for capturing exclusive video of a police van ramming into protesters. Calupitan was able to get to a higher vantage point as tensions rose, allowing him to show the full view of the incident.
showed the human side of the national reckoning on race, revealing how a sense of community and purpose has emerged among the small band of demonstrators who have gathered for weeks in search of justice for Breonna Taylor at Louisville’s “Injustice Square.”
The Louisville-based reporters covered the protests that emerged just after Taylor was killed by police in March, and then returned to check in on a small core group of demonstrators who had hung in for the long haul. They found a group that had discovered in themselves a sense of community and purpose greater than many of them had known before.
Galofaro told the story through the eyes of Amber Brown, a Louisville bus driver who feels so connected to Taylor and so committed to justice that she returns day after day to the small public square where the protesters gather.https://bit.ly/32iqHayhttps://bit.ly/3m8Tqq6
for making a protest in a rainy Hong Kong park into a global attention-grabber for AP. The AP team, alone among the major agencies, stayed on after an organized anti-NBA protest and were there to get exclusive photos and video as demonstrators, venting their anger over LeBron James’ comments suggesting that free speech can have negative consequences, shot basketballs at a photo of the NBA star’s face and set fire to jerseys bearing his name. https://bit.ly/2Pidb0Khttps://bit.ly/2qHYwBEhttps://bit.ly/2PhYnz8
covering mass protests against racial injustice overcame the challenges of reporting from fluid, often chaotic scenes, sometimes punctuated by confrontation and violence, to tell the personal stories of individual demonstrators in a rich multimedia package. More than a dozen AP video journalists, reporters and photographers fanned out across the globe to ask protesters their reasons for taking to the streets, providing a diverse, intimate look inside the movement.https://bit.ly/3dvfeqyhttps://bit.ly/3ewaMZR
Christopher Sherman, newsperson, Mexico City; Arnulfo Franco, photographer, Panama City, and Gerardo Carrillo, videojournalist, Mexico City, for detailing abuses by Nicaraguan security forces against protesters, including a young woman arrested without charges and beaten until she lost her pregnancy. https://bit.ly/2Mjws1s
for dominating agency coverage – video and photos – of clashes between Hong Kong police and anti-extradition protesters who gathered around Hong Kong’s Legislative Council complex on June 12.
Only AP was live when the first scuffle broke out between police and protesters early that morning. And when more violent clashes erupted, only AP’s Wober captured dramatic ground footage as protesters started throwing objects at police who eventually used tear gas, rubber bullets and other measures to disperse the crowds. The dramatic unmatched 30-minute clip was widely used by major clients, including Hong Kong’s own South China Morning Post.
Photographers Yu and Cheung, meanwhile, worked tirelessly from late the previous night, as protesters staked out positions, and through the next day as the protests grew and were eventually shut down. Prominent photo play included the front of Time magazine and The Times of London.https://bit.ly/2XmPRDjhttps://bit.ly/2FiU6W3https://bit.ly/2x7tzXu
Washington-based photojournalist Pat Semansky was assigned weekend White House duty – a routine gig that meant waiting for President Donald Trump’s overnight return from Tulsa, Oklahoma, where his much-hyped rally didn’t meet expectations.
The president’s arrival rarely makes a memorable photo, but Semansky dutifully waited until well after 1 a.m., while many of AP’s competitors didn’t bother to cover. When Trump finally stepped off Marine One, Semansky proved the time well spent: His flash caught an atypically rumpled Trump crossing the South Lawn.
The photo quickly became the signature image of the night, capping days of smart AP coverage on the event itself.
For making the most of a routine assignment to create what is likely to become an iconic photo of the Trump presidency, Pat Semansky wins AP’s Best of the Week award.
for an only-on-AP all-formats win in coverage of Hong Kong’s democracy protests, revealing that medics are secretly banding together to privately treat injured protesters who fear arrest if they go to government-run hospitals. The exclusive also showed that government figures significantly underestimate the true extent of injuries. One of the “hidden healers” agreed to go on camera, generating impressive online and broadcast play.https://bit.ly/33EVEDKhttps://bit.ly/32tr5AAhttps://bit.ly/2Mo0gZa
for their cross-format package on Dakota Access pipeline protesters defiantly digging in for the winter, including a 360-degree video of protesters holding a water ceremony, photo galleries, satellite images and text.
