Wilson Ring, correspondent, Montpelier, Vermont; David Martin, videographer, New York City, and Charlie Krupa, photographer, Boston, for reporting on migrants flooding Canada from a remote outpost. https://tinyurl.com/yahs47rz
captured Malta’s controversial practice of using harbor cruise ships as floating detention centers for migrants rescued at sea. No one had made photos of the ships until Rossignaud traveled to the area about 23 kilometers (14 miles) offshore in his own motorboat. His images, accompanied by D'Emilio’s story, created a stir in Europe and beyond, putting pressure on Malta to let the migrants disembark.https://bit.ly/2AlRl7a
for following the money given to Libya to prevent migration. What they found was startling: The money has spawned a web of thriving and highly lucrative businesses that profit off the misery of migrants – funded by the European Union and enabled by the United Nations. The AP team came to this conclusion through interviews with more than 50 migrants and confidential information from internal United Nations emails and high-level sources, including senior Libyan officials. https://bit.ly/2QGAuBHhttps://bit.ly/2R2aq2D
After Maggie Michael, Nariman El-Mofty and Maad al-Zekri followed Ethiopian migrants across Djibouti and Yemen, they worked with the digital storytelling desk to deliver an all-formats package that hooked readers from the start, weaving together the differing fates of two migrants – one who succeeded in his epic walk to Saudi Arabia, the other who failed, left stranded and hopeless along the way.
The story demonstrated the scope of the AP’s reach, covering a little-noticed but rapidly growing route for migrants, exploring what motivates these men and women to risk their lives, and making readers care about people to whom they would not otherwise have been introduced.
The package, produced and packaged by Natalie Castañeda and Peter Hamlin, showcased how AP’s formats can work seamlessly together – from reporting on the ground to digital production – with dazzling results.
For stunningly beautiful work that took AP’s audience on the migrants’ journey from the sun-blasted wastelands of Djibouti to the shores of the Gulf of Aden and beyond, Michael, El-Mofty, al-Zekri, Castañeda and Hamlin win AP’s Best of the Week honors.
revealed that migration from Africa to Europe is still happening in the depths of the coronavirus pandemic – and shifting from the Mediterranean to the deadly Atlantic route. The Barcelona-based journalists traveled to the Canary Islands and saw firsthand boats full of migrants – including some who had died – arriving on the Spanish archipelago.The pair was kicked out of the port area for trying to document arrivals because it’s such a sensitive subject, and many sources, under government pressure, stopped talking to the AP. But the AP team worked around the restrictions, getting access to migrants and spending time with them. Brito and Morenatti reported that more than 250 people are known to have died or gone missing so far this year, and at least 20 bodies were recovered in the week we there, evidence of the extreme risk taken on the ocean crossing.The story attracted attention in Europa and Africa with high engagement, particularly for the photos and video.
for bringing to light, with dramatic words and images, the largely unseen story of Ethiopians trying to reach jobs in Saudi Arabia who instead are systematically imprisoned, tortured, raped and starved by traffickers in a remote village on Yemen’s coast. The team brought the victims to life by reaching the site and finding migrants who had escaped only hours earlier, their wounds still fresh; one man died of starvation just hours after the AP saw him.https://bit.ly/2oPBTKOhttps://bit.ly/34Ma5GPhttps://bit.ly/32nYtIr
for striking images and stories of migrants from a two-week embed on a rescue ship operated by a Spanish volunteer group. http://nyti.ms/2c0ZZIF
for scooping even the Greek media with news that the Greek government plans to introduce a floating barrier to stop migrants from reaching the country’s islands from nearby Turkey.Gatopoulos noticed a mention of the floating barrier idea on a fringe website, then trawled through Greece’s labyrinthine online portal until he found the original document with technical details of the floating fence. He eventually managed to get official confirmation from the defense ministry even though the project still hadn't been officially announced. https://bit.ly/31ruGzs
The idea was bold from its inception: Attempting to count dead and missing migrants worldwide.
After covering the outflow of refugees in the wake of the Islamic State's takeover in parts of Iraq last year, Paris enterprise writer Lori Hinnant noticed a lack of data on the migration. She set off on a mission to count the uncountable.
The yearlong effort to document lives that would otherwise go unnoticed proved extremely challenging, precisely because it was plowing such new ground. An AP team of more than a dozen people painstakingly compiled information that had never been put together before from international groups, forensic records, missing persons reports and death records, and went through data from thousands of interviews with migrants. The data came alive with individual stories of migrants, a challenge in itself.
The AP project found 56,800 dead and missing migrants since 2014, almost double the number currently put out by the United Nations, which focuses heavily on Europe and nearly excludes several other areas of the world. The report drew significant interest, despite the fact that it ran six days before the U.S. midterm elections.
