April 30, 2021

Beat of the Week

(Honorable Mention)

AP visual journalists lead the way at a one-of-a-kind Oscars

navigated issues of access, multiple locations and complex logistics in covering this year’s one-of-a-kind Academy Awards ceremony, altered from top to bottom by the pandemic.The event was one of the largest photo pools AP has ever run. AP’s remarkable access came as the result of years of relationship building with the film academy, which trusted AP to not only shoot photos of its marquee event, but also distribute those images to news outlets around the globe.Under the leadership of Kaufman, assistant director of photography, and with a workflow developed largely by photo editor Munoz, the team expedited some 1,500 still images to 11 members of the pool. Meanwhile, in London, Jankovic coordinated photographers and editors handling the Oscars’ global satellite locations — from Sydney to Stockholm to Kilkenny, Ireland, and points in between. Success meant assembling a team of AP staffers, including a team of 10 editors — most off-site due to pandemic restrictions — who quickly edited, captioned and transmitted the images. In addition, at the academy’s request, video journalist Turner shot the Oscars’ pool fashion feed – a key position that is highly valuable to clients looking for red carpet looks and unscripted moments.Bottom line: If you saw a photo from the red carpet, or a winner clutching the coveted statuette, chances are it was shot by the AP. The images were used in countless tweets, online stories and on dozens of newspaper front pages, notably above-the-fold play for shots of “Nomadland’s” best picture winners by Pizzello, who also authored a “Virus Diary” with his reflecions on being an entertainment photographer during the pandemic.https://bit.ly/3vpV8HDhttps://bit.ly/3gOI1eY

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April 23, 2021

Beat of the Week

(Honorable Mention)

Insiders: Pandemic forces change in European fashion industry

reported one of the first major forensic assessments of the coronavirus’s impact on Europe’s multibillion-dollar fashion industry, hit hard by the pandemic. Adamson’s years-long source work in Paris and beyond put him in touch with economists, insiders, fashion editors and top designers, including Stella McCartney, who told AP that the virus has accelerated reform in the industry.Adamson’s reporting, complemented by Mori’s engaging photography, showed how Asia’s early containment of the virus could give the world’s largest continent and its powerful consumers great leverage over Europe’s luxury industry and could lead to European designers pandering more to Asian consumers. https://bit.ly/3dwFMuP

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April 02, 2021

Best of the Week

A master class: AP teams deliver sweeping coverage of the migrant surge at the US-Mexico border

When the U.S.-Mexico border became a major front-page story again in recent weeks, the AP set out to tell the story of newly arriving Central American children and families in trademark AP fashion: with compelling all-formats journalism and richly reported viewpoints from migrants to bring perspective to readers on the topic of immigration.

Photographers Julio Cortez and Dario Lopez-Mills, reporters Adriana Gómez Licón and Elliot Spagat, and video journalists Eugene Garcia and John Mone answered the call and more, delivering a string of stories last week that amounted to a master class in how to cover the border.

Among the highlights were the story of a 7-year-old girl crossing the border without her parents in the middle of the night, the story of migrant families dumped by the Biden administration in a dangerous Mexican border town while other families in the same circumstance gained entry into the U.S., and in-flight coverage of a 5-year-old Honduran immigrant en route to Baltimore. The immersive multiformat work received tremendous play. 

For bringing to life the human stories of those seeking entry to the United States, especially the sharp increase in the number of families and children in recent weeks and the struggles of border officials to cope, Gómez Licón, Cortez, Mone, Spagat, Lopez and Garcia share AP’s Best of the Week honors.

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March 19, 2021

Beat of the Week

(Honorable Mention)

Backstage access makes AP a big winner on Grammy night

took advantage of agency exclusive all-formats backstage access at the Grammy Awards, resulting in a wealth of interviews for video, and photo access unmatched by wire service rivals. Isaza, Landrum and Pizzello underwent numerous COVID-19 screenings in the six days leading up to the show in order to gain access. That access came about because of the AP’s decade-plus relationship with the Recording Academy — and a firm stand by AP: Some artists demanded approvals of performance photos, which the AP declined, and some talent said they would only do interviews if certain questions were off limits. Again, no.The AP landed at least 20 video interviews with stars such as Dua Lipa, Da Baby, Miranda Lambert and H.E.R, touching on fashion, racial injustice, their pandemic experiences, the return to performing and more. The biggest wins were photos of Beyoncé and Taylor Swift, both rarely photographed by AP, on their big night. AP was one of four photo outlets onsite and the only photo news wire. Competitive news services were forced to use years-old pictures of the pair, as well as several other stars, with their stories.Isaza produced a behind-the-scenes video feature, and Fekadu’s mainbar — powered by photos from Pizzello and Strauss, and quickly updated thanks to his preparedness — racked up nearly 110,000 pageviews by Monday afternoon. Google listed AP’s story first in searches for Grammys or Beyoncé during the evening. https://apnews.com/hub/grammy-awards

