for one of the first published interviews that Warren Beatty has given in years on the occasion of his new Howard Hughes biopic, "The Rules Don't Apply."
http://bayareane.ws/2cFXsWA
The 2012 film “The Avengers” cemented Marvel’s dominance at the box office, but the movie had a secret: A man had died bringing the blockbuster to the big screen. John Suttles died after falling from his truck while preparing to drive it to a set, but his name was not listed in the film's credits. Outside the production and Suttles’ family, the only clue to his death and its connection to the movie was an 84-page investigative file by the workplace safety agency, Cal/OSHA.
That clue was uncovered by AP Entertainment Writer Anthony McCartney, who began investigating set accidents in 2014. After diving into state and federal Occupational Safety and Health Administration records, he discovered that dozens of workers had been killed and more had been seriously hurt on big-name television and film properties. Set accidents remain largely hidden, and the consequences usually amount to mere thousands of dollars in fines paid out of multimillion-dollar budgets, he reported. McCartney also catalogued numerous fatal film-set accidents internationally. His painstaking work wins Beat of the Week.
for his exclusive, wide-ranging interview with George Clooney, in which the actor commented on fatherhood, his new film about racism in America, and Donald Trump’s fitness to be president. http://bit.ly/2w84vNe
for their Only on AP story that details new accusations from three women of sexual misconduct against filmmaker Paul Haggis. Getting the story required deft interviewing by the two reporters to get the accusers to open up about their assertions against another Hollywood heavyweight. http://bit.ly/2m4YgY4
landed a clean scoop on the death of director-producer Ivan Reitman thanks to her reputation for professionalism on the film beat. Los Angeles-based Bahr received a call from a source during the Super Bowl, saying the 75-year-old Reitman had died and the family trusted her to break the story. That set Bahr and AP into motion on an obit that made news, even on a busy Sunday night. Read more
AP entertainment video manager Ryan Pearson had interviewed Chadwick Boseman eight times since 2013. He knew the actor and his work well, and he’d worked closely with the actor’s publicist and her company.
That’s why the publicist’s first media call after Boseman’s death was to Pearson and the AP – she wanted the story reported by a responsible news organization. Another outlet, she worried, was getting close.
Pearson immediately alerted colleagues and set out to write an obituary that shocked the world. The AP staff in turn responded with comprehensive all-formats coverage, the story quickly becoming the biggest of the month on AP News and mobile.
For source and beat development that led to a tip on perhaps the biggest entertainment story of the year, and delivered a stream of important work for AP’s customers and audience, Pearson wins AP’s Best of the Week.
for sizing up the latest “Star Wars” film and delivering, within hours of seeing it, a review that gave the AP and its audience a thorough take on one of the year’s biggest releases. The story received more than 50,000 views in its first 24 hours. Spoiler alert, Coyle found it “spirited, hectic and ultimately forgettable.” https://bit.ly/2sZRauk
Early in the planning stage for this year’s Cannes film festival, London-based Dejan Jankovic, deputy director of entertainment content, decided to build his photo team with a combination of experience and fresh eyes, including Athens photographer Petros Giannakouris, who had no Cannes experience, and Invision entertainment specialists Ali Kaufman and photographers Joel Ryan, Vianney le Caer and Arthur Mola
The resulting coverage visually captured the glamour and excitement of the event in new ways without sacrificing the traditional elements that have worked in the past. AP won the Cannes Photograph of the Day award five times over the two weeks, impressive recognition in a competition open to every accredited photographer there.
For showing the glamour, fashion and celebrities of Cannes in a fresh and arresting manner, Jankovic, Giannakouris, Kaufman, Ryan, le Caer and Mola earn AP’s Best of the Week award.
Lindsey Bahr, film writer, Los Angeles, for breaking two entertainment stories during an interview with actor Matt Damon ...
for breaking the news of the birth of the Clooney twins at least a couple of minutes before anybody else, a clear beat on one of the most anticipated celebrity baby births in years. http://apne.ws/2rejy6o
for the only interview with Bollywood star Irrfan Khan about his struggles with a rare form of cancer. He told her he trusted the AP to give an accurate account of his illness, which he does not know if he will be able to beat. https://bit.ly/2KoD7Bm
The envelope was opened, “Green Book” was announced as best picture at the 91st Oscars, and entertainment writer Andrew Dalton’s eyes shifted over to Spike Lee.
