Best of the Week — First Winner

One shot: AP photographers reflect on covering the pandemic, and the image that most affected them

Since the start of the pandemic, AP photographers have been on the front lines of coverage, taking on risks to bring the world scenes of struggle, death, comfort and hope. And in many ways the images had a profound impact on the photographers themselves.

So as the world approached another grim pandemic milestone of 3 million deaths, New York photo editor Alyssa Goodman asked a group of 15 photographers from 13 countries to each select the one image from their virus coverage that affected them most, and describe why.  

The resulting package, elevated by the elegant writing of Rome reporter Nicole Winfield, offers compelling insight into the emotional impact of bearing witness and documenting the pandemic.

For adding a new and creative dimension to some of AP’s most deeply moving photography of the coronavirus pandemic, Goodman, Winfield and this dedicated team of photojournalists — representing their AP colleagues worldwide — earn AP’s Best of the Week honors. 

Beat of the Week

(Honorable Mention)

Women photographers, editors produce ‘Growing up Female’ gallery

for a thoughtfully produced global photo gallery that shows what it’s like to grow up female in 2018. https://bit.ly/2OwGKw3

Best of the Week — First Winner

AP photographers capture defining images of Tiger and Trump

This week we celebrate two very different, yet equally important photo wins.

David Phillip and the AP photo team assigned to the Masters tournament created some of the iconic images of Tiger Woods’ historic win – the result of strategic planning, teamwork and execution.

And Pablo Martinez Monsivais wins for his startling capture of the media reflected in the eye of President Donald Trump, taking what could easily have been treated as just another ho-hum daily Trump photo op and “seeing” something so different.

For delivering outstanding images from two contrasting but highly competitive assignments – and demonstrating how vital the AP is in the photojournalism world – Phillip and Monsivais share AP’s Best of the Week Award.

Beat of the Week

(Honorable Mention)

AP photographers own story of Mugabe drama, hit numerous front pages

for putting AP ahead in its coverage of the drama in Zimbabwe by gaining crucial pictures of Robert Mugabe long before the competition. http://nyti.ms/2BooWs7http://bit.ly/2isN8Wk

Best of the Week — First Winner

AP photographers paint definitive portrait of epic, historic vote for House speaker

Some likened it to a Renaissance painting – and it certainly belongs in a museum. We’re talking, of course, about Andrew Harnik’s indelible images of a tussle in Congress as a historic House speaker vote threatened to stretch into another week.

As Republicans struggled through 14 fruitless rounds of voting against an internal faction of rebels to elect Kevin McCarthy as House Speaker, the longest such struggle in a century, nerves were fraying.

But AP’s photographers in the chamber remained cool as ever.

Normally, photographers’ access in the House chamber is heavily restricted by the speaker’s office – but with no speaker, the photo team was able to take full advantage of a House with no rules. Able to freely roam the chamber and capture up-close moments, the team shot more than 14,000 images for review and editing. Over the four days of voting, 1,500 images moved to AP’s audiences.

Alex Brandon captured an image of Rep. Matt Gaetz, one of the last anti-McCarthy holdouts, talking tensely with McCarthy after the 14th vote. With most cameras trained on McCarthy, Harnik captured an unbelievable-if-it-weren’t-on-camera near-brawl, as Rep. Mike Rogers started to charge toward Gaetz – only to be pulled back by Rep. Richard Hudson.

That image, which quickly became iconic, and the work of the others in the AP photo team, earns Best of the Week – First Winner honors for Harnik, Applewhite, Brandon, Cortez, Kaster, Rourke and Walsh.

Best of the States

A photographer’s unique vision merges past and present for front-line nurses

With the U.S. slowly emerging from COVID-19, it might be easy to assume that the pandemic will soon be in the past, but for many, particularly health care workers, the trauma of what they experienced while caring for deathly sick patients will be with them for years to come.

To capture the idea that the past can be part of the present, Los Angeles photographer Jae Hong focused on intensive care nurses at a Southern California hospital who had taken care of extremely ill COVID patients and, despite all efforts, had lost many. That ward closed this spring, but the memories endure for these nurses.