Text: http://apne.ws/2h3nsKj
Video: http://apne.ws/2gUACMo
for the first and unmatched video footage of Zimbabwean troops opening fire on protesters and the general population during five hours of continuous coverage of post-election violence on the streets of Harare. https://bit.ly/2noOzE8https://bit.ly/2KGkSYkhttps://bit.ly/2vSOzQO
braved tear gas and sword-wielding Sikh protesters to capture dramatic live video and stunning images of angry and defiant farmers storming the iconic Red Fort as India celebrated its Republic Day. Farmers have been protesting for months over new agriculture laws, and AP reacted quickly when a group of farmers on tractors deviated from an orderly parade, breaking through barricades to storm the city’s emblematic 17th century landmark.Amid aggressive threats by protesters, the photographers and video journalists recorded the dramatic breach of the fort, a profoundly symbolic challenge to the Hindu-nationalist government. AP was live with video at key points and captured the extraordinary turn of events as protesters scaled the walls and hoisted a Sikh religious flag from the fort ramparts. In a sudden escalation, Ganguly was roughed up by an unruly mob, his camera cards snatched as outnumbered police watched. With the situation spiraling out of control the team was pulled out to ensure their safety.Despite the enormous challenges, AP had better competitive coverage thanks to preparation, smart coordination and decision making on the fly. We offered outstanding visuals, including faster video edits to our customers, and updates showing police trying to clear protesters from the fort.https://bit.ly/2YJx5Fphttps://bit.ly/36LpgU2https://bit.ly/3cH0Z5lhttps://bit.ly/2YIdm8U
Today’s Best of the Week winner is the latest reminder that AP’s photo staff is among the greatest and most committed in the world.
Port-au-Prince photographer Dieu-Nalio Chery was prepared to cover a contentious debate at Haiti’s parliament about whether to confirm a new prime minister when, in a chaotic scene outside the session, protesters confronted pro-government Sen. Ralph Fethiere and tried to pull him from his car. The lawmaker reached for his gun and began firing into the air and ground.
At least one bullet splintered into shards that lodged just beneath Chery’s chin. Despite his wound, Chery kept taking extraordinary photos of Fethiere firing his gun, so close that he captured spent cartridges flying through the air.
Chery’s photos received heavy play, and he is expected to recover after surgery to remove the bullet fragment.
For displaying remarkable dedication and courage in a volatile situation, and for capturing an extraordinary image of the man who wounded him, Chery is recognized with AP’s Best of the Week award.
The Associated Press has aggressively covered the Dakota Access pipeline since even before construction began on the four-state pipeline to carry oil from North Dakota. The AP tracked the approval process and then was there every step of the way as the project spawned demonstrations from Native Americans and others who set up protest camps by the pipeline’s final piece near the Missouri River, saying construction would damage cultural artifacts and that a pipeline leak could pollute tribal water supplies. In the past few months, the AP has had coverage almost every day.
While Bismarck staffer James MacPherson had covered the story cross-format with the help of colleagues, a visually-focused enterprise project was in the works for December, bringing in staff from afar to provide video and photo elements of the largest camp to accompany a piece that was to explore the protest in the context of other issues being faced by Native Americans now and into the Trump administration. On Friday, Nov. 25, the news forced us to speed up our timeline for visuals as the Army Corps of Engineers gave a Dec. 5 deadline for protesters to get off the land.
Oded Balilty, acting chief photographer, Jerusalem, has gained widespread attention in Israel and abroad for his body of work – breaking news images and striking portraits – depicting Israel’s wave of anti-government protests. His photo of a young man holding an Israeli flag as he is doused by a police water cannon emerged as the most iconic image of this summer of unrest, in which protesters accuse Prime Minister Benjamin Netanyahu of corruption and say he has bungled the country’s response to the coronavirus.
On July 18, protesters were blocking a street when police surprised them with water cannons. Balilty himself took a blast of water to the face and was stunned for several minutes. After drying out his gear, he lay on the ground to stay out of the line of fire, then noticed the protester holding a flag. While there were dozens of journalists covering the event, Balilty’s dramatic and evocative photo appeared throughout Israeli media and on news sites around the world.https://bit.ly/3feHhv8https://bit.ly/2EwtjZ4
When heavily-armored police stormed protesters occupying Hong Kong’s Polytechnic University, AP journalists were there to comprehensively document the violent confrontation that ensued.
The effort to retake the school and arrest protesters trapped on the campus was beamed to customers around the globe in real-time, putting AP ahead of the competition with photos and live video of a dramatic escalation in the struggle between authorities and those protesting Beijing’s tightening policies toward Hong Kong.
The scoops were the result of months of protest coverage by AP visual journalists in Hong Kong, careful planning of how to report the siege, and wise use of AP resources around the world.
