for a haunting image of a mother kissing a baby who died in a boat capsizing, drawing attention around the world to the humanitarian crisis of Rohingya refugees from Myanmar. http://bit.ly/2xfJ5lJ
Matt Lee, Diplomatic Writer, Washington, and Mike Weissenstein, Caribbean news director, Havana, for reporting ahead of all competition that U.S. diplomats in Havana had suffered hearing loss after a series of suspected attacks with a sonic weapon. http://bit.ly/1sFaZk3
gave voice to the intense emotion within communities of Catholic nuns that have experienced devastating losses from outbreaks of the coronavirus. The Felician Sisters alone lost 21 of their own from four U.S. convents, a remarkable blow for a community of about 450 women. This intimate look within the cloister showed the lasting effects of what the pandemic wrought — in this case, the most reverent found themselves questioning faith and how one might continue living when so many nuns didn’t.After initial difficulty connecting with receptive sources, national writer Sedensky found Sister Mary Jeanine Morozowich in Greensburg, Pennsylvania, who had a level of introspection and eloquence that would help drive this story. That opened the doors to St. Anne Home in Greensburg. Sedensky and video journalist Wardarski, both compassionate listeners, encouraged the openness of the sisters, helping introduce the pair to others at the ministry. “By the time Jessie and I paid a visit there, we were able to share moments and conversations with all of them,” Sedensky said. Along the way, a couple of sisters told him that they felt better after their conversations.The package, including Wardarski’s poignant visuals, found a receptive audience. The AP pair received innumerable emails expressing how much the story moved readers. One was headlined: “My tears flowed as I read your article.” Another said: “Your article about the loss of these beautiful women will stay with me always. ... You wrote it so beautifully and with such respect.”https://bit.ly/3g8vYsGhttps://bit.ly/3gdjJeh
With two major cases over partisan redistricting coming before the Supreme Court, how could the AP’s coverage stand out?
Missouri-based reporter David Lieb of the state government team provided the answer, taking the results of last year’s midterm election and applying a formula called the “efficiency gap” to measure the potential effects of highly partisan map-making on races for the U.S. House and state legislatures. The efficiency gap, developed at the nonpartisan Public Policy Institute of California and The University of Chicago, measures a party’s advantage on a statewide basis.
His finding: Democrats could have done even better last November had it not been for boundaries created by Republicans during the last round of redistricting – otherwise known as “gerrymandering.” His analysis showed that Republicans won about 16 more U.S. House seats – and held on to as many as seven state legislative chambers – than would have been expected based on their share of the vote.
Lieb and Data Team editor Meghan Hoyer previewed the state-by-state findings for customers and other AP reporters so the data could be used for localizations. The resulting package landed the week before the Supreme Court arguments, and the play was spectacular, both online and print.
The package was complemented by video and photos from national enterprise reporter Allen Breed, based in Raleigh, who traveled to a historically black college in North Carolina, where Republicans had split the campus between two districts, diluting the votes of the left-leaning student body.
Breed’s full-length video ran with the spot stories surrounding the Supreme Court arguments and parts of it were folded into a video graphic produced by New York deputy director for digital graphics Darrell Allen and Minneapolis-based video graphics newsperson Heidi Morrow. It became a key part of the extensive social promotion plan created by Alina Hartounian, the Phoenix-based multimedia coordinator for the beat teams.
For producing a distinctive multimedia package that made the AP stand out on one of the most important and competitive political topics of the day, Lieb, Hoyer, Breed, Allen, Morrow and Hartounian win this week’s Best of the States.
for documenting a depressing, little-known trend: Many struggling U.S. factory cities have actually lost a greater proportion of white collar than blue collar jobs.