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Dec. 24, 2020

Beat of the Week

(Honorable Mention)

Lagos duo perseveres in coverage of students’ kidnapping

overcame countless obstacles to provide on-the-ground coverage from a remote area of northwest Nigeria after the abduction of 300 students from a school in Katsina state. With perseverance, stamina and resourcefulness, the pair delivered content for a series of powerful stories in all formats, including live video coverage of the eventual release of the students.The pair had been covering Lagos Fashion Week when news of the mass abduction broke. After arranging with local stringers for AP’s first images from the school in Kankara village, Oyekanmi and Alamba flew north, then drove for hours over single-lane roads, dodging trucks and potholes, and talking their way through security checkpoints to reach Kankara, a town now in shock. After making images — captured with difficulty among a populace cowed by fear — more hours of travel followed to reach a safe town where they could file photos and video, and get some sleep.That work pattern repeated over the coming days: six or more hours on the road, then filing late into the night with visuals and reporting that brought detail and color to text stories.When they learned that the release of the boys had finally been secured, Oyekanmi and Alamba rushed to the state capital, staying up all night to wait for the students’ arrival. When the freed boys finally did arrive the next morning, Oyekanmi was ready with LiveU gear, streaming exclusive live coverage of their return, while Alamba filed first photos via Whatsapp. Both formats scored heavy usage by AP global clients.https://bit.ly/3rkaQmxhttps://bit.ly/2WFlKozhttps://bit.ly/2KwM9CDhttps://bit.ly/38uEQTXhttps://bit.ly/3nFUpP3

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Sept. 25, 2020

Beat of the Week

(Honorable Mention)

Preparation puts AP ahead with fast, deep coverage of RBG

used their deep knowledge of the Supreme Court beat – and rigorous preparation – to put AP out front with a series of exclusives following the death of Justice Ruth Bader Ginsburg. Sherman and Gresko anticipated the inevitable after Ginsburg disclosed that she was being treated for another bout of cancer, and they were well positioned when the death was announced on Friday night. AP moved an alert within four minutes, with a story was out barely five minutes later, ahead of most other major outlets. Sherman’s elegant and deeply reported appreciation moved shortly after. He then set to work helping the White House and Congress teams with the very real question of what happens next.Gresko, meanwhile, teed off a series of exclusive pieces about Ginsburg – her final moments, the stories she told and how her style was something more than just a fashion statement. Sherman followed up with a look at whether eight justices would be enough should the 2020 election be contested. Play was stunning for their collective work – 5 million page views and 1,500 downloads.Sherman and Gresko understand not only the court and the complex legal filings, but also the justices themselves. And they value preparation as a precursor to speed. The pair works in tandem on different but equally interesting and important stories, and their collaboration kept the Washington bureau ahead of a momentous story in a year filled with momentous stories.https://bit.ly/3mQbKVChttps://bit.ly/2FXOqo7https://bit.ly/2FPTR8N

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June 26, 2020

Best of the Week

White House homecoming photo speaks volumes on Trump’s Tulsa rally

Washington-based photojournalist Pat Semansky was assigned weekend White House duty – a routine gig that meant waiting for President Donald Trump’s overnight return from Tulsa, Oklahoma, where his much-hyped rally didn’t meet expectations.

The president’s arrival rarely makes a memorable photo, but Semansky dutifully waited until well after 1 a.m., while many of AP’s competitors didn’t bother to cover. When Trump finally stepped off Marine One, Semansky proved the time well spent: His flash caught an atypically rumpled Trump crossing the South Lawn.

The photo quickly became the signature image of the night, capping days of smart AP coverage on the event itself. 

For making the most of a routine assignment to create what is likely to become an iconic photo of the Trump presidency, Pat Semansky wins AP’s Best of the Week award.

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Nov. 15, 2019

Best of the States

AP Investigation: At least 1,680 aging US dams pose a risk to thousands

Severe storms, extreme flooding and aging infrastructure present a rising peril throughout much of the U.S., but trying to assess the risks has been extremely difficult. The reason: The federal agency overseeing the nation’s dams has sealed off the most essential information about their condition and the potential threats to those living downstream.

