April 30, 2021

Beat of the Week

(Honorable Mention)

AP visual journalists lead the way at a one-of-a-kind Oscars

navigated issues of access, multiple locations and complex logistics in covering this year’s one-of-a-kind Academy Awards ceremony, altered from top to bottom by the pandemic.The event was one of the largest photo pools AP has ever run. AP’s remarkable access came as the result of years of relationship building with the film academy, which trusted AP to not only shoot photos of its marquee event, but also distribute those images to news outlets around the globe.Under the leadership of Kaufman, assistant director of photography, and with a workflow developed largely by photo editor Munoz, the team expedited some 1,500 still images to 11 members of the pool. Meanwhile, in London, Jankovic coordinated photographers and editors handling the Oscars’ global satellite locations — from Sydney to Stockholm to Kilkenny, Ireland, and points in between. Success meant assembling a team of AP staffers, including a team of 10 editors — most off-site due to pandemic restrictions — who quickly edited, captioned and transmitted the images. In addition, at the academy’s request, video journalist Turner shot the Oscars’ pool fashion feed – a key position that is highly valuable to clients looking for red carpet looks and unscripted moments.Bottom line: If you saw a photo from the red carpet, or a winner clutching the coveted statuette, chances are it was shot by the AP. The images were used in countless tweets, online stories and on dozens of newspaper front pages, notably above-the-fold play for shots of “Nomadland’s” best picture winners by Pizzello, who also authored a “Virus Diary” with his reflecions on being an entertainment photographer during the pandemic.https://bit.ly/3vpV8HDhttps://bit.ly/3gOI1eY

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April 16, 2021

Best of the Week

Meticulous planning, near-flawless execution put AP ahead of the pack on Prince Philip coverage

The AP team in London had been preparing its coverage of Prince Philip’s death for years to ensure when the moment came, everyone would be ready. That exceptional planning laid the foundation for lightning handling and a major win when Philip passed on Friday.

The preparation included multiple revisions of the main obituaries, filing plans for all formats and a strategy for how the newsroom and editorial support teams would communicate to customers. It all paid off on Friday when AP picked up rumors of Philip’s death. U.K. news director Susie Blann confirmed with her sources and immediately let the wider team know. When official word came via email from the palace, the all-formats coverage team of more than 25 individuals in the United Kingdom, Europe and the United States was poised for action. 

From the Flash alert two minutes after the email confirmation — six minutes before our competition — AP was faster in every way: text, photos, live and edited video, all tailored to customers who depend on and expect this coverage when it matters. 

For exceptional, nearly flawless performance across the AP on one of the biggest stories thus far this year, Susie Blann, Martin Cleaver, Bridget Jones, Anne Marie Belgrave, Samira Becirovic, Jill Lawless, Naomi Koppel, Danica Kirka, Sarah DiLorenzo and the international royal coverage team earn AP’s Best of the Week honors.

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March 19, 2021

Beat of the Week

(Honorable Mention)

Backstage access makes AP a big winner on Grammy night

took advantage of agency exclusive all-formats backstage access at the Grammy Awards, resulting in a wealth of interviews for video, and photo access unmatched by wire service rivals. Isaza, Landrum and Pizzello underwent numerous COVID-19 screenings in the six days leading up to the show in order to gain access. That access came about because of the AP’s decade-plus relationship with the Recording Academy — and a firm stand by AP: Some artists demanded approvals of performance photos, which the AP declined, and some talent said they would only do interviews if certain questions were off limits. Again, no.The AP landed at least 20 video interviews with stars such as Dua Lipa, Da Baby, Miranda Lambert and H.E.R, touching on fashion, racial injustice, their pandemic experiences, the return to performing and more. The biggest wins were photos of Beyoncé and Taylor Swift, both rarely photographed by AP, on their big night. AP was one of four photo outlets onsite and the only photo news wire. Competitive news services were forced to use years-old pictures of the pair, as well as several other stars, with their stories.Isaza produced a behind-the-scenes video feature, and Fekadu’s mainbar — powered by photos from Pizzello and Strauss, and quickly updated thanks to his preparedness — racked up nearly 110,000 pageviews by Monday afternoon. Google listed AP’s story first in searches for Grammys or Beyoncé during the evening. https://apnews.com/hub/grammy-awards