Hong’s approach called for a photo technique not typically used in reporting the news: He made multiple exposure portraits of 10 of the nurses in the hospital, resulting in haunting images that show each nurse both in the photo, the present, and seemingly somewhere else in the past.

Accompanied by revealing interviews, the piece played widely in the U.S. and beyond, and attracted attention on social media.

For arresting, interpretive photography that evokes the lingering effects of the pandemic on these front-line medical workers, Hong earns this week’s Best of the States award.

Best of the Week — First Winner

AP photographers show the despair, and hopes, of homeless along US West Coast

For three months, Associated Press photographer Jae Hong traveled America’s West Coast to chronicle the region’s exploding homeless crisis and do what many try to avoid: look into the eyes of the people living on the streets, in tents or in their vehicles and get to know them.

His series of intimate portraits focused on the subjects’ eyes and were combined with short text stories to reveal their humanity, whether it was an aging, down-on-his-luck street performer on Los Angeles’ Skid Row or a 9-year-old boy who lives with his family in a rented RV blocks from Google’s headquarters.

The unique portraits were one part of a larger package of images that Hong and his colleagues across the West – Ted Warren, Marcio Sanchez, Chris Carlson and Greg Bull – produced for a project looking at the roots of the homeless crisis in the region and identifying potential solutions.

For their work documenting the lives of the homeless, the team wins this week’s Beat of the Week prize.

Best of the States

Years of planning pay off in ‘picture perfect’ coverage of Bush funeral events

For more than a decade, Washington photo editor Jon Elswick has negotiated with the Department of Defense over coverage plans for the funeral of former President George H.W. Bush, while Houston photojournalist David Phillip fostered a relationship with the Bush family and their spokesman to secure AP’s shooting positions for the eventual funeral events.

Those relationships were crucial to arranging and executing coverage, paving the way for more than two dozen staffers to parachute into Washington, Houston and College Station, Texas, where they produced outstanding photos in real time and for the history books.

Among the highlights: Photographer Morry Gash fired a remote-controlled camera that captured a stunning bird’s-eye view of the U.S. Capitol rotunda during visitation and services, and David Phillip negotiated to shoot inside the railroad car carrying the coffin as the funeral train passed through Texas. Phillip called it “the most incredible event I have ever covered.”

The photo coverage was part of an impressive dayslong cross-format effort by scores of AP staff across the country and globe that included hours of live video and spot and breaking text, video, audio and graphics coverage that explored Bush’s life and presidency from every angle.

For exceptional planning and execution on one of the largest news events of the year, this week’s Best of the States goes to the team of photo staff covering the Bush funeral.

Best of the Week — First Winner

Only on AP: Heartrending images capture children across the globe who lost parents to COVID

Rarely does AP’s Best of the Week award go to an editor. But this week — a particularly strong one for AP with multiple exclusives — the honor is truly deserved by Top Stories Hub photo editor Alyssa Goodman. Goodman was the driving force behind “Kids Left Behind,” an extraordinarily moving photo package that takes an intimate look at children who have lost parents to the pandemic.

Goodman coordinated with photographers around the globe to find the young subjects, get permission to photograph and interview them, then make their portraits in a cohesive style.

The result was one of the most compelling packages AP has done in recent years, the photos complemented by poignant text moving many readers to tears, with stories ranging from a 10-year old in India who lost both parents in a matter of weeks, to video of a California 13-year-old performing the song she composed for her father’s funeral, on the guitar he gave her days before he died.

For generating an inspired and challenging project, handling it with sensitivity and tenaciously seeing it through in collaboration with global colleagues, Alyssa Goodman wins AP’s Best of the Week award.

Best of the Week — First Winner

Distinctive AP photo project depicts Israelis, Palestinians sharing summer on distant shores

For years, AP’s Khalil Hamra and Oded Balilty have captured the Israeli-Palestinian conflict through their award-winning photography. This summer they turned their lenses away from the violence and onto a place of refuge for both sides: the stretch of beaches along the Mediterranean Sea.

