes counterintuitive look at a generation interrupted by war and terrorism, whose voices are rarely heard outside their home country. Half of Iraq’s population of 40 million is too young to remember Saddam Hussein.
For their sensitive and forward-looking view of an invasion that hit Iraq 20 years in the past, bolstered by their own lived experiences of it, Delay, Daniszewski, Jo and Harmer are this week’s Best of the Week — First Winner.
As soon as the flames were doused on an Oakland, California, warehouse known as the Ghost Ship two things were clear: The death toll would be huge, and telling the story would be complicated. It took a cross-format team effort to tell the story, and the staff in California rose to the occasion, including incoming San Francisco news editor Juliet Williams, who got an early start on her new job, dashing to the bureau from Sacramento to run the story.
How best to capture the story of recovering opioid users?
Chicago-based medical writer Lindsey Tanner and Atlanta-based photographer/videographer David Goldman teamed up to produce an intimate look at a diverse group of people – among them, a lawyer, a businessman and a trucker – who got caught up in the worst opioid epidemic in U.S. history.
Their illuminating package – combining Tanner's powerful text and Goldman's photos with a haunting mini-documentary – earns the Beat of the Week.
It’s a subject that has been largely ignored by the public and mainstream press in the U.S.: the plight of thousands of missing and murdered Native American women across the country.
Albuquerque reporter Mary Hudetz and national enterprise journalists Sharon Cohen and David Goldman teamed up to deliver an impressive all-formats package that illuminated these tragedies, engaging readers on one of the busiest news days in recent memory and earning praise from the industry.
For their efforts, Hudetz, Goldman and Cohen win this week’s Best of the States award.
Last weekend, the greatest show at the AP was Tampa, Florida, reporter Tamara Lush’s exclusive. Drawing upon relationships she built over years with the company that owns the Ringling Bros. and Barnum & Bailey Circus, Lush was able to break the news: “The Greatest Show on Earth,” was folding up its tents after 146 years.
Circus owner Feld Entertainment approached Lush about what they said would be a scoop of “biblical” proportions. They reached out to her because of they knew and trusted her work.
Lush’s all-formats work earns the Beat of the Week.
As sweeping restrictions and lockdown measures rolled out across the world in the wake of the coronavirus pandemic, AP’s team of staff and freelancers in Italy set an example for how to produce compelling and competitive journalism in all formats despite major challenges affecting them both professionally and personally, including the very real risk of being placed in self-quarantine for covering stories in risk zones.
Three weeks into the Italian outbreak, AP produced some of the strongest coverage yet including multiple exclusives and beats across formats. That work included: How the northern town of Codogno greatly reduced the spread of the virus, a first-person account of the lockdown’s impact on families, overwhelmed doctors drawing parallels to war-time triage, rioting at Italian prisons, residents showing solidarity from their balconies, and more.
AP’s coverage throughout the crisis in Italy has consistently won heavy play online and in print.
For resourceful, dedicated and inspired journalism under unusually demanding circumstances, the Rome and Milan bureaus receive AP’s Best of the Week award.