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Feb. 19, 2021

Beat of the Week

(Honorable Mention)

AP Exclusive: COVID job cuts widen economic inequality

crunched federal economic data for his exclusive report that Americans as a whole are now earning the same amount in wages and salaries that they did before the viral pandemic struck — even with nearly 9 million fewer people working.The main reason? The job cuts of the past 11 months have fallen overwhelmingly on lower-income workers across the economy’s service sector — from restaurants and hotels to retail stores and entertainment venues. By contrast, tens of millions of higher-income Americans, most of whom have been able to work from home, have managed to keep or acquire jobs and to continue to receive pay increases.Rugaber independently verified the story’s premise by comparing multiple federal data sets, then interviewed a number of economists to gain deeper insights into the trend. “Pretty remarkable” is how one economist described the findings. The exclusive work provided stark evidence of the nation’s widening economic inequality. https://bit.ly/3atLOed

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Feb. 12, 2021

Beat of the Week

(Honorable Mention)

Dolly Parton tells AP she’s waiting to get her vaccination

scored an exclusive interview with Dolly Parton who announced her new Super Bowl commercial.During the interview, Fekadu asked if she had gotten her Covid-19 vaccine, and Parton, who donated $1 million to coronavirus research, said she was waiting to get her vaccination shot because she didn’t want to seem like she was “jumping the line,” a story that was picked up by the “Today” show, WebMD, People magazine, Yahoo! and many more. She rocked the commercial too. https://bit.ly/3d3E6Jk

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Feb. 05, 2021

Best of the Week

With sourcing, preparedness, AP breaks news on death of pioneering actress Cicely Tyson

AP national writer Hillel Italie took a call Thursday evening from a longtime source with an unexpected tip: Groundbreaking actress Cicely Tyson, known for her roles playing strong, fiercely dignified Black women, was dead. 

Italie set off to get the news on the wire quickly, while also alerting colleagues. That included entertainment writer Mark Kennedy who had met Tyson years earlier. Kennedy had decided that when the time came, the AP obituary would have to capture the breadth and achievement of her life and career. And he had prepared just that.

The AP story moved at least 15 minutes before other outlets, earning more than 265,000 page views and front page headlines.

Celebrity obituaries are intensely competitive; Italie and Kennedy kept AP well in front, through source work, commitment and solid preparation. For that, they win AP’s Best of the Week award.

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Jan. 11, 2021

Best of the States

He’s a ‘Soul Man’: AP profiles Steve Cropper, a low-key musical legend

Correspondent Adrian Sainz drew on his deep knowledge of Memphis’ musical history to tell the fascinating but sometimes overlooked story of Steve Cropper, the 79-year-old guitarist who worked at Stax Records alongside Otis Redding, Wilson Pickett, Sam & Dave and others, leaving an indelible imprint on the American songbook.

Complemented by Kristin Hall’s engaging video and Mark Humphrey’s striking portraits, Sainz lays Cropper's story out in rich detail, from the birth of Redding’s “(Sittin On) The Dock of the Bay” to his work with the Blues Brothers and current projects.

For an illuminating, unexpected holiday offering that reveals the low-key man whose music everyone celebrates, Sainz earns AP’s Best of the States award for the week of Dec. 28.

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Sept. 04, 2020

Best of the Week

AP shocks world with first word of death of ‘Black Panther’ star Chadwick Boseman

AP entertainment video manager Ryan Pearson had interviewed Chadwick Boseman eight times since 2013. He knew the actor and his work well, and he’d worked closely with the actor’s publicist and her company. 

That’s why the publicist’s first media call after Boseman’s death was to Pearson and the AP – she wanted the story reported by a responsible news organization. Another outlet, she worried, was getting close. 

Pearson immediately alerted colleagues and set out to write an obituary that shocked the world. The AP staff in turn responded with comprehensive all-formats coverage, the story quickly becoming the biggest of the month on AP News and mobile.

For source and beat development that led to a tip on perhaps the biggest entertainment story of the year, and delivered a stream of important work for AP’s customers and audience, Pearson wins AP’s Best of the Week.