The director threw up his hands in exasperation and attempted to storm out of the Dolby Theatre before being told to return to his seat. Social media quickly lit up with disdain for the selection by the Academy of Motion Picture Arts and Sciences, and Dalton’s eyewitness reporting quickly fueled the criticism.
In a packed theater filled with actors and other journalists, Dalton reported what few saw and the television cameras didn’t show, giving the AP exclusive material and driving audiences to its comprehensive Oscars coverage.
Later that night, entertainment producer Mike Cidoni Lennox interviewed “Green Book’s” producers outside the Oscars’ official after-party, helping drive the following day’s coverage of the controversial win.
The reaction to the best picture winner capped dominating all-formats team coverage of the Oscars, the result of months of planning and preparation. AP customers received a steady stream of photos, video and stories, including film writer Jake Coyle’s deadline story which was viewed more than 88,000 times. Coyle had crafted prep for all the likely winners, allowing for fast updates when the envelopes were opened.
For their extensive planning, professional expertise and swift work, Dalton, Coyle and Lennox win AP’s Best of the Week award.
In Chad to cover the sudden death of the country’s longtime president, the AP team of West Africa Bureau Chief Krista Larson, Nigeria-based video journalist Lekan Oyekanmi and photographer Sunday Alamba decided to look at the COVID situation in a country that has yet to administer its first shot. Political unrest made the assignment far more challenging, with police on the hunt for journalists. Alamba and Oyekanmi had already been detained for eight hours and warned not to venture out into the street again.
After days of prodding, the team was granted just a brief interview with medical staff in a hospital conference room. But the all-formats crew pressed the case to see the COVID ward for themselves, eventually winning access. Accounts of bravery and deprivation among overwhelmed medical staff, and the images shot by Alamba and Oyekanmi, speak volumes, highlighting a deep global inequity despite promises by wealthy nations to help vaccinate the world.
For intrepid coverage in the harshest of reporting environments, Larson, Alamba and Oyekanmi win AP’s Best of the Week award.
crafted a tender, poignant photo package of nursing home residents in Spain hugging their relatives through protective sheets of plastic, his images almost instantly resonating among audiences worldwide. “One of the most moving epidemic-era photos I have seen,” wrote one Twitter user. Another called it “an ode to love and so heartbreaking. Terrific work.” Multiple media organizations including The Guardian and CNN included Morenatti’s work in their must-see photo collections of the week. https://bit.ly/2YK0iRg
went beyond just documenting the fires that swept across Brazil’s Pantanal wetlands, decimating wildlife, but also reported that the government’s meager response allowed the blazes to spiral out of control. Almost one-quarter of the Pantanal, the world’s largest tropical wetlands, went up in flames – an area bigger than the state of Maryland, and double what California lost this year.
The Brazilian government said it mobilized hundreds of troops and agents. as well as aircraft dropping water, to douse the fires. The AP team used witness testimonials, local data and its journalists’ own observations – they didn’t find a single armed forces member during five days in the northern Pantanal, where the fires were centered. Sources yielded further evidence and a government source who was involved in the Pantanal fire response later confirmed the AP’s findings, despite continued assertions by Brazil’s environment ministry that its response was stellar.
The team produced multiple packages with especially strong video and photos. The work was the most used from Latin America by AP clients for all of September.https://bit.ly/33zTrMvhttps://bit.ly/36KwSad
With exceptional multiformat journalism, AP investigative reporters Martha Mendoza and Juliet Linderman exposed the collapse of the U.S. medical equipment supply chain that led to deadly shortages of crucial personal protective equipment during the pandemic.
In collaboration with public television’s “Frontline,” the Center for Global Reporting and AP reporters worldwide, “America’s Medical Supply Crisis” identified a series of missteps in the U.S. that contributed to one of the highest death rates per capita in the world.
The investigation elicited strong public engagement, praise from public health experts and response by bipartisan members of Congress.