http://bit.ly/2oUERtyhttp://bit.ly/2DlBbX7
for obtaining financial documents that revealed that Minnesota’s two licensed medical marijuana manufacturers had lost a combined $11 million in their first two years. http://bit.ly/2rKYCU3
have delivered a steady stream of all-formats coverage amid Haiti’s escalating violence as gangs consolidate power in the country’s capital. Despite daily kidnappings and the widespread violence, AP’s reporting continues at great personal risk. This enterprising story focuses on survivors who lost loved ones and their homes as the gangs fight each other, seizing territory in Port-au-Prince.The team on the ground reported the harrowing stories of families taking shelter in squalid conditions — many of the people initially reluctant to talk for fear of being killed — and visited one neighborhood at the center of the most recent gang war to show charred homes — some still containing the remains of people who did not escape.Read more
teamed up to chronicle the toll the pandemic has taken on Black funeral directors in the U.S. Some 130 Black morticians have died since the onset of COVID-19, leaving holes not just in their families but in their communities, where they have long played a prominent role. Often admired for their success in business, a number have been elected to political office, served as local power brokers and helped fund civil rights efforts.Geller interviewed the families of Black morticians who died, and Breed shot emotional video and photos of Mullins, South Carolina, funeral director Shawn Troy, who suddenly finds himself trying to fill his father’s shoes. The result is a powerful look at a unique toll that COVID has taken in many Black communities.https://aplink.news/f8shttps://aplink.video/b4a
reported from the ground, the water and from the air to document the impact of climate change and land loss on the vanishing island breeding grounds of Louisiana’s brown pelicans, as well as the people and other wildlife that depend on this coastal ecosystem.After obtaining permission to visit the off-limits barrier islands, the all-formats trio revealed in words and striking visuals the effects of erosion and sea level rise on the coastal habitat and Louisiana’s saltwater marshes, and what remains to be lost: Louisiana’s state bird, the brown pelican, brought back over decades from the edge of extinction.Read more
in Los Angeles humanized, in the most gripping fashion, the floods that hit California. His interviews with the parents of a 5-year-old boy who was swept away by floodwaters give a heart-wrenching look at the impacts of the flooding. With sensitive reporting, exclusive details and vivid storytelling, Melley offered a compelling and comprehensive account of the tragedy.Read more.
doggedly focused on kids’ academic recovery, delivered a powerful tale about adults trying – and failing – to change school in the face of massive pandemic learning loss.
Previous reporting on pandemic-related education issues uncovered this tale of two districts: Facing Richmond kids’ massive learning losses, the superintendent had already tried twice to extend the school year – something experts recommended for struggling kids to get more time with teachers. Teachers, wealthy parents and school board members had defeated the proposal, leaving supporters bereft. But in Hopewell, backing from teachers and low-income parents had led to the unthinkable – the remaking of the academic calendar, introducing year-round school.Read more.
for highlighting AP’s return to Aleppo for the first time in three years with an exclusive all-formats package on one family who returned to the city to find their home was ransacked and destruction all around. https://yhoo.it/2h3Azve
In this week’s installment of Best of the Week, Pennsylvania correspondent Mike Rubinkam shows us how to translate a local story for a global audience, give it scope and reach, and in the process build a following for ongoing coverage.
Rubinkam, who covers northeastern Pennsylvania, was watching his local 6 p.m. newscast when a story caught his eye: A beloved, longtime Walmart greeter with cerebral palsy had been told that his position was being eliminated in favor of a new “customer host” position.
His interest piqued, the next morning Rubinkam interviewed the man, Adam Catlin, for his first story. That got a lot of attention on social media, but it was only the start.
Rubinkam followed up with three more stories, updating the public about Catlin’s talks with Walmart and interviewing greeters across the country. He also obtained photos of several greeters in their Walmart vests.
With each update, the story’s reach grew, with hundreds of online uses by AP customers and significant engagement on social media. And Walmart was listening. After a week of Rubinkam’s coverage, the mega-retailer announced it would make every effort to keep greeters with disabilities.
The story was a classic example of the impact that the AP’s footprint can have, bringing attention to an issue that surfaced locally but had not yet received national attention. The outcome was a change in corporate policy at one of the world’s biggest companies.
Because of his smart, dogged and curious reporting, and for capitalizing on the AP’s global reach, Rubinkam earns AP’s Best of the Week award.
Late in the evening on Dec. 4, West Region photo editor Stephanie Mullen was monitoring a fire that broke out in Ventura County, about 80 miles northwest of Los Angeles. Mullen knew that if the notorious Santa Ana winds really picked up the flames could start burning homes.
