Best of the States

Sunshine Week investigation: Public regularly denied access to police videos

Police videos of officers shooting unarmed black men have sparked angry protests in Chicago, Sacramento and other U.S. cities. But AP’s Ryan Foley wondered: Is it the norm for departments to release footage from body-worn and dashboard cameras?

Foley, based in Iowa City, Iowa, a member of AP’s state government team, investigated and found that many departments routinely deny public access to their videos of officer-involved shootings and other uses of force.

Foley filed open records requests related to roughly 20 recent use-of-force incidents in a dozen states. His letters were met with denial after denial as police departments routinely cited a broad exemption to state open records laws: They claimed that releasing the video would undermine an ongoing investigation. But critics say the exemption is often misapplied to keep embarrassing or compromising video footage from public view.

To tell the story visually, Central Region video journalist Noreen Nasir dug through AP’s archives to highlight the moments and emotions that followed the deaths of unarmed black men, including the fatal police shooting of teenager Michael Brown in Ferguson, Missouri. She also interviewed a woman in North Dakota whose brother died after being shot in the back of the head during a struggle with police, adding a crucial perspective to the video.

At the same time, Panagiotis Mouzakis, multimedia animation producer in London, used the many denial letters Foley had collected to create a video graphic that was incorporated into Nasir’s video, and Beat Team visuals editor Alina Hartounian developed a social plan that helped the package find a huge audience.

For shining a light on how police departments continue to withhold visual evidence and for devising creative ways to illustrate the story, Foley, Nassir and Mouzakis share this week’s Best of the States award.

Beat of the Week

(Honorable Mention)

A blind spot in police policy and transparency

for finding that most large police agencies don’t require body cameras for off-duty officers working in uniform, leaving a hole in policies designed to increase oversight and transparency. http://bit.ly/2ti9N7I

Beat of the Week

(Honorable Mention)

Auditors question spending at Louisiana fisheries agency

for her APNewsBreak detailing how money intended to make sure fish was safe to eat following the BP oil spill instead went to things like iPads, cameras and now-missing fishing equipment. http://apne.ws/2dlSaAR

Best of the Week — First Winner

AP unmatched in multiformat coverage of Saudi consulate investigation

The disappearance and killing of Washington Post columnist Jamal Khashoggi at the Saudi Arabian consulate in Turkey has been one of the biggest, and most competitive, stories in the world this month, and the AP’s team in Turkey dominated coverage last week with its reporting surrounding a crime scene search of the consulate.

When crime scene investigators arrived at the consulate without notice on Oct. 15, Turkey news editor Ayse Wieting already had one camera fixed on the consulate door for 24-hour live coverage and quickly scrambled two more cameras with LiveU units. The AP beat the competition by more than two hours with the first edit of investigators entering the consulate.

On the text side, Ankara correspondent Suzan Fraser later got a high-level Turkish source to confirm that the consulate search turned up “evidence” that Khashoggi was killed there, a scoop that was cited across international and Turkish media.

And AP’s photo coverage of the story was also dominant, complementing the outstanding the video and text efforts. Photographers worked hard to find new angles on a visually challenging story, where often the only visible activity was people walking in and out of a building.

For impressive efforts and ingenuity in covering a worldwide top story of paramount importance to AP members and customers in all formats, the AP team earns Best of the Week honors.

Beat of the Week

(Honorable Mention)

Meticulous preparation produces standout video of pope’s trip

ensured that video coverage of the pope’s recent five-day trip to Greece and Cyprus was comprehensive and virtually flawless, giving AP an edge over the competition.Working from the pope’s complex schedule, the two senior producers — Murru in Rome, Tsongas in Athens — began advance work in August. Their meticulous planning and smart deployments of AP video journalists from European bureaus meant that AP had cameras in all the right places, live coverage of all the main events and coordination with other agencies and host broadcasters for pool material.As the pope plane-hopped from Cyprus to Athens to Lesbos and back to Athens, AP provided unrivaled live and edited coverage, including unscheduled incidents, such as the Orthodox priest heckling the pope in Athens and two Italian exchange students convincing him to pose with them for a selfie. Murru also had the foresight to work from the Athens press center during the pope’s visit to Lesbos, making AP the only agency to deliver video that wasn’t part of the pool coverage, including key footage of the pope greeting people in a migrant camp on the island. In all, the team produced some 60 video edits during the trip.The video planning and production paid dividends in logistics and content for other formats as well; AP writers enhanced their stories with color and comments pulled from the footage.https://aplink.video/kyehttps://aplink.video/tnvhttps://aplink.video/ym5

Beat of the Week

(Honorable Mention)