For their ambitious project that established AP as a global authority on this issue, Hinnant, Istanbul visual journalist Bram Janssen and Cairo photographer Nariman El-Mofty share the Best of the Week award.
for telling the stories of perils faced by migrants – including the death of a spouse – as they return to dangerous home towns after being denied asylum by the restrictive policies of the Trump administration. https://bit.ly/2s7MG4H
delivered exclusive all-formats coverage as a single dilapidated vessel that set out for the United States carrying 842 Haitians landed instead on the coast of central Cuba. The migrants, who had been abandoned at sea, appeared to be the largest group yet in a swelling exodus of people fleeing widespread gang violence and instability in Haiti.Video journalist Gonzalez and photographer Espinosa captured images that showed the distress and fatigue in the faces of the migrants, some of them women with small children and even a newborn baby. Producer Duran was instrumental in working with the Cuban authorities and medical team to get unrestricted access to the migrants while feeding information and interviews to Rodriguez, who crafted the text story in Havana.Read more
for producing the first images and interviews with underage migrants being officially transferred from Calais' “jungle” camp to Britain. http://apne.ws/2eiOfCT
for his excellent coverage of migrants climbing a wall and running as U.S. agents fired tear gas. While many people were raising their glasses to celebrate the New Year, some 150 migrants at the U.S.-Mexico border tried to cross into the U.S., where Border Patrol agents stood wearing camouflage and carrying assault-style riffles. Ochoa's widely used photos captured the drama of the migrants, including children, running away from the gas.https://bit.ly/2Ce6Zyqhttps://bit.ly/2Fq4jRx
for bringing new attention to a growing humanitarian crisis with a pair of powerful, complementary stories on the bleak conditions facing migrants forced to wait at the U.S.-Mexico border under Trump administration policies. Verza reported that drug cartels and gangs are profiting from the policy by robbing and extorting the migrants, while Merchant revealed the dire medical conditions at a migrant camp just feet from U.S. soil.https://bit.ly/2s0z5M8https://bit.ly/2XFDxvB
for tracing a little-noticed surge in Brazilians crossing into the U.S. Leveraging AP’s footprint from Brazil to Texas to Boston, the deeply reported story documented an astonishing number of Brazilians pouring through El Paso. Hundreds of them had ridden with a single cab driver who Attanasio found by canvassing taxi stands at border bridges, while in Boston, Marcelo found a recently-arrived mechanic, adding texture to the story. https://bit.ly/2PG3jh7
for elegant for elegant photos, reporting and writing to tell the story of what life is like for the thousands of migrants stranded for months on end at the Mexican border under Trump immigration crackdowns.https://bit.ly/2n8WrN8https://bit.ly/2nhDXdB
Hundreds of migrants try each day to cross the Darien Gap — a thick jungle between Colombia and Panama traversed by many ultimately seeking the U.S. border — yet journalists rarely observe more than the first few steps of the journey.
But after days of negotiations with locals who participate in a human-trafficking network, the Bogota-based all-formats team of correspondent Astrid Suárez, photographer Fernando Vergara and video journalist Marko Álvarez were given exclusive access to the first hour of a treacherous six-day journey. That single hour was enough to tell the stories of migrants willing to risk their lives in a jungle teeming with threats, from raging rivers to gangs targeting migrants for theft and sexual assault.
For a stark all-formats portrait of desperation and determination in the depths of the jungle, Suárez, Vergara and Álvarez earn AP’s Best of the Week — First Winner.
teamed up to deliver a vivid and memorable account of a new migration trend: Venezuelan migrants appearing at the U.S. border with Mexico, particularly in Del Rio, Texas. Goodman, AP’s Miami-based Latin America correspondent, noticed the development and chased down the data showing that asylum-seekers are increasingly from Venezuela, Ecuador and Brazil. Among the thousands of Venezuelans who have crossed the border illegally since January are many professionals, and many who had been living for years in other South American countries, part of an exodus of nearly six million Venezuelans since President Nicolás Maduro took power in 2013.With deep reporting on both sides of the border and compelling visuals from both San Antonio photographer Eric Gay and New York video journalist David Martin, the all-formats package adds new insight into the long-running political and economic crisis in Venezuela, the coronavirus’s impact on migration and the large increase in asylum-seekers encountered at the U.S. border under President Joe Biden. “It is better to wash toilets here than be an engineer over there,” one migrant told AP on camera.https://aplink.news/xdjhttps://aplink.video/pxe
President Donald Trump has altered the immigration system arguably more than any U.S. president, meaning this year’s election could have major implications for future immigration policy and for those trying to enter or stay in the U.S. In the run-up to the election, AP’s immigration team unraveled four key policies that have upended lives: reduced refugee numbers, restrictions on international students, a virtual shutdown of asylum and the curbing of legal immigration.
The journalists used unmatched source work, data reporting and AP’s global footprint, scoring key on-the-record interviews, from would-be refugees stuck overseas to Stephen Miller, Trump’s lead immigration adviser.
For timely, in-depth coverage of immigration issues that likely hang in the balance as the election is decided, the team of Spagat, Tareen, Snow, Watson, Bull and Akour wins this week’s Best of the States award.
for a full week of compelling daily spot and enterprise coverage in all formats as migrants face diminished support and mounting obstacles, including detentions, on their trek through southern Mexico toward the United States.https://bit.ly/2LkZNIMhttps://bit.ly/2VLsv9s