for one of the first published interviews that Warren Beatty has given in years on the occasion of his new Howard Hughes biopic, "The Rules Don't Apply."
http://bayareane.ws/2cFXsWA
for a cross-country, all-formats response to the mass shooting that left three dead at the Gilroy (Calif.) Garlic Festival. Rod Jussim, Washington video producer, leapt into the story, moving 10 video edits, including gripping user-generated clips, followed with live video from the scene at sunrise. Meanwhile, freelance photographer Noah Berger captured images that led local media outlets for hours and also shot aerials of the scene, something no other agency had, as San Francisco reporter Martha Mendoza, interviewed witnesses and getting good early descriptions of the scene. https://bit.ly/2ZjdnPq
for their Only on AP story that details new accusations from three women of sexual misconduct against filmmaker Paul Haggis. Getting the story required deft interviewing by the two reporters to get the accusers to open up about their assertions against another Hollywood heavyweight. http://bit.ly/2m4YgY4
The 2012 film “The Avengers” cemented Marvel’s dominance at the box office, but the movie had a secret: A man had died bringing the blockbuster to the big screen. John Suttles died after falling from his truck while preparing to drive it to a set, but his name was not listed in the film's credits. Outside the production and Suttles’ family, the only clue to his death and its connection to the movie was an 84-page investigative file by the workplace safety agency, Cal/OSHA.
That clue was uncovered by AP Entertainment Writer Anthony McCartney, who began investigating set accidents in 2014. After diving into state and federal Occupational Safety and Health Administration records, he discovered that dozens of workers had been killed and more had been seriously hurt on big-name television and film properties. Set accidents remain largely hidden, and the consequences usually amount to mere thousands of dollars in fines paid out of multimillion-dollar budgets, he reported. McCartney also catalogued numerous fatal film-set accidents internationally. His painstaking work wins Beat of the Week.
for his exclusive, wide-ranging interview with George Clooney, in which the actor commented on fatherhood, his new film about racism in America, and Donald Trump’s fitness to be president. http://bit.ly/2w84vNe
Early in the planning stage for this year’s Cannes film festival, London-based Dejan Jankovic, deputy director of entertainment content, decided to build his photo team with a combination of experience and fresh eyes, including Athens photographer Petros Giannakouris, who had no Cannes experience, and Invision entertainment specialists Ali Kaufman and photographers Joel Ryan, Vianney le Caer and Arthur Mola
The resulting coverage visually captured the glamour and excitement of the event in new ways without sacrificing the traditional elements that have worked in the past. AP won the Cannes Photograph of the Day award five times over the two weeks, impressive recognition in a competition open to every accredited photographer there.
For showing the glamour, fashion and celebrities of Cannes in a fresh and arresting manner, Jankovic, Giannakouris, Kaufman, Ryan, le Caer and Mola earn AP’s Best of the Week award.
landed a clean scoop on the death of director-producer Ivan Reitman thanks to her reputation for professionalism on the film beat. Los Angeles-based Bahr received a call from a source during the Super Bowl, saying the 75-year-old Reitman had died and the family trusted her to break the story. That set Bahr and AP into motion on an obit that made news, even on a busy Sunday night. Read more
teamed up to provide fast and effective coverage of a June 25 mass shooting during an LGBTQ Pride festival in Oslo, Norway, that left two people dead and more than 20 wounded.When the news broke in the middle of the night that a gunman had opened fire in the Norwegian capital, quick decision-making, a rapid response and even a bit of luck enabled AP to produce a fast, comprehensive all-formats report that was widely used by clients worldwide.Read more
AP entertainment video manager Ryan Pearson had interviewed Chadwick Boseman eight times since 2013. He knew the actor and his work well, and he’d worked closely with the actor’s publicist and her company.
That’s why the publicist’s first media call after Boseman’s death was to Pearson and the AP – she wanted the story reported by a responsible news organization. Another outlet, she worried, was getting close.