Only on AP: Close-ups of migrant clashes at Turkish-Greek border

captured the conflict unfolding on the Turkish-Greek border in a way that competitors couldn’t match. With gendarmes making it more and more difficult for journalists to get close to the border clashes between Greek riot police and migrants attempting to cross the border from Turkey, the pair had to blend in among migrants to avoid the attention of Turkish police. They carried food and water in plastic bags and hid their cameras inside their clothes, dropping to the ground among migrants to take cover from tear gas fired from the Greek side. Their tactics enabled them to make photos and video – unmatched by other agencies – of the chaos and desperation at the border.https://bit.ly/3aNn1z1https://bit.ly/38KWqRN

Beat of the Week

(Honorable Mention)

AP out-hustles the competition on Maxwell, Kelly sentencings

used thorough preparation and planning to overcome access hurdles, putting the AP ahead of the competition on the sentencings in two of the highest-profile cases of the #MeToo era: Ghislaine Maxwell and R. Kelly.With no cameras and no electronics of any kind allowed in the federal courtroom, teamwork, careful execution and a quick sprint enabled AP to get the news out first on two consecutive days.Read More

Beat of the Week

(Honorable Mention)

Telling the story of NYC’s virus-besieged emergency rooms

told the story of New York City’s besieged emergency rooms, where overwhelmed nurses, doctors and paramedics face warzone-like conditions. The reporting team mined sources developed over the years and others on social media to reveal caregivers contending with a flood of sick and dying patients, equipment shortages and the impossible task of deciding who lives and who dies. With hospitals closed to cameras, photo staffers, notably Mary Altaffer and John Minchillo, documented the story with shots of exhausted-looking health workers and paramedics coming and going from hospitals amid makeshift morgues and lines of anxious people waiting for tests.https://bit.ly/2w423guhttps://bit.ly/2R7dY4F

Best of the Week — First Winner

Long-form 360 video project provides riveting look at battle for Mosul

Iraqi Humvees wind their way through the pockmarked streets of Mosul. The rattle of gunfire and thud of a nearby airstrike fill the air. Terrified civilians scurry across the road to safety.

In the APs first long-form 360 video project, Middle East Photo Editor Maya Alleruzzo teamed up with video editor Claudia Prat to produce a riveting and harrowing video, "House to House: The Battle for Mosul." The 8-minute video earns Alleruzzo the Beat of the Week.

Best of the Week — First Winner

From vote count to race calls to mood of the electorate, AP commits ‘single largest act of journalism’

AP delivered stellar work on the 2022 midterm elections with fast, accurate vote count and race calling, engaging explanatory journalism, unparalleled insight into the minds of voters thanks to AP VoteCast survey methodology, and ambitious, robust all-formats coverage. That teamwork chronicled an unexpectedly successful election for Democrats and the defeat of many candidates who supported baseless claims of 2020 election fraud.

The key to that performance was collaboration among formats, teams, departments and more across the entire AP, not just on Election Day but in the weeks and months leading up to Nov. 8 and beyond. That effort included a team of 60 race callers, AP’s expanded national politics team and its new democracy team, 30 live video cameras across the U.S., over 80 photographers and much more, all complementing the footprint of AP’s 50-state on-the-ground staff.

For reinforcing the cooperative’s longstanding reputation as the foundation of U.S. election coverage, AP’s vast, tireless U.S. elections team earns Best of the Week — First Winner honors.

Beat of the Week

(Honorable Mention)

AP first to report federal hate crimes convictions of Arbery killers

teamed up to break the news that three white men had been convicted of federal hate crimes in the murder of Ahmaud Arbery, a Black man killed two years ago as he ran through a Brunswick, Georgia, neighborhood.With extensive prep in hand for each of the defendants, APmoved news alerts in rapid succession as the verdicts were read, beating local and national competition. Read more

Beat of the Week

(Honorable Mention)

Unmatched all-formats coverage of Croatia earthquake

teamed up for fast all-formats coverage after a magnitude 6.4 earthquake quake hit Croatia at midday of Dec. 29. Belgrade reporter Dusan Stojanovic filed the first alert via London within seconds of feeling the quake. He was some 25 minutes ahead of AP’s major competitors, and text leads followed throughout the day.Meanwhile, regional news director Amer Cohadzic quickly sourced live video via a partner agency. With all internet, phones and electricity disabled in the towns of Petrinja and Sisak, this live feed on AP Direct was unmatched by other outlets. Hours later AP’s own live unit arrived on scene providing restriction-free coverage. Video edits included rescue teams arriving at the scene and user-generated footage of government buildings as the temblor struck.Coverage continued overnight and into the next day with fresh photos, video and text updates. AP’s cameras captured people being pulled from the rubble, aid being handed out to people suddenly homeless and a visits by Croatia’s president and prime minister.https://bit.ly/3ogTZ1Qhttps://bit.ly/2LbIRoBhttps://bit.ly/2LC6O8mhttps://bit.ly/3i2BKLd