With Balilty making images from Tel Aviv and Hamra from Gaza, the Pulitzer Prize-winning photographers produced an evocative essay showing Palestinians and Israelis basking on the beach, separated by 70 kilometers (40 miles) and free from fear of the next eruption of fighting. The photographers have met just once, years ago, but communicated online about what they were seeing, made pictures, shared them and then set out to find similar ones from their respective sides.

The immersive presentation includes an engaging video revealing more about the photographers and how they applied their craft.

For a strikingly unique, creative collaboration that brought, in Balilty’s words, “something positive” from a part of the world beset by conflict, Hamra and Balilty earn this week’s Best of the Week — First Winner award.

Beat of the Week

(Honorable Mention)

AP leads fight for access and answers in Hanoi

for leading the way in two formats in Hanoi, asking tough questions of President Donald Trump and then fighting for media access when the White House retaliated. Lemire’s question to Trump about the Michael Cohen hearings prompted the White House to bar reporters – but not photographers – from a dinner for the two leaders. Vucci, recognizing the significance, quickly made a case to his fellow photographers, then approached Press Secretary Sarah Sanders: photographers would not cover the dinner unless reporters were allowed in as well. Sanders conceded to one pool reporter and one TV producer in the room, ensuring that the press – and therefore the public – had access to a historic meeting. https://bit.ly/2H4aSuC

Beat of the Week

(Honorable Mention)

AP all-formats team gives voice to protesters globally

covering mass protests against racial injustice overcame the challenges of reporting from fluid, often chaotic scenes, sometimes punctuated by confrontation and violence, to tell the personal stories of individual demonstrators in a rich multimedia package. More than a dozen AP video journalists, reporters and photographers fanned out across the globe to ask protesters their reasons for taking to the streets, providing a diverse, intimate look inside the movement.https://bit.ly/3dvfeqyhttps://bit.ly/3ewaMZR

Beat of the Week

(Honorable Mention)

AP gets first interview with NYC cabbie who starred in Harry and Meghan's flight from paparazzi

scored an exclusive interview with a cabbie who acted as the getaway driver for Britain’s Prince Harry and his wife Meghan after they were trailed by photographers after a charity event in New York, thanks to a cross-Atlantic team.Read more.

Beat of the Week

(Honorable Mention)

Exclusive photos as agents search ship for tons cocaine

for capturing exclusive images of agents searching a container ship found to be carrying more than 17 tons of cocaine. Rourke made the smart decision to shoot not at the Philadelphia port, where the massive ship was docked, but from a park across the river in New Jersey – enabling him to a make a variety of images of agents and drug-sniiffing dogs in action, while photographers at the dock were able to shoot little more than static photos of the ship. https://bit.ly/2Yqqg9C

Best of the States

Rapid response after truck driver kills eight on New York bike path

AP photographers often scramble to the scene of a news story before it’s clear what is happening.

That was the case on a beautiful Halloween afternoon last week when a call came in to the New York City bureau that there was a swarm of police activity near the AP’s lower Manhattan headquarters. News Editor David Caruso ran to the windows and saw an unbroken string of police cars speeding south on the West Side Highway, going down the wrong side of the street. That was enough for him to scramble reporters, photographers and videographers out the door.

At the scene, AP photographer Bebeto Matthews slipped behind police lines and started walking up the street near the west side bike path. He noticed something white on the path and soon realized it was a body covered in a sheet, surrounded by crumpled bicycles and other debris. He began furiously taking pictures, called in what he saw to the desk and then ducked behind some construction equipment to start transmitting his photos on the spot.

Meanwhile, AP photographer Mark Lennihan and stringer photographers Craig Ruttle and Andres Kudacki had also rushed to the scene, making dramatic photos of what would become the worst terrorist attack in New York City since 9/11.

For strong breaking news work that put AP ahead and kept us there, Matthews, Lennihan, Ruttle and Kudacki win this weeks’ Best of the States Award.

Beat of the Week

(Honorable Mention)

When liquor overtook beer in purchases, AP was ready

were the multiformat team that unearthed a newsy gem: spirits supplier revenues for alcoholic spirits have surpassed beer in overall market share.Read more.

