for obtaining previously undisclosed details about frequent talks between Afghan government officials and the Taliban about the country’s constitution and political future. http://bit.ly/2vDtb0x
for negotiating rare, exclusive access to Afghanistan’s notorious Pul-e-Charkhi prison, where she was able to interview Taliban prisoners without supervision by guards or prison officials. The prisoners see a peace deal being hammered out between the United States and the Taliban as their ticket to freedom. https://bit.ly/2T3bxlo
When the Taliban overran Kabul on Aug. 15, no one in the city knew if the Taliban would resume the brutal practices that carried them to power in 1996 — or would they show some restraint?
Kabul video journalist Ahmad Seir and photographer Rahmat Gul remember the previous Taliban rule, but like their AP colleagues, they were determined to record history. The pair took to the streets. Despite being beaten with rifle butts at a Taliban checkpoint near the airport, they persisted, eventually gaining the trust of Taliban fighters at a checkpoint near AP’s office. Seir and Gul went on Taliban patrols, delivering unique video and photos of the militiamen now in command of Afghanistan.
Those rare images, along with spot features that included daily life in the capital and an interview with a female activist now in hiding, played at the very top of AP’s offerings for the week and reflected the tireless efforts of everyone in AP’s Kabul office who pushed aside their own fears and personal concerns to continue reporting in all formats.
For their historic and important work, thorough professionalism and unbound bravery, Seir and Gul share AP’s Best of the Week honors.
From a fetid bridge underpass frequented by addicts, to a police station, to a grim drug detoxification ward, this all-formats package driven by powerful visuals takes a stunning look at Afghanistan’s drug underworld and the severe treatment of heavy drug users by the Taliban. The work also bears witness to AP’s robust reporting from Afghanistan, which has continued unabated since the Taliban takeover.
Video journalist Mstyslav Chernov, photographer Felipe Dana and correspondent Samya Kullab, all currently on assignment in Kabul, gained rare access to this especially bleak segment of Afghan life, earning the trust of street addicts and, through a combination of persistence and luck, documenting Taliban detention of users, all amid a difficult and dangerous environment for journalists.For a rare exclusive that sets a high standard for coverage while shedding light on a harsh reality in Afghanistan, the team of Chernov, Dana and Kullab is AP’s Best of the Week — First Winner.
kept following a story much of the media has moved on from: what day-to-day life is like for American resident green-card holders who were left behind after the U.S. military’s chaotic exit from Afghanistan.The pair’s story, based on text messages, emails and phone conversations from those still in Afghanistan to loved ones and rescue groups, and directly with the AP, described a fearful, furtive existence of hiding in houses for weeks, keeping the lights off at night, moving from place to place, and donning baggy clothing and burqas to avoid detection by the Taliban if they absolutely must venture out.All say they were scared the Taliban would find them, throw them in jail, perhaps even kill them because they are Americans or had worked for the U.S. government. And they are concerned that the Biden administration’s promised efforts to get them out have stalled.Investigative reporter Condon and San Diego-based journalist Watson had to walk a fine line, telling individuals’ stories without identifying details that would open them to potential retaliation. The ambitious story, accompanied by photos provided by one family of green card holders from California, was part of an important body of AP work over the past week that remained focused on Afghanistan in the aftermath of the U.S. withdrawal. https://aplink.news/yt9
explained how professors, students and their families at the small, liberal arts New College of Florida are having their lives shaken up after the school came under attack from Florida Gov. Ron DeSantis as “woke.”Read more.
used strong sourcing and teamwork to break the news that Justice Department officials in Washington had taken over the public corruption investigation into the Texas state attorney general and that the local prosecuting office that had led the probe for years had been recused.Read more.
From Afghanistan to Haiti, AP staffers and stringers on two sides of the world were challenged last week to cover fast-breaking news while keeping themselves and their families safe. They excelled at both; AP’s coverage of Afghanistan’s fall to Taliban insurgents and the deadly earthquake across Haiti share Best of the Week honors.
In Afghanistan, with events unfolding at a breakneck pace, AP journalists amid the turmoil on the ground were complemented by colleagues in several countries and time zones collaborating to confirm the news and get it out.
AP sent out 17 alerts on Sunday alone, as city after city surrendered to the Taliban. And AP was among the first — perhaps the outright first — to report that President Ashraf Ghani had fled the country and Taliban forces were entering the capital.
That same weekend, when a powerful magnitude 7.2 earthquake struck southwestern Haiti leaving hundreds dead, AP journalists on the island scrambled to get to the area within hours. Editors outside Haiti jumped in to help gather and verify content, and a second team arrived in-country within a day to reinforce the coverage. AP stood out in all formats, including first live video of the disaster and photos that landed on front pages.
