for one of the first published interviews that Warren Beatty has given in years on the occasion of his new Howard Hughes biopic, "The Rules Don't Apply."
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for their Only on AP story that details new accusations from three women of sexual misconduct against filmmaker Paul Haggis. Getting the story required deft interviewing by the two reporters to get the accusers to open up about their assertions against another Hollywood heavyweight. http://bit.ly/2m4YgY4
for a cross-country, all-formats response to the mass shooting that left three dead at the Gilroy (Calif.) Garlic Festival. Rod Jussim, Washington video producer, leapt into the story, moving 10 video edits, including gripping user-generated clips, followed with live video from the scene at sunrise. Meanwhile, freelance photographer Noah Berger captured images that led local media outlets for hours and also shot aerials of the scene, something no other agency had, as San Francisco reporter Martha Mendoza, interviewed witnesses and getting good early descriptions of the scene. https://bit.ly/2ZjdnPq
The 2012 film “The Avengers” cemented Marvel’s dominance at the box office, but the movie had a secret: A man had died bringing the blockbuster to the big screen. John Suttles died after falling from his truck while preparing to drive it to a set, but his name was not listed in the film's credits. Outside the production and Suttles’ family, the only clue to his death and its connection to the movie was an 84-page investigative file by the workplace safety agency, Cal/OSHA.
That clue was uncovered by AP Entertainment Writer Anthony McCartney, who began investigating set accidents in 2014. After diving into state and federal Occupational Safety and Health Administration records, he discovered that dozens of workers had been killed and more had been seriously hurt on big-name television and film properties. Set accidents remain largely hidden, and the consequences usually amount to mere thousands of dollars in fines paid out of multimillion-dollar budgets, he reported. McCartney also catalogued numerous fatal film-set accidents internationally. His painstaking work wins Beat of the Week.
Early in the planning stage for this year’s Cannes film festival, London-based Dejan Jankovic, deputy director of entertainment content, decided to build his photo team with a combination of experience and fresh eyes, including Athens photographer Petros Giannakouris, who had no Cannes experience, and Invision entertainment specialists Ali Kaufman and photographers Joel Ryan, Vianney le Caer and Arthur Mola
The resulting coverage visually captured the glamour and excitement of the event in new ways without sacrificing the traditional elements that have worked in the past. AP won the Cannes Photograph of the Day award five times over the two weeks, impressive recognition in a competition open to every accredited photographer there.
For showing the glamour, fashion and celebrities of Cannes in a fresh and arresting manner, Jankovic, Giannakouris, Kaufman, Ryan, le Caer and Mola earn AP’s Best of the Week award.
landed a clean scoop on the death of director-producer Ivan Reitman thanks to her reputation for professionalism on the film beat. Los Angeles-based Bahr received a call from a source during the Super Bowl, saying the 75-year-old Reitman had died and the family trusted her to break the story. That set Bahr and AP into motion on an obit that made news, even on a busy Sunday night. Read more
for his exclusive, wide-ranging interview with George Clooney, in which the actor commented on fatherhood, his new film about racism in America, and Donald Trump’s fitness to be president. http://bit.ly/2w84vNe
AP spent months building sources and conducting interviews to trace the declining friendship between Amazonian Indigenous activist Chief Raoni and Belgian filmmaker Jean-Pierre Dutilleux.Read more
AP entertainment video manager Ryan Pearson had interviewed Chadwick Boseman eight times since 2013. He knew the actor and his work well, and he’d worked closely with the actor’s publicist and her company.
That’s why the publicist’s first media call after Boseman’s death was to Pearson and the AP – she wanted the story reported by a responsible news organization. Another outlet, she worried, was getting close.
Pearson immediately alerted colleagues and set out to write an obituary that shocked the world. The AP staff in turn responded with comprehensive all-formats coverage, the story quickly becoming the biggest of the month on AP News and mobile.
For source and beat development that led to a tip on perhaps the biggest entertainment story of the year, and delivered a stream of important work for AP’s customers and audience, Pearson wins AP’s Best of the Week.
teamed up to provide fast and effective coverage of a June 25 mass shooting during an LGBTQ Pride festival in Oslo, Norway, that left two people dead and more than 20 wounded.When the news broke in the middle of the night that a gunman had opened fire in the Norwegian capital, quick decision-making, a rapid response and even a bit of luck enabled AP to produce a fast, comprehensive all-formats report that was widely used by clients worldwide.Read more
As the COVID-19 pandemic killed more than a half-million Americans, it also quietly inflamed what had already been one of the country’s greatest public health crises: addiction.