Prying that information loose took the kind of dedicated, 50-state effort that the AP is uniquely positioned to pursue. Data journalist Michelle Minkoff and Northern New England correspondent Michael Casey, collaborating with state government team member David Lieb and a visual team led by video journalist Allen Breed – as well as a cast of AP state reporters, photographers and data journalists – produced a deeply reported and visually stunning package revealing the dangers of nearly 1,700 aging dams, from Hawaii to Massachusetts.

Some two years in the making, the package resulted in explosive play – more than 100,000 page views on AP News and more than 80 front pages. 

For their exhaustive efforts to unlock critical public information and relay the findings in an engaging fashion, Minkoff, Casey, Lieb and Breed win this week’s Best of the States award.

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May 31, 2019

Best of the Week

AP photo team scores with a fresh approach to annual Cannes festival coverage

Early in the planning stage for this year’s Cannes film festival, London-based Dejan Jankovic, deputy director of entertainment content, decided to build his photo team with a combination of experience and fresh eyes, including Athens photographer Petros Giannakouris, who had no Cannes experience, and Invision entertainment specialists Ali Kaufman and photographers Joel Ryan, Vianney le Caer and Arthur Mola

The resulting coverage visually captured the glamour and excitement of the event in new ways without sacrificing the traditional elements that have worked in the past. AP won the Cannes Photograph of the Day award five times over the two weeks, impressive recognition in a competition open to every accredited photographer there.

For showing the glamour, fashion and celebrities of Cannes in a fresh and arresting manner, Jankovic, Giannakouris, Kaufman, Ryan, le Caer and Mola earn AP’s Best of the Week award.

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March 01, 2019

Best of the Week

Months of planning, smart execution result in dominating Oscars coverage

The envelope was opened, “Green Book” was announced as best picture at the 91st Oscars, and entertainment writer Andrew Dalton’s eyes shifted over to Spike Lee.

The director threw up his hands in exasperation and attempted to storm out of the Dolby Theatre before being told to return to his seat. Social media quickly lit up with disdain for the selection by the Academy of Motion Picture Arts and Sciences, and Dalton’s eyewitness reporting quickly fueled the criticism.

In a packed theater filled with actors and other journalists, Dalton reported what few saw and the television cameras didn’t show, giving the AP exclusive material and driving audiences to its comprehensive Oscars coverage.

Later that night, entertainment producer Mike Cidoni Lennox interviewed “Green Book’s” producers outside the Oscars’ official after-party, helping drive the following day’s coverage of the controversial win.

The reaction to the best picture winner capped dominating all-formats team coverage of the Oscars, the result of months of planning and preparation. AP customers received a steady stream of photos, video and stories, including film writer Jake Coyle’s deadline story which was viewed more than 88,000 times. Coyle had crafted prep for all the likely winners, allowing for fast updates when the envelopes were opened.

For their extensive planning, professional expertise and swift work, Dalton, Coyle and Lennox win AP’s Best of the Week award.

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Nov. 23, 2018

Best of the States

Requiem for Paradise: Remembering the sweet life of a town wiped out by wildfire

It’s not often you have to write an obituary for a town. Yet that’s what Martha Mendoza and Jocelyn Gecker did, with Gillian Flaccus producing a compelling video component. Their tribute to Paradise, California – leveled by a devastating wildfire that killed so many residents – painted a picture of all that was lost. Paradise was a gold prospector’s town, then a lumber town, and until two weeks ago was the home of 27,000 people “who lived and loved here; they built homes and businesses, schools and houses of worship, parks and museums that proudly honored Paradise's place in American history.”

Mendoza worked from the field, in the ashes of the town, with Gecker in San Francisco tracking down leads, helping to write the finished piece and finding photographs to illustrate “the town’s history and spirit.” Their nuanced reporting, along with that of many colleagues, drew forth tales of town holidays, and residents ruminating whether those staples of small-town America would continue.

The accompanying video by Gillian Flaccus, recorded during a ride-along with a long-time resident, complemented the text piece by showing street after street of utter devastation over the man’s narration.

Paradise is gone, and until it rebuilds in some fashion, Mendoza, Gecker and Flaccus have given the world the definitive piece on what it represented. For their deft depiction of the town behind the headlines, the trio wins AP's Best of the States.

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