For outstanding breaking news coverage under extreme circumstances, the AP team in Afghanistan with their international colleagues, and the AP team covering Haiti — Pierre Luxama, Evens Sanon, Joseph Odelyn, Mark Stevenson, Fernando Llano, Matías Delacroix, Marko Alvarez and Fernando González — are co-winners of AP’s Best of the Week award.
led an effort to dig into the backgrounds of more than 120 people who were either arrested or emerged on social media after storming the U.S. Capitol, finding they were overwhelmingly made up of longtime Trump supporters, including Republican Party officials and donors and far-right militants.AP’s fast-breaking team effort to review social media posts, voter registrations, court files and other public records was the most comprehensive look yet at those involved in the riot, giving lie to claims by right-wing pundits that the violence was perpetrated by left-wing antifa infiltrators. The detailed background work included calls, and in some cases even doorknocks, to nearly all whose names emerged from the Jan. 6 takeover.The AP found that many of the rioters were adherents of the QAnon conspiracy theory as well as claims by Trump that the vote had been stolen. Several had openly threatened violence against Democrats and Republicans they considered insufficiently loyal to the president.The team’s story, accompanied by AP photos taken inside the Capitol, scored huge play and was featured prominently on major websites. It stayed among the top stories on AP News for two straight days. https://bit.ly/2Kd7Tn1
The best portraits capture a person’s essence, almost always by focusing on the human face. But AP photographer Ebrahim Noroozi, on assignment in Kabul temporarily from Iran, needed to do something different to show the effects of Afghanistan’s rule banning women playing sports.
Using the emblematic burqa to conceal the identities of the women athletes now forbidden from doing what they love best, Noroozi came up with the haunting series of faceless portraits to illustrate the erasure of Afghan women from public life under the Taliban.
Several female athletes who once played a variety of sports unrestricted posed for Noroozi with their athletic equipment – and their identities hidden by burqas, the all-encompassing robe and hood that completely covers the face, leaving only a swath of mesh to see through.
Noroozi’s images were published in an array of multimedia presentations by AP’s subscribers worldwide, including the Los Angeles Times and the Washington Post. The latter used them to illustrate a story about the near-simultaneous decision by Australia to cancel a men’s one-day international cricket series over the restrictions on women.
For innovation and sensitivity in showing a difficult subject, Noroozi earns Best of the Week – First Winner.
were quick to deliver an all-formats look — and an exclusive — from Bagram Airfield in Afghanistan after the U.S. departure from the base that served for nearly 20 years as the epicenter of America’s war to unseat the Taliban and hunt down al-Qaida.Media around the world were watching for the U.S. withdrawal from Bagram, but Gannon, AP’s Afghanistan/Pakistan news director with decades of hard-won experience in the region, broke news. First, she pressed for access to the base after the U.S. military's July 2 departure. Joined by Kabul-based video journalist Amin and photographer Gul, the trio were granted access on July 5 and arrived to provide a rare glimpse of what had been the largest U.S. military base in the country.But that access was only one element of the story. The new Afghan commander of Bagram was initially reluctant to share details about how he and his troops took control of the base. Gannon told him there had been rumors about looting, and with her persistent questioning, the commander finally shared the full story: U.S. troops left quietly, switched off the lights and never bothered to tell the Afghan military that they were gone. The gap of two hours between the U.S. departure and the arrival of the Afghan military at Bagram enabled looters to sneak into the once heavily guarded base.The story made a splash, with Gannon fielding interview requests from major news outlets to describe what she had seen and heard at Bagram. The Pentagon, facing criticism after Gannon’s story appeared, later said the Afghans had been informed two days in advance of the U.S. intention to leave, but that the precise hour was left secret for security reasons. The team’s all-formats reporting provided an early look at the post-U.S. era in Afghanistan, in a package that was stunning for its detail and news value.https://aplink.news/95ehttps://aplink.video/odbhttps://aplink.video/5bq
harnessed AP’s national reach to report on the fast-declining civility over mask requirements and pandemic precautions.An Alabama man drove to Missouri to serve citizen arrest papers on a hospital administrator over his insistence that people get vaccinated. Protesters beamed strobe lights into the condo building of Hawaii’s lieutenant governor and blanketed his neighborhood with anti-semitic posters to protest new restrictions amid a record surge in hospitalizations. A California parent punched a teacher in the face over mask requirements and county commissioners in Kansas were compared to the Taliban and Nazis at a mask meeting that went off the rails.With these examples rising to the surface, the reporting team assembled a smart, authoritative piece on how public discourse in America has plunged to new depths. The story led member sites, made newspaper front pages in 10 different states and was among the most-read stories on AP News over the weekend. AP Deputy Managing Editor Noreen Gillespie called it a shining example of illustrating “how a theme is rippling across the country.” https://aplink.news/bbp