Best of the Week — First Winner

Inaugural images: Talent and tech combine in sweeping, instant photo coverage

Remember these images from the Inauguration: The new first couple dancing across a giant presidential seal at a ball? Faces in the crowd cheering or crying in the rain? The instant when Donald Trump took in the scene through an opening door before stepping onto the podium to become the 45th U.S. president?

Credit for those signature images, which appeared across the globe almost as they happened, goes to the skill and artistry of a hand-picked team of AP photographers and photo editors – and also to the cutting-edge, behind-the-scenes efforts of AP technicians working hand-in-hand with them to cover the intensely competitive event.

Their extraordinary work, a stream of 2,000 photos sent from daybreak until well after midnight, earns the Beat of the Week.

Best of the Week — First Winner

All-formats team dominates coverage of Nairobi terror attack

From the first blasts, gunfire and panicked phone calls, the Nairobi bureau immediately assumed a terror attack, aggressively mobilizing resources in a textbook example of cross-format journalism that put the AP ahead on every element of a major breaking story: an extremist attack on a hotel complex that left 21 people dead, in addition to the five attackers.

Senior video producer Khaled Kazziha called freelance video journalist Joe Mwihia, who slipped into the scene with Kenyan special forces, filming exclusive footage as officers cleared rooms, guns drawn, and ran down rumors of a grenade. His three hours of exclusive reporting earned him the byline on the text story based on his detailed contributions.

Meanwhile, staff video journalist Josphat Kasire rushed to the scene with a LiveU and quickly scooped competitors with the first live shot showing burning cars, injured people, survivors fleeing in droves and witness accounts. His compelling footage became the heart of the text story, and the live images continued overnight as the attack unfolded.

Contributing to the outstanding video coverage were freelance cameraman Idi Ali Juma, freelance camera assistant Moses Ndungu and freelance producers Geoffrey Kaviti and Desmond Tiro.

“Sheer bravery,” international editor Ian Phillips said later of the team’s work.

Around the same time, Nairobi photographers Ben Curtis and Khalil Senosi captured gripping images of people fleeing the mayhem and security forces aiming weapons at attackers, among their standout photos.

The play for the photos, video and text was off the charts, including major client Sky News running live and packaged videos on a day busy with Brexit news.

For their formidable breaking news coverage across all formats, the Nairobi team of Kazziha, Curtis, Senosi, Mwihia, Kasire, Ali Juma, Tiro, Kavita and Ndungu wins AP’s Best of the Week.

Special Citation

The Best of the AP committee has also awarded a special lifetime citation to Libya freelance photographer and video journalist Mohamed Ben Khalifa, who died Jan. 19 when the military convoy with which he was traveling came under missile fire in southern Tripoli.

The committee honored Ben Khalifa for the body of his work, carried out with integrity and courage for The Associated Press and his other media clients.

Best of the Week — First Winner

All-formats team chronicles a pivotal 24 hours in ‘The Fight for New York’

On April 6 – the day when the COVID-19 death toll in New York City exceeded the toll of the Sept. 11 attacks – a team of AP journalists fanned out to tell the stories of average New Yorkers navigating the pandemic. 

From the bodega owner whose remaining customers are often funeral home workers, to a paramedic worried about the way the onslaught of cases was eating away at him and other first responders, the stories provided a vivid account of a city bent, but not broken, by the virus. “The Fight for New York” was a testament to the AP at its finest: smart planning and collaboration leading to 11 impactful text and video stories, more than two dozen photos and nine social edits, all delivered to customers with remarkable speed.

The package immediately resonated with readers, viewers and customers, winning strong play on the websites of most major news organizations. 

For extraordinary teamwork, planning and execution, the team of journalists behind “The Fight for New York” wins AP’s Best of the Week award.

Beat of the Week

(Honorable Mention)

The drive-by: AP makes key photos of Assange leaving court

for his highly competitive photos of Julian Assange leaving court. Through detailed planning, teamwork and editorial and technical insight, Dunham pulled off the tough ‘car shot’ through the tinted windows of the van carrying Assange after his appearance. AP assigned three photographers and made an educated guess at what route the van would take. Using the traffic lights, Dunham positioned himself to shoot several frames up against the vehicle window as the van stopped at a light. https://nyti.ms/2vxC7WOhttps://bit.ly/2WD6C9S