Pearson immediately alerted colleagues and set out to write an obituary that shocked the world. The AP staff in turn responded with comprehensive all-formats coverage, the story quickly becoming the biggest of the month on AP News and mobile.
For source and beat development that led to a tip on perhaps the biggest entertainment story of the year, and delivered a stream of important work for AP’s customers and audience, Pearson wins AP’s Best of the Week.
for sizing up the latest “Star Wars” film and delivering, within hours of seeing it, a review that gave the AP and its audience a thorough take on one of the year’s biggest releases. The story received more than 50,000 views in its first 24 hours. Spoiler alert, Coyle found it “spirited, hectic and ultimately forgettable.” https://bit.ly/2sZRauk
for the only interview with Bollywood star Irrfan Khan about his struggles with a rare form of cancer. He told her he trusted the AP to give an accurate account of his illness, which he does not know if he will be able to beat. https://bit.ly/2KoD7Bm
for an exclusive, all-formats interview where celebrity Casey Affleck addressed his Oscars absence and the #MeToo movement, and apologized for the environment on the movie set for a 2010 film. https://bit.ly/2P6JlcZ
for breaking the news that Jay-Z, who was set to headline the 50th anniversary of Woodstock, had backed out of the troubled festival. Fekadu got the news by keeping in touch with all the scheduled performers to find out if they would go forward with the August festival. The AP previously reported that Dead & Company and John Fogerty also backed out. https://bit.ly/2yojBBL
The envelope was opened, “Green Book” was announced as best picture at the 91st Oscars, and entertainment writer Andrew Dalton’s eyes shifted over to Spike Lee.
The director threw up his hands in exasperation and attempted to storm out of the Dolby Theatre before being told to return to his seat. Social media quickly lit up with disdain for the selection by the Academy of Motion Picture Arts and Sciences, and Dalton’s eyewitness reporting quickly fueled the criticism.
In a packed theater filled with actors and other journalists, Dalton reported what few saw and the television cameras didn’t show, giving the AP exclusive material and driving audiences to its comprehensive Oscars coverage.
Later that night, entertainment producer Mike Cidoni Lennox interviewed “Green Book’s” producers outside the Oscars’ official after-party, helping drive the following day’s coverage of the controversial win.
The reaction to the best picture winner capped dominating all-formats team coverage of the Oscars, the result of months of planning and preparation. AP customers received a steady stream of photos, video and stories, including film writer Jake Coyle’s deadline story which was viewed more than 88,000 times. Coyle had crafted prep for all the likely winners, allowing for fast updates when the envelopes were opened.
For their extensive planning, professional expertise and swift work, Dalton, Coyle and Lennox win AP’s Best of the Week award.
Lindsey Bahr, film writer, Los Angeles, for breaking two entertainment stories during an interview with actor Matt Damon ...
employed strategic planning and dogged source building to ensure that AP’s Paris team had unique top shots and close-up access to film and photograph mounting protest violence in France, and capture the scale of a movement increasingly angry at President Emmanuel Macron. Read more.
for breaking the news of the birth of the Clooney twins at least a couple of minutes before anybody else, a clear beat on one of the most anticipated celebrity baby births in years. http://apne.ws/2rejy6o
for getting an exclusive statement that Beyonce, pregnant with twins, would no longer headline the Coachella music festival in April, after much speculation online. http://bit.ly/2lT69ib
for obtaining an exclusive walkthrough of new procedures by the film academy and accounting firm PwC to avoid another envelope flub like the one that resulted in the incorrect naming of the best picture winner at last year's Oscars. http://bit.ly/2EywzPo
for negotiating an hourlong exclusive window on plans for a prequel novel to “The Hunger Games” trilogy, news that proved popular with fans of the books and film franchise. The one-hour beat meant that many major news outlets had to either run the AP story in its entirety or prominently credit the AP. https://bit.ly/2XgMX2N