worked around the clock for days to cover a historic space launch while overcoming logistical hurdles during the pandemic. Their comprehensive all-formats coverage was a hit with AP customers, widely used by news outlets at a time when media access to the launch was limited by coronavirus restrictions.https://bit.ly/3eQ9f0vhttps://bit.ly/2AFu7sy
collaborated on an extraordinary portrait of a town grieving after the May 24 mass shooting that left gaping holes in its fabric.In a chaotic and fraught environment with countless journalists gathered around the memorials and overwhelming the family members of shooting victims, the AP trio decided to approach the story differently — they wanted to explore the connections within the Uvalde community. They split up, looking for the people in that next circle of relationships: barbers, bus drivers and others who crossed paths with the affected families.It all came together in a heart-wrenching package that appeared on numerous websites and front pages. The team received compliments from readers — and one of the individuals they profiled — for the sensitive and compassionate way they covered this traumatic story.Read more
demonstrated the value of beat coverage and persistence, providing an all-formats, exclusive interview with the man won a coveted trip into space and gave it to a friend.Read more
for reporting exclusively that the U.S. ignored warnings about rising seas when spending nearly $1 billion to build a space debris tracking installation on a Pacific atoll. http://wapo.st/2eSdz1D
A team of AP journalists collaborated on an ambitious and innovative project to capture the approaching toll of 1 million U.S. deaths from COVID: They looked for the empty spaces, then told the stories of the individuals who had filled them. And they let the voices of those left behind reveal the mosaic of loss that has forever marked the country.
In true AP fashion, the package came together with extensive coordination across departments and formats, resulting in compelling content and an immersive presentation that resonated with customers and engaged the audience. The stories emerged among the most popular on AP News throughout the weekend and will be republished when the official toll hits 1 million. But the greatest barometer of success may have come came in the words of grateful loved ones of those featured in the stories.
For bringing fresh eyes and new voice to the once-unimaginable loss that will shape the way we live for years to come, the team of Adam Geller, David Goldman, Shelby Lum, Carla K. Johnson, Heather Hollingsworth, Samantha Shotzbarger and Elise Ryan is AP’s Best of the Week — First Winner.
for an AP beat on President Donald Trump’s plan to divert Pell college grant funding to NASA’s program to return to the moon. Colvin confirmed the proposed source of funding and AP was alone in reporting that Pell Grant subsidies would be tapped. https://bit.ly/2Hm84XJ
for a package of text, photos, interactive and video that showed the final week of the Cassini spacecraft at Saturn, after a nearly 20-year journey. http://bit.ly/2hi3al4 http://bit.ly/2xnT1sC
By the time the moon began to block the sun for millions of Americans on August 21, Marcia Dunn, Seth Borenstein, Gillian Flaccus, Marshall Ritzel and many others across the AP had told the world just about everything there was to know about the event with a series of text stories, photos, videos and animations organized and coordinated by Stephanie Nano and Raghu Vadarevu. Stories included what scientists were hoping to learn, what ancient peoples thought of eclipses, how to protect your eyes, how eclipses work, how businesses were taking advantage of the big day, and more.
For leading the effort on a sparkling package that made full use of the AP’s national reach and expertise in all formats to explore a story of enormous national interest, this week’s $300 Best of the States prize is shared by Dunn, Borenstein, Flaccus and Ritzel.
for exclusively reporting that 50 years after America's first space program tragedy, NASA was going to finally display a piece of the burned capsule. http://apne.ws/2kTcSYh
put AP ahead with the first report that the federal government would use the Dallas convention center to temporarily house up to 3,000 migrant teens amid a scramble for space as more unaccompanied children arrive at the U.S. border.Houston-based immigration reporter Merchant had been looking into whether the federal government would open additional detention facilities for unaccompanied children straining the immigration system at the border when he fielded the tip: It’s going to be in Dallas and it’s going to be big. While on the phone, Merchant passed the information to Dallas colleague Bleiberg, who got a source to provide a memo sent to Dallas City Council members. The story was so far ahead of the curve that White House press secretary Jen Psaki indicated she was unfamiliar with the plan when an AP reporter asked her about it in a briefing. The story was used by U.S. networks as well as local TV and radio stations across Texas.https://bit.ly/3roccvn
for two stories on how the Trump administration is dealing with the surge of migrant families at the border and a claimed lack of detention space. Merchant spotted a solicitation for contractors to build tents near the U.S.-Mexico border to temporarily detain immigrant families, and he followed up with an accountability story revealing that thousands of beds for detained families are empty at a time when President Trump was calling the country “full,” and threatening to send migrants to sanctuary cities as political retribution.https://bit.ly/2GuBJxmhttps://bit.ly/2L4OQuG
Over the course of several months, more than 30 AP staffers across five continents teamed up to execute the illuminating and alarming six-part Sacred Rivers series. The ambitious project leveraged all-formats skills to tell lyrical stories, each with compelling images and presentation, engaging audiences with the intersection of spirituality, religion, Indigenous culture, business practices, energy, environmental degradation — even geopolitical conflicts.