For breaking down a complex topic to show the critical importance of medical supply chains and the human cost when those supply chains fail, Linderman and Mendoza share AP’s Best of the Week award.
teamed up to trace the elusive origin of Pope Francis’ bombshell comment on same-sex civil unions in a three-day run of stories that broke news.After Winfield reported that Pope Francis had endorsed civil unions in a new documentary, she discovered that the origin of the quote in the film was not clear. When Winfield asked the director whether he had understood at the time that the civil union comment was news, his longwinded and indirect answer was the first hint that something was off – triggering a 36-hour reporting effort.Thomas, who was covering the premiere of “Francesco” in Rome, got a top papal communications aide on camera insisting that the quote didn’t come from an interview for the film, but a 2019 interview Francis granted Mexican broadcaster Televisa. After three days of contradictory claims, the reporters nailed down that the comments were made during a May 2019 Televisa interview that was never broadcast in its entirety. Verza pressed and elicited a sourced confirmation that the Vatican had cut the quote out of the raw interview footage it provided to Televisa.AP’s story with the information from Mexico moved three hours before major newspapers reported the story. The Vatican, meanwhile, has refused all comment.https://bit.ly/3kBGZlyhttps://bit.ly/31R6VCq
overcame countless obstacles to provide on-the-ground coverage from a remote area of northwest Nigeria after the abduction of 300 students from a school in Katsina state. With perseverance, stamina and resourcefulness, the pair delivered content for a series of powerful stories in all formats, including live video coverage of the eventual release of the students.The pair had been covering Lagos Fashion Week when news of the mass abduction broke. After arranging with local stringers for AP’s first images from the school in Kankara village, Oyekanmi and Alamba flew north, then drove for hours over single-lane roads, dodging trucks and potholes, and talking their way through security checkpoints to reach Kankara, a town now in shock. After making images — captured with difficulty among a populace cowed by fear — more hours of travel followed to reach a safe town where they could file photos and video, and get some sleep.That work pattern repeated over the coming days: six or more hours on the road, then filing late into the night with visuals and reporting that brought detail and color to text stories.When they learned that the release of the boys had finally been secured, Oyekanmi and Alamba rushed to the state capital, staying up all night to wait for the students’ arrival. When the freed boys finally did arrive the next morning, Oyekanmi was ready with LiveU gear, streaming exclusive live coverage of their return, while Alamba filed first photos via Whatsapp. Both formats scored heavy usage by AP global clients.https://bit.ly/3rkaQmxhttps://bit.ly/2WFlKozhttps://bit.ly/2KwM9CDhttps://bit.ly/38uEQTXhttps://bit.ly/3nFUpP3
The Paris suburb of Nanterre was at the heart of violent protests after a French policeman killed a 17-year-old at a traffic stop, and AP journalists in Paris worked around the clock and at a competitive disadvantage to document the unrest and its aftermath.
Photographer Christophe Ena was among the first on the scene, taking AP’s first photos and video of flames in Nanterre on the first night and alerting our customers — and competitors — of the gravity of the story. He and a photographer from the European Pressphoto Agency were the only international journalists on the scene at the time and worked together to ensure each other’s safety as tensions rose around them.
Cara Anna, arriving from Nairobi, was among just a few journalists to cover the boy’s funeral and discreetly filmed a brief video of the cemetery where people were gathering to mourn. It was the only footage published of the event, but also respected the organizers’ request not to have cameras at the funeral itself.
For sensitive, honest work in unpredictable, often hostile conditions to show a part of France tourists see rarely and understand even less, Ena and Anna earn this week’s first citation for Best of the Week.
AP scooped the rest of the world with the contents of the highly anticipated report by Chinese and World Health Organization experts on the origins of the COVID-19 virus. The scoop was so significant that it forced our direct competitors to quote AP in their headlines and stories for hours, as they and others scrambled to match it.
How did AP do it?
Tipped that the report was imminent, Geneva chief correspondent Jamey Keaten cast a wide net among trusted sources, seeking a copy whenever it became available — and AP’s repeated scoops on WHO have made it the go-to news organization for reliable reporting on the U.N. agency. That paid off: A source Keaten had cultivated for years sent the report to him electronically early Monday morning. He quickly relayed the file to Greater China news director Ken Moritsugu, launching an urgent multiformat effort. Working with colleagues in Asia, Moritsugu had a carefully worded alert and story on the wire as day dawned in Europe. AP video colleagues followed with a six-minute archive package, footage of the report itself and official on-camera reaction.
For giving the AP a massive lead on the day’s biggest story, and harnessing AP’s global presence to produce news with speed and accuracy, Keaten and Moritsugu earn AP’s Best of the Week honors.