She hired Northern California freelance photographer Noah Berger, an expert at shooting wildfires, and partnered him with Los Angeles-based staff photographer Jae Hong. Berger and Hong were in place as daylight broke and the fire surged into the city of Ventura, where it burned hundreds of homes. They rapidly shot and filed, allowing AP to deliver striking imagery before our competitors had even started their day.
The AP owned the coverage in those important early hours with impressive play globally.
Later that morning, Orange County-based photographer Chris Carlson worked his way through road closures to make images of horses being rescued and flames overwhelming homes in Los Angeles County. And as the week wore on, photographer Greg Bull snaked his way through roadblocks and heavy traffic to capture nighttime images of fires in San Diego County, then slept in his car and got haunting daybreak photos of the destruction.
For providing a photo package no competitor could rival, Hong, Carlson, Bull and Berger share this week’s Best of the States prize.
tell a very New Orleans story of loss and struggle in the coronavirus outbreak, looking through the lens of the storied Krewe of Zulu with words and images.https://bit.ly/34C4Z0Ehttps://bit.ly/3bdDgWz
A team of AP journalists collaborated on an ambitious and innovative project to capture the approaching toll of 1 million U.S. deaths from COVID: They looked for the empty spaces, then told the stories of the individuals who had filled them. And they let the voices of those left behind reveal the mosaic of loss that has forever marked the country.
In true AP fashion, the package came together with extensive coordination across departments and formats, resulting in compelling content and an immersive presentation that resonated with customers and engaged the audience. The stories emerged among the most popular on AP News throughout the weekend and will be republished when the official toll hits 1 million. But the greatest barometer of success may have come came in the words of grateful loved ones of those featured in the stories.
For bringing fresh eyes and new voice to the once-unimaginable loss that will shape the way we live for years to come, the team of Adam Geller, David Goldman, Shelby Lum, Carla K. Johnson, Heather Hollingsworth, Samantha Shotzbarger and Elise Ryan is AP’s Best of the Week — First Winner.
Rarely does AP’s Best of the Week award go to an editor. But this week — a particularly strong one for AP with multiple exclusives — the honor is truly deserved by Top Stories Hub photo editor Alyssa Goodman. Goodman was the driving force behind “Kids Left Behind,” an extraordinarily moving photo package that takes an intimate look at children who have lost parents to the pandemic.
Goodman coordinated with photographers around the globe to find the young subjects, get permission to photograph and interview them, then make their portraits in a cohesive style.
The result was one of the most compelling packages AP has done in recent years, the photos complemented by poignant text moving many readers to tears, with stories ranging from a 10-year old in India who lost both parents in a matter of weeks, to video of a California 13-year-old performing the song she composed for her father’s funeral, on the guitar he gave her days before he died.
For generating an inspired and challenging project, handling it with sensitivity and tenaciously seeing it through in collaboration with global colleagues, Alyssa Goodman wins AP’s Best of the Week award.
for calculating that California water agencies spent more than $350 million to pay property owners to remove lawns during historic drought and assessing the program’s success. http://lat.ms/2fFjTKu
for reporting that this year’s devastating Midwest flood losses are forcing tough decisions about the future of farming in America's bottomlands, even among farmers skeptical of climate change and humans’ role in it. https://bit.ly/2Z6iBP9
scored a revealing interview with actress Glenn Close, who was candid about journalists and others who have focused more on her Oscar losses than on celebrating her eight career nominations. Fekadu, AP entertainment journalist, conducted the interview on Zoom for both text and video. Close addressed the Academy Awards issue, saying: "First of all, I don't think I’m a loser ... who in (the best supporting actress category) is a loser?” And in reference to her critics she emphatically ended with: “I say, (expletive) them!”The quotes were widely picked up by publications from Vanity Fair to the New York Daily News, while other outlets ran AP’s full story. Clients using the interview video included USA Today, MSN, Entertainment Tonight, Fox and ABC.https://tinyurl.com/3ye74rbwhttps://tinyurl.com/yrc3yxye