To tell that story, a multiformat AP team — writer Claire Galofaro, photographer David Goldman and video journalist Mike Householder — spent time in Huntington, West Virginia, exploring the resurgence of addiction in a community that had made progress against drug abuse. The AP team embedded with the city’s Quick Response team for a week, providing a unique window into the suffering those with addiction have endured as the pandemic brought despair and cut off access to support systems and health care resources.
The evocative package resonated with readers, and the story’s main subject said she was “ecstatic” over how well the story captured the world she sees every day.
For sensitive and compelling coverage that furthers the AP’s efforts to explore the rippling consequences of COVID-19, the team of Galofaro, Goldman and Householder wins this week’s Best of the States award.
With exceptional multiformat journalism, AP investigative reporters Martha Mendoza and Juliet Linderman exposed the collapse of the U.S. medical equipment supply chain that led to deadly shortages of crucial personal protective equipment during the pandemic.
In collaboration with public television’s “Frontline,” the Center for Global Reporting and AP reporters worldwide, “America’s Medical Supply Crisis” identified a series of missteps in the U.S. that contributed to one of the highest death rates per capita in the world.
The investigation elicited strong public engagement, praise from public health experts and response by bipartisan members of Congress.
For breaking down a complex topic to show the critical importance of medical supply chains and the human cost when those supply chains fail, Linderman and Mendoza share AP’s Best of the Week award.
Building on his recent coverage of the collapse of the Super League, AP global soccer writer Rob Harris knew he needed to attend Sunday’s match between two teams that were part of the failed breakaway league — Manchester United and Liverpool — amid rising fan anger at the clubs.
Reporters were prevented from entering the stadium hours before the scheduled kickoff, with most waiting outside the entrance to Old Trafford. But Harris looped around the opposite side of the stadium to get closer to the expected protests.
What followed was a multiformat win. As the the crowd grew unruly, eventually breaking into the stadium and onto the field, lighting flares and lobbing bottles, Harris phoned in text and uploaded video from the melee, including the start of clashes between fans and police. He and a pair of stringers supplemented with photos. On an important day for Premier League coverage, Harris’ video was featured in major networks’ coverage, and AP’s text alert on the postponement of the game beat even Britain’s top agency.
For all-formats command of his beat under difficult circumstances, and significant wins against the competition, Harris earns AP’s Best of the Week honors.
In Chad to cover the sudden death of the country’s longtime president, the AP team of West Africa Bureau Chief Krista Larson, Nigeria-based video journalist Lekan Oyekanmi and photographer Sunday Alamba decided to look at the COVID situation in a country that has yet to administer its first shot. Political unrest made the assignment far more challenging, with police on the hunt for journalists. Alamba and Oyekanmi had already been detained for eight hours and warned not to venture out into the street again.
After days of prodding, the team was granted just a brief interview with medical staff in a hospital conference room. But the all-formats crew pressed the case to see the COVID ward for themselves, eventually winning access. Accounts of bravery and deprivation among overwhelmed medical staff, and the images shot by Alamba and Oyekanmi, speak volumes, highlighting a deep global inequity despite promises by wealthy nations to help vaccinate the world.
For intrepid coverage in the harshest of reporting environments, Larson, Alamba and Oyekanmi win AP’s Best of the Week award.
AP got access to a previously unseen video of Hank Aaron’s historic 715th home run.Read more
Last Saturday afternoon, the AP’s staff in the Gaza Strip received an urgent call: They had less than an hour to evacuate the office before the Israeli military planned to destroy the entire building. Staff and freelancers scrambled to pack up whatever equipment and belongings they could carry, but even as they rushed to safety they continued reporting the news, including smartphone video of the evacuation and a live shot set up on a neighboring building.
Moments later, an Israeli airstrike flattened the 12-story building that had served as a second home in one of the world’s most challenging war zones for the past 15 years. The AP team captured the dramatic scene for all formats, then, despite the stunning turn of events, quickly regrouped to continue their coverage of the ongoing conflict.
The destruction of the building capped a difficult week in which Gaza came under intense Israeli aerial bombing, and thousands of rockets were launched into Israel. AP’s staff on both sides of the conflict rose to the occasion, presenting fast, accurate stories, powerful photography, gripping video.