The series resonated with AP’s readers and customers worldwide.
For an enterprising, inspiring and unmatched creative collaboration that showcased AP journalism at its best, the Sacred Rivers project team is AP’s Best of the Week — First Winner.
for pitching, coordinating and producing a unique editorial effort that used exclusive content from our satellite imagery provider to recap the decade’s biggest news events – from a vantage point 36,000 kilometers (22,000 miles) in space. Axios called the project “clever” and “fascinating.” https://bit.ly/2tMIBDnhttps://yhoo.it/36ExgEa
reported exclusively and in all formats on a little-noticed ripple effect of saving endangerd wildlife: Some formerly imperiled species such as bald eagles, gray seals and merlin falcons are harming the recovery of others in dire shape by outcompeting them for food and living space.Studying scientific papers, interviewing experts and reporting from field — where researchers were using a robotic owl — the journalists found the pattern was showing up repeatedly. It didn’t mean conservation laws and programs were flawed, biologists said, but it showed that rescuing individual species wasn’t always enough — ecosystems need protection as well.Read more
Sara Cline documented how liberal cities from Seattle to Austin, Texas, to New York, are taking a far more aggressive approach in dealing with homelessness as they emerge from the pandemic.Cities that for years tolerated tent encampments in public parks and public spaces are responding to fed-up business owners and residents who say the levels of street disorder are too high. But people who work with the unhoused say newly elected mayors are targeting a vulnerable population to score political points, rather than dealing with the underlying issues of addiction and housing affordability.Cline, a Portland, Oregon-based Report For America AP fellow, worked with staff photographers Ted Warren in Seattle and Rich Pedroncelli in Sacramento, California, to document the increased camp sweeps and to highlight the issues of people living on the street. Her story was one of only two non-Ukraine stories in AP’s top 10 for reader engagement over the weekend. Read more
’s deep sourcing allowed him to get exclusive knowledge, photos, and video of a raid by two specialized units of Brazil's environment agency and highway police that showed illegal gold miners operating in Indigenous Yanomami territory.Read more.
beat all the competition, breaking the news of President Joe Biden’s nominee for the upcoming Supreme Court vacancy. AP flooded the media space with content on every platform, delivering a comprehensive package that told customers and readers everything they need to know about federal appeals court Judge Ketanji Brown Jackson, what comes next and who bears watching in the process.The initial scoop came from smart source work, and the impressive range of content that quickly followed was made possible by advance coordination across formats and departments — AP was poised with thorough preparation on each of the front-runners for the nomination. Read more
For innovation and connecting with new audiences, the AP Entertainment video team of West Coast Entertainment Video Editor Ryan Pearson, U.S. Entertainment Video Editor Brooke Lefferts, and video producers Gary Hamilton and Leslie Ambriz are the first winners of this week’s Best of the Week award. The team used its contacts at the Recording Academy to develop and successfully execute a hosted 2 ½-hour red carpet livestream from the Grammy Awards that drew in more than a half million viewers, outpacing rival streaming shows. The AP’s new social video team quickly cut and posted videos from the live feed on a variety of social sites, which garnered nearly 1 million views. The Grammys livestream took weeks of planning and technical assistance to pull off and showed that AP can produce a highly technical live event in the entertainment space, and that entertainers will seek out AP’s spot on a bustling carpet. The video recording of the livestream also will greatly improve the AP’s archive of early hip-hop artists who were not covered by AP in their heyday.
produced a powerful set of images that captures the grim but essential work of mortuary workers collecting the bodies of COVID-19 victims from hospitals, nursing homes and private residences in Spain. Since the pandemic began in the spring, Morenatti has recorded the impact of the coronavirus on Spain with moving and sometimes jarring photo packages from spaces not often open to journalists: hospitals, funeral parlors and even private homes. While the images may shock, Morenatti consistently documents his subjects with sensitivity and respect. His latest package is no exception.After weeks of trying, Morenatti managed to embed with the Barcelona mortuary workers. His photos, accompanied by colleague Joe Wilson’s text, revealed the important work done by people in a profession that rarely makes headlines, and also captured the emotional toll on the workers. One image from a nursing home showed workers in protective suits removing the body of an elderly COVID victim as another resident slept in an adjacent bed. The images played widely, including the front-page of Spain’s leading daily, El Pais, and made The Guardian’s “20 Photographs of the Week.”https://bit.ly/36yJvVdhttps://bit.ly/36BFfnM
Eugene Garcia, just two weeks into his job as the AP’s newest full-time video journalist, and photographer Jae Hong joined forces to tell the deeply touching and heartbreaking story of often unseen and unsung heroes of the pandemic — the clergy.
The pair approached the story with sensitivity and care, maintaining distance to give the families, patients and chaplains space, but close enough to bring the story to life even as their subjects drew their last breaths. The package, complemented by John Rogers’ moving text, shed light on exhausted and emotionally drained chaplains working in situations they had never experienced before. As one put it, “We weren’t trained for this.”
For an arresting package that explores the compassionate yet crushing work of front-line chaplains, Garcia, Hong and Rogers earn this week’s Best of the States award.