The team on the ground – photographers Vincent Yu and Kin Cheung of Hong Kong; Han Guan Ng, Beijing; and Achmad Ibrahim, Jakarta; and video journalists Raf Wober, Hong Kong; Johnson Lai, Taipei; Dake Kang, Beijing; Andi Jatmiko, Jakarta; and freelancers Katie Tam and Alice Fung – delivered days of impressive coverage around the siege.
For smart planning and outstanding execution to document a chaotic story with breathtaking speed and depth, the visuals team covering the Hong Kong protests wins AP’s Best of the Week.
for thoughtfully deploying resources to cover multiple pockets of protest across the capital after protesters supporting losing presidential candidate Prabowo Subianto clashed with police. The team used Iris Bambuser and LiveU to capture unmatched images of the chaos and shot from various angles to show the scene with tear gas filling the streets and helicopters dropping water to extinguish fires.https://bit.ly/2Mkondlhttps://bit.ly/2wgY4tv
hustled to get all-formats coverage of the arrest of powerful House Speaker Larry Householder, accused of orchestrating a $60 million bribery scheme.Amiri spent three hours on a blazing day in the sun with two dying cell phones, waiting for Householder to come out from his arraignment. As police arrived to clear the way for the car and disperse protesters, Amiri’s phone shut down, but luckily a few minutes of drama – including footage of Householder sitting in an SUV surrounded by furious protesters demanding he make a comment – were saved.With contributions from Amiri’s statewide colleagues, AP owned the story.https://bit.ly/3ga3vQghttps://bit.ly/2Erq58Z
When protesters erupted in chants of “Let her speak” from the gallery inside the Montana statehouse, and silenced transgender lawmaker Zooey Zephyr lifted her microphone triumphantly in the air, longtime AP reporter Amy Hanson was there to capture the action with her cell phone for video, photos and words. It was the start of a week of agenda-setting, visual and comprehensive coverage by Hanson and her colleagues as Zephyr’s compelling dispute with Republican state leaders captivated audiences, culminating in the GOP voting to bar the freshman legislator from the House floor on Thursday. The powerful coverage throughout the week showcased the value of AP’s legislative footprint and was a textbook example of how we can dominate a story when we surge resources and harness our collective expertise.Hanson worked tirelessly from Helena, Montana, all week and tapped into her deep sourcing and knowledge of state politics to provide impeccable and fast reporting. Her previous source building with Zephyr after she was elected last year proved invaluable, giving the AP access to the lawmaker all week. Billings-based reporter Matt Brown and Salt Lake City-based reporter Sam Metz took turns stitching together well-written spot stories each day, updating the “What to Know” and prepping urgent new series for the next key moment in the saga. The duo also produced a smart takeout about the rise of conservative caucuses like the one in Montana that fueled the dispute.Denver-based video journalist Brittany Peterson and political reporter Nick Riccardi also went to Montana to supplement Amy’s on-the-ground reporting. Nick quickly pulled together a deeply reported and beautifully written story about support for Zephyr in her hometown, the college town of Missoula. Colleagues from around the AP coordinated with the Rockies staff to deliver several smart takes about the standoff, including a look at the underlying rhetoric in the dispute and how Republicans in Montana and Tennessee tried calling peaceful protests "insurrections" to downplay the deadly Jan. 6, 2021, assault on the U.S. Capitol.
For thorough, nuanced coverage that kept the AP out front, Hanson, Peterson, Riccardi, Brown and Metz win this week’s first citation for Best of the Week.
This week’s Best of the Week celebrates the team of AP journalists whose extensive coverage of the Portland protests culminated in an exclusive all-formats look at the conflict from the perspective of both demonstrators and federal officers.
With reporting and visuals from inside the federal courthouse that no other news organization could match, and consistently strong coverage from the crowd massed outside the building, the AP team documented the drama and chaos, as well as the human stories amid the nightly volley of fireworks and tear gas canisters.
The defining feature that moved Sunday night was the most clicked/engaged AP story for much of Monday, sparking discussion and widely cited for its comprehensive, fair reporting.
For balanced and insightful coverage from both sides of the Portland divide, setting AP apart on a highly charged story, the team of Gillian Flaccus, Mike Balsamo, Aron Ranen, Marcio Sanchez, Noah Berger, Sara Cline and Krysta Fauria wins AP’s Best of the Week award.
analyzed all the arrests over the last two weeks in Washington and Minneapolis, concluding that there is little evidence of “antifa” or “radical left” protest groups provoking violence as President Donald Trump claimed. The story, rich with detail, described who the real protesters were. Among them: a balloon artist, a cellist and a law student. But it was the heft of the reporting – acquiring and scouring hundreds of records in a limited amount of time – that made the anecdotal aspects of the story all the more credible. https://bit.ly/3f80JtW