For extreme dedication in the most difficult of circumstances, and their commitment to covering the conflict even at great personal risk, the Gaza team of Fares Akram, Najib Jobain, Rashed Rashid, Khalil Hamra, Hatem Moussa, Adel Hana, Mohammed Jahjouh and Wafaa Shurafa is the unanimous pick for Best of the Week honors.
interviewed an impressive variety of Latino actors to examine the hurdles Latino subjects have encountered in Hollywood, and how 2021 is shaping up to be a potentially breakthrough year. She worked for weeks to secure high-caliber interviews from Rita Moreno, one of the only Latino performers to ever win an Oscar, and stars like John Leguizamo and Jimmy Smits.Spanish-language entertainment editor Ratner-Arias revealed some of the frustrations Latino stars have faced in getting their stories to the big screen. Moreno told film writer Jake Coyle, who teamed up with Ratner-Arias on some of the interviews, that she didn't expect to live long enough to see Latinos get a proper footing in Hollywood. The story weaved in hopes for a turnaround pinned to “In the Heights” and other films releasing in 2021 with voices from relative newcomers like Anthony Ramos and Charise Castro Smith. https://aplink.news/zdz
teamed up with colleagues around the country to deliver sweeping coverage of the deaths at Houston’s Astroworld music festival, reporting on spot developments while telling the stories of the 10 people killed, obtaining valuable video and photos from the crowd and piecing together a riveting account of what unfolded over 70 horrific minutes.Houston reporter Juan Lozano was on the story from the beginning, gathering harrowing details, interviewing victims and their families and talking to authorities, along with Dallas-based reporter Jamie Stengle and New York-based video journalist Robert Bumsted.Working remotely, reporters Mike Catalini and Randall Chase helped assemble vignettes on each of the dead, while Los Angeles news editor Ryan Pearson tracked down images and interviews from concertgoers with assists from reporters Acacia Coronado and Beatrice Dupuy. Kristin Hall in Nashville filed interviews and background on festival promoter Live Nation. And as the week wore on, journalists Michael Kunzelman and Bernard Condon quickly jumped in for spot coverage, focusing on calls for an outside investigation and the lawsuits starting to pile up.The team effort culminated in “70 minutes at Astroworld,” a vivid account of the unfolding tragedy expertly woven together by national writer Matt Sedensly using AP’s reporting, new and compelling narratives from attendees and videos of the concert. The story, including an interactive graphic by Francois Duckett, was among the week’s most-read and engaged stories on apnews.com, highlighting the AP’s virtual ownership of the highly competitive story.https://aplink.news/4v8https://aplink.news/taxhttps://aplink.news/z86
went beyond just documenting the fires that swept across Brazil’s Pantanal wetlands, decimating wildlife, but also reported that the government’s meager response allowed the blazes to spiral out of control. Almost one-quarter of the Pantanal, the world’s largest tropical wetlands, went up in flames – an area bigger than the state of Maryland, and double what California lost this year.
The Brazilian government said it mobilized hundreds of troops and agents. as well as aircraft dropping water, to douse the fires. The AP team used witness testimonials, local data and its journalists’ own observations – they didn’t find a single armed forces member during five days in the northern Pantanal, where the fires were centered. Sources yielded further evidence and a government source who was involved in the Pantanal fire response later confirmed the AP’s findings, despite continued assertions by Brazil’s environment ministry that its response was stellar.
The team produced multiple packages with especially strong video and photos. The work was the most used from Latin America by AP clients for all of September.https://bit.ly/33zTrMvhttps://bit.ly/36KwSad
navigated issues of access, multiple locations and complex logistics in covering this year’s one-of-a-kind Academy Awards ceremony, altered from top to bottom by the pandemic.The event was one of the largest photo pools AP has ever run. AP’s remarkable access came as the result of years of relationship building with the film academy, which trusted AP to not only shoot photos of its marquee event, but also distribute those images to news outlets around the globe.Under the leadership of Kaufman, assistant director of photography, and with a workflow developed largely by photo editor Munoz, the team expedited some 1,500 still images to 11 members of the pool. Meanwhile, in London, Jankovic coordinated photographers and editors handling the Oscars’ global satellite locations — from Sydney to Stockholm to Kilkenny, Ireland, and points in between. Success meant assembling a team of AP staffers, including a team of 10 editors — most off-site due to pandemic restrictions — who quickly edited, captioned and transmitted the images. In addition, at the academy’s request, video journalist Turner shot the Oscars’ pool fashion feed – a key position that is highly valuable to clients looking for red carpet looks and unscripted moments.Bottom line: If you saw a photo from the red carpet, or a winner clutching the coveted statuette, chances are it was shot by the AP. The images were used in countless tweets, online stories and on dozens of newspaper front pages, notably above-the-fold play for shots of “Nomadland’s” best picture winners by Pizzello, who also authored a “Virus Diary” with his reflecions on being an entertainment photographer during the pandemic.https://bit.ly/3vpV8HDhttps://bit.ly/3gOI1eY