Beat of the Week

(Honorable Mention)

‘Empty spaces, broken hearts’: Uvalde, Texas, in mourning

collaborated on an extraordinary portrait of a town grieving after the May 24 mass shooting that left gaping holes in its fabric.In a chaotic and fraught environment with countless journalists gathered around the memorials and overwhelming the family members of shooting victims, the AP trio decided to approach the story differently — they wanted to explore the connections within the Uvalde community. They split up, looking for the people in that next circle of relationships: barbers, bus drivers and others who crossed paths with the affected families.It all came together in a heart-wrenching package that appeared on numerous websites and front pages. The team received compliments from readers — and one of the individuals they profiled — for the sensitive and compassionate way they covered this traumatic story.Read more

Best of the Week — First Winner

AP photographers paint definitive portrait of epic, historic vote for House speaker

Some likened it to a Renaissance painting – and it certainly belongs in a museum. We’re talking, of course, about Andrew Harnik’s indelible images of a tussle in Congress as a historic House speaker vote threatened to stretch into another week.

As Republicans struggled through 14 fruitless rounds of voting against an internal faction of rebels to elect Kevin McCarthy as House Speaker, the longest such struggle in a century, nerves were fraying.

But AP’s photographers in the chamber remained cool as ever.

Normally, photographers’ access in the House chamber is heavily restricted by the speaker’s office – but with no speaker, the photo team was able to take full advantage of a House with no rules. Able to freely roam the chamber and capture up-close moments, the team shot more than 14,000 images for review and editing. Over the four days of voting, 1,500 images moved to AP’s audiences.

Alex Brandon captured an image of Rep. Matt Gaetz, one of the last anti-McCarthy holdouts, talking tensely with McCarthy after the 14th vote. With most cameras trained on McCarthy, Harnik captured an unbelievable-if-it-weren’t-on-camera near-brawl, as Rep. Mike Rogers started to charge toward Gaetz – only to be pulled back by Rep. Richard Hudson.

That image, which quickly became iconic, and the work of the others in the AP photo team, earns Best of the Week – First Winner honors for Harnik, Applewhite, Brandon, Cortez, Kaster, Rourke and Walsh.

Best of the Week — First Winner

Months of planning, smart execution result in dominating Oscars coverage

The envelope was opened, “Green Book” was announced as best picture at the 91st Oscars, and entertainment writer Andrew Dalton’s eyes shifted over to Spike Lee.

The director threw up his hands in exasperation and attempted to storm out of the Dolby Theatre before being told to return to his seat. Social media quickly lit up with disdain for the selection by the Academy of Motion Picture Arts and Sciences, and Dalton’s eyewitness reporting quickly fueled the criticism.

In a packed theater filled with actors and other journalists, Dalton reported what few saw and the television cameras didn’t show, giving the AP exclusive material and driving audiences to its comprehensive Oscars coverage.

Later that night, entertainment producer Mike Cidoni Lennox interviewed “Green Book’s” producers outside the Oscars’ official after-party, helping drive the following day’s coverage of the controversial win.

The reaction to the best picture winner capped dominating all-formats team coverage of the Oscars, the result of months of planning and preparation. AP customers received a steady stream of photos, video and stories, including film writer Jake Coyle’s deadline story which was viewed more than 88,000 times. Coyle had crafted prep for all the likely winners, allowing for fast updates when the envelopes were opened.

For their extensive planning, professional expertise and swift work, Dalton, Coyle and Lennox win AP’s Best of the Week award.

Best of the Week — First Winner

Months of planning, preparation put AP out front with unmatched coverage of SCOTUS abortion ruling

With extensive preparation ahead of the Supreme Court decision overturning Roe v. Wade, the AP moved at lightning speed, covering the historic ruling comprehensively in all formats. Months of meticulous planning and prep work paid off when the court’s opinion came down Friday morning, enabling AP to get the word out ahead of the competition and then deploy teams of journalists to capture reaction and the broader ramifications of the ruling.

Countless AP journalists in Washington and around the country delivered spot and enterprise coverage in all formats, including live and edited video, insightful analysis, striking photos, state-by-state updates and the stories of people on both sides of the abortion issue.

For exemplifying the news cooperative at its best, covering a pivotal moment with far-reaching consequences for American society, AP recognizes journalists Mark Sherman, Jessica Gresko, Jacquelyn Martin, Steve Helber, Gemunu Amarasinghe, J. Scott Applewhite, Andrew Harnik, Rick Gentilo, Dan Huff, Nathan Ellgren, Mike Pesoli, Kimberlee Kruesi, Lindsay Whitehurst, John Hanna, Matt Sedensky, David Goldman, Rogelio Solis, Rick Bowmer, Eric Gay, Alex Connor, Kevin Vineys and colleagues throughout the organization with Best of the Week — First Winner honors.