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June 26, 2020

Beat of the Week

(Honorable Mention)

AP scoops celeb media on Billie Eilish hearing

was the only reporter who attended a hearing involving singer Billie Eilish, who sought a restraining order against a man who trespassed at her home. With Eilish and her family attending remotely, Dalton convinced a bailiff to let him in and was the only one in the courtroom aside from court staff. Other news outlets were forced to rely on details in his exclusive story for their own reporting. https://bit.ly/3fWVNZw

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June 19, 2020

Beat of the Week

(Honorable Mention)

AP team documents extraordinary funeral for George Floyd

brilliantly chronicled George Floyd’s final journey. After six days of mourning in cities throughout the U.S., Floyd was laid to rest in a suburb of Houston, with a funeral and burial capped by a procession akin to those for heads of state. The funeral organizers originally barred reporters from the service, but eventually invited an AP reporter and photographer to attend. Other staffers representing text, photo and video held key positions outside the church and at the cemetery, delivering strong coverage throughout, including a brief, impromptu on-camera interview with actor Jamie Foxx. Staffers in Los Angeles and New York monitored live feeds and drafted the story.The funeral lasted hours longer than planned, leaving those covering the event outside in the Texas heat that jumped into the 90s. But the voices, details and images captured by AP, combined with a eulogy-turned-edifying sermon from the Rev. Al Sharpton, made for a compelling narrative that was among the most used stories of the week.https://bit.ly/2NduRbvhttps://bit.ly/3efWagZhttps://bit.ly/2zITREfhttps://bit.ly/2Neswgi

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March 13, 2020

Beat of the Week

(Honorable Mention)

NRA firearms auction pulled after AP query

noticed that the NRA planned to auction off firearms during a fundraiser at Country Music Hall of Fame and Museum, but she knew that the Nashville, Tennessee, museum didn't allow weapons inside. So she reached out to the museum, the NRA, country artists and more for comment. Soon after Hall raised the question of the apparent violation of museum policy, a spokesperson confirmed to her that the April event will not take place at the site. Other news outlets had to cite AP’s reporting. https://bit.ly/2vSOAbz

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March 13, 2020

Beat of the Week

(Honorable Mention)

Dual AP exclusives on controversial book releases

scored two book publishing exclusives in one week: He was first to report on a Woody Allen memoir being released by Hachette, the same publisher that released the #MeToo book by Allen’s estranged son, Ronan Farrow. Days of criticism – including a walkout by Hachette employees – followed, and the publisher canceled the book. Italie also landed a joint interview with Oprah Winfrey and author Jeanine Cummins when he was the only media representative to attend a town hall about the controversial book “American Dirt,” which has been accused of perpetuating stereotypes of Latinos.https://bit.ly/2QaUeMPhttps://bit.ly/2U6siv0https://bit.ly/33d4p8Yhttps://bit.ly/2TTpC3q

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March 06, 2020

Best of the Week

AP’s tour de force coverage of Weinstein verdict sweeps all formats

Coverage by an Associated Press team dominated the closely watched Harvey Weinstein verdict, delivering wins in all formats with speed, depth and exclusivity. Superior planning and preparation, and outstanding coordination on the day of the verdict, gave AP the edge.

Highlights included the breaking news story moving on the wire within a minute of the verdict, exclusive video of Weinstein leaving the courthouse by ambulance, and an enterprising behind-the-scenes photo essay on the women journalists covering the trial that earned remarkable play.

For quick, comprehensive and distinctive coverage that kept the AP ahead on one of the biggest trials of the year so far, Mary Altaffer, Michael R. Sisak, Tom Hays, David Martin, Ted Shaffrey, Robert Bumsted, John Minchillo, Craig Ruttle and Sophie Rosenbaum win AP’s Best of the Week award.

 

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Dec. 13, 2019

Beat of the Week

(Honorable Mention)

1979 concert tragedy links The Who and an Ohio suburb

for breaking the news that The Who would return to the Cincinnati area for the first time since a concert 40 years ago in which 11 fans were trampled to death. During an interview, Carucci developed a rapport with Who guitarist Pete Townshend, who opened up in general terms about the group’s plans. Carucci brought in the rest of the team, who produced a richly reported anniversary story in all formats. https://bit.ly/2qMqs7Hhttps://bit.ly/36qVLnChttps://bit.ly/2PJoMVbhttps://bit.ly/36zaGMT

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