spent months building a relationship with U.S. Army veteran Spencer Sullivan and his Afghan translator Abdulhaq Sodais, leading to exclusive video and photos of them meeting in Germany and a layered, all-formats story on Sullivan’s battle to keep America’s promise to bring his comrade to safety.After his first translator was killed by the Taliban while waiting for a U.S. visa, Sullivan felt the U.S. had betrayed its promise to help those who risked their lives interpreting for American troops. Sullivan was determined not to let Sodais, who used smugglers to get to Europe and feared being sent back to Afghanistan, suffer the same fate. The situation took on urgency as the Taliban seized control and the U.S. withdrew from Afghanistan.Sullivan flew from Virginia to Germany to help Sodais prepare for his Sept. 6 asylum hearing. At that point, the global footprint of AP paved the way for a good story to become great: Rome video journalist Andrea Rosa and Amsterdam photographer Peter Dejong met the pair in Germany and shot moving photos and video of the men together, with Sullivan trying to assure a terrified Sodais that he would be OK.Watson, based in San Diego, wove that reporting into the text story, producing a detailed picture of the relationship between the two. The result was a rich, layered multiformat package that took people on a journey through one soldier’s attempt to make a small difference in the middle of a chaotic situation, all too aware of the price if he fails.https://aplink.news/xxfhttps://aplink.video/k33
used remarkable access to chronicle an Afghan family settling into heartland America thanks to the efforts of a dedicated couple.San Diego-based reporter Watson had previously reported on Afghans fleeing to the U.S. She used farmer Caroline Clarin as a resource; Clarin worked as an agricultural adviser in Afghanistan and now works to rescue her Afghan contacts threatened by the Taliban. Meanwhile, enterprise photographer Goldman was looking for a newly immigrated family to follow. He connected with Watson and enterprise video journalist Breed, the trio traveling to Fergus Falls, Minnesota, where, thanks to the trust Watson had built with Clarin, they had exceptional access to Clarin, her wife and the Patans, an Afghan family the couple “adopted” after paying to fly them to the U.S.The team captured intimate details of both families’ daily lives in all formats: the family gatherings, the Patan kids’ school days and life on the farm. Clarin and her wife talked about their worries — the expenses they were accruing to rescue Afghans, but more so, their fears for those still left behind. The text story also looked at the bureaucratic hurdles of getting families out of Afghanistan, and Breed gathered sound for an audio story, written by digital storyteller Shotzbarger, voiced by Watson. Shotzbarger also brought all the elements together in a compelling presentation.The package, running on the eve of Thanksgiving, resonated with readers. It records one woman’s dedication to the daunting task of bringing Afghans to the U.S., and the loving relationship built between a farm couple and a traditional Afghan family in rural Minnesota.https://aplink.news/o5thttps://aplink.photos/ukrhttps://aplink.video/fj6https://aplink.news/58c
used determination and empathy to gain access to the world of Afghanistan‘s hard-drug street addicts. The result is an unflinching but sensitive photo package that takes readers inside the addicts’ bleak lives. His images, raw, yet layered and nuanced — are at once intimate and riveting.Noroozi spent hours at locations in Kabul where the addicts gather — on a hillside and under a bridge. The addicts gradually accepted his presence and he was able to follow the grueling flow of their daily lives, apparent in his images. He also photographed am government raid, the Taliban allowing him access to their drug rehabilitation center where he wound up making striking images on multiple trips.Complementing the haunting photos, Noroozi’s personal notes of his visits were so compelling they were fashioned into a first-person account, drawing readers directly into the experience.Read more
The story was nothing short of shocking: An Afghan baby, the only surviving member of her immediate family following an American attack on their home, was brought to the United States for medical treatment only to be taken from the Afghan couple who raised her as their own and — against the couple’s wishes — placed in the custody of a U.S. Marine attorney and his wife.
AP reporters Juliet Linderman, Martha Mendoza and Claire Galofaro broke the competitive story after poring through hundreds of pages of legal filings and documents, talking to Afghan officials and pushing relentlessly for interviews with everyone involved. Then the trio wove their reporting into a beautifully written, compelling narrative that reads like an international thriller. The piece prompted strong reader reaction, with many asking how they could hold the government agencies involved responsible.
For intensive, lightning-fast work to put AP first on this deeply reported, deeply moving story, Linderman, Galofaro and Mendoza earn AP’s Best of the Week — First Winner honors.
led the 50th anniversary package for the occupation at Wounded Knee as a perfect example of collaboration and coordination across formats, departments and even one of AP’s members. Read more.
told the story of a former U.S. military interpreter in Afghanistan, who fled the Taliban only to be shot to death while working as a ride-share driver in Washington, D.C.Read more.
AP employed the traditional Afghan “box camera” to document how life has changed in Afghanistan in peacetime, for better and worse, two years after U.S. troops left and the Taliban returned to power.Read more
As AP’s staff in Afghanistan grappled with the turmoil of the U.S. evacuation, an AP trio half a world away — Pentagon reporters Bob Burns and Lita Baldor and State Department reporter Matt Lee, with contributions by colleagues — set the standard, breaking news on the month’s most competitive story.
Whether posing tough questions at government briefings or getting the deeper story through one-on-one reporting, the reporters turned out crisp stories that were fair, accurate and authoritative. From the eyebrow-raising visit of two U.S. lawmakers, to the suicide bombing outside Kabul’s airport, to analysis of the ultimate beneficiary of America’s $83 billion expenditure, their coverage kept AP consistently out front.
For repeatedly scooping the competition and setting the news agenda on the closely watched, fast-developing events in Afghanistan, the team of Bob Burns, Lita Baldor and Matthew Lee is AP’s Best of the Week — First Winner.