Best of the Week — First Winner

Months of prep, source work propel AP to dominance on student loan forgiveness

How President Joe Biden would deliver on his campaign promise to forgive student loan debt was one of the most closely watched decisions coming out of the White House this summer.

As anticipation built, and other news organizations couched their reporting in terms of what Biden was “expected to” announce, AP’s Washington bureau worked sources to deliver a massive scoop, confirming and reporting the details 16 hours before Biden stood in front of the cameras.

What followed was no less impressive: All nine of AP’s stories, breaking and enterprise, centered on real people, with on-camera reaction from borrowers, as well as a Q&A updated by search trends, an engaging Instagram reel, a Twitter Spaces session and more. In all, AP’s coverage pulled in 1.1 million views on AP News and 1.2 million interactions on Facebook. For preparation and determined reporting that produced a major scoop, deep coverage and resourceful engagement on an issue affecting millions of Americans, AP is delighted to honor the team of Seung Min Kim, Zeke Miller, Chris Megerian, Michael Balsamo, Collin Binkley, Bianca Vázquez Toness, Adriana Morga, Cora Lewis and Alex Connor as Best of the Week — First Winner.

Best of the Week — First Winner

AP’s Grammys livestream attracts music’s biggest names, large audience

For innovation and connecting with new audiences, the AP Entertainment video team of West Coast Entertainment Video Editor Ryan Pearson, U.S. Entertainment Video Editor Brooke Lefferts, and video producers Gary Hamilton and Leslie Ambriz are the first winners of this week’s Best of the Week award. The team used its contacts at the Recording Academy to develop and successfully execute a hosted 2 ½-hour red carpet livestream from the Grammy Awards that drew in more than a half million viewers, outpacing rival streaming shows. The AP’s new social video team quickly cut and posted videos from the live feed on a variety of social sites, which garnered nearly 1 million views. The Grammys livestream took weeks of planning and technical assistance to pull off and showed that AP can produce a highly technical live event in the entertainment space, and that entertainers will seek out AP’s spot on a bustling carpet. The video recording of the livestream also will greatly improve the AP’s archive of early hip-hop artists who were not covered by AP in their heyday.

Best of the Week — First Winner

Reporter’s instincts, deep preparation break stunning news of Cosby case reversal and prison release

Comedian Bill Cosby had been in a Pennsylvania prison for more than two years last December when the state’s high court took on his appeal of his sexual assault conviction.

As seven months went by without a decision, Philadelphia-based legal affairs reporter Maryclaire Dale — who had been instrumental in breaking the original Cosby story — thought there might be something newsy in the works. Her instincts led to deep preparation that put AP ahead on one of the biggest news stories of the summer, one that almost no one but Dale had anticipated.

When the court tweeted out its opinion Wednesday, AP’s news alert moved within minutes, followed less than one minute later with a short breaking news story that Cosby's conviction was overturned, and that he would be released from prison. Both alerts beat all the competition; a full story moved less than two minutes later. Dale and colleagues followed up with full coverage throughout the day, with Cosby later appearing before cameras at his home, as the original news story drew heavy engagement online and maintained the top spot in Google’s news carousel.

For sharp anticipation and flawless execution that put AP ahead on a story that dominated the news cycle, Dale earns AP’s Best of the Week award.

Best of the States

Multi-format team dominates coverage of Austin serial bombing

Three previous bombings had put Austin on edge for weeks, triggering a manhunt involving 500-plus federal agents and prompting residents to flood 911 operators with calls about suspicious-looking packages. Reporters soon inundated Texas’ capital.

When emergency personnel reported another explosion late on a Sunday night, Austin correspondent Will Weissert quickly called sources and reported that the blast was a bomb. Newsman Paul J. Weber rushed to the scene and soon confirmed the same bomber had struck a fourth time.

In the days that followed, Weber and Houston video journalist John Mone drove continuous coverage across all formats as another bomb exploded inside a FedEx processing center, and Weber broke the news that authorities were predicting an imminent arrest. As authorities closed in, the suspected bomber blew himself up around 2 a.m. the following day. A coordinated effort by Weissert, Weber and Mone, joined by Austin newsman Jim Vertuno, San Antonio photographer Eric Gay, Fort Worth correspondent Emily Schmall and Iowa City's Ryan J. Foley continued to break news and dominate play.

Throughout the week, AP also produced nuanced, multi-platform reporting on how police track cell phones, shipping facilities screen packages and how the bombings shook Austin’s chill attitude.

For their tireless and aggressive efforts to break news by mining sources, searching records and knocking on countless doors, journalists Will Weissert, Jim Vertuno, Paul Weber, Eric Gay, John L. Mone, Emily Schmall and Ryan Foley share this week’s Best of the States.