Beat of the Week

(Honorable Mention)

As COVID spikes in Africa, AP reveals low vaccine rates

combined to illustrate the severe shortages of vaccines and low levels of vaccinations in poor African countries and elsewhere, just as a worrying new rise in infection levels has emerged and as the issue became a key topic for G-7 leaders gathering for a summit.Imray, AP’s Cape Town, South Africa, sports writer, reported that vaccine shipments to Africa have ground to a “near halt” and that the continent faces a vaccine shortfall of 700 million doses. The reporting used a broad range of sources, including an interview with the head of Africa’s CDC, and strong feeds from colleagues around the world. The story was complemented by a selection of images from AP’s photographic team across Africa.Video freelancer Onen, meanwhile, obtained rare access to a COVID-19 ICU at the Mulago Hospital in Kampala. As a condition of entry, Onen shared his footage as pool with local broadcasters who were desperate for coverage amid a sharp virus spike. Given only a few minutes on the wards, Onen did a skillful job in bringing out the tension and urgency of the situation, images that no other global media organization was able to obtain.https://aplink.news/xw1https://aplink.video/ei8

Best of the Week — First Winner

AP gets first look inside China’s largest detention center, breaks news on Uyghur incarceration

The sprawling Urumqi No. 3 Detention Center in Xinjiang, China, is the largest such facility in China (possibly the world), holding perhaps 10,000 or more and embodying the plight of the Uyghurs and other mostly Muslim minorities. Western news organizations have only been able to report from the outside. But the Beijing-based team of enterprise journalist Dake Kang, photographer Mark Schiefelbein and news director Ken Moritsugu managed to get a tour, making the AP the first Western news organization to report inside the facility.

They delivered a vivid package on life inside the detention center, from numbered and tagged Uyghurs sitting ramrod straight to the instructions on force-feeding in the medical room. The journalists also revealed a disturbing new trend: China is moving from the temporary detention of Uyghurs to more permanent mass incarceration of people who have committed no real crime.

The story topped AP’s reader engagement for the week and drew comment from the U.S. ambassador to the United Nations who called China’s repression of the Uyghurs “horrific.”

For bringing the world rare insight into the detention centers where China holds Uyghurs, the team of Kang, Schiefelbein and Moritsugu earns AP’s Best of the Week award.

Best of the States

Smart prep, sharp execution put AP out front on obit of prominent civil rights leader Gloria Richardson

Among the toughest obits to write on the fly are those for people who were hugely influential but rarely heard from in their later years. AP’s Brian Witte, however, was fully prepared when he got an exclusive tip on a Friday evening that prominent civil rights figure Gloria Richardson had died at 99.

Witte, AP’s Annapolis, Maryland, correspondent, used carefully crafted, detailed prep and source work to break news of the death of the first Black woman to lead a sustained desegregation movement outside the South. Thanks in part to a striking 1963 AP photo of Richardson pushing away the bayonet of a National Guardsman, she came to symbolize fearlessness among civil rights activists.

Witte’s prep included an interview with Richardson’s biographer, building enough trust for the author to email him with first word of her death. He persuaded the biographer to share family contacts, scoring quotes that forced many outlets to cite AP. Witte’s story, linked with archival photos, hit the wire early Friday evening, beating all competition and receiving strong play.

For insightful, resourceful reporting that puts Richardson's significant legacy back in the public eye, Witte earns this week’s Best of the States award.

Beat of the Week

(Honorable Mention)

South Africa team delivers in all formats as violence spreads

drew on experience and stamina for comprehensive all-formats coverage of the worst civil unrest in the country's post-apartheid history.Starting with a weeklong stakeout and fast, accurate reporting on the midnight arrest of former President Jacob Zuma for contempt of court, the story quickly shifted: Zuma’s supporters burned trucks on a main highway, blocking it and severing the port city Durban from other parts of the country — the first sign of worse trouble to come.With violence spreading to various locations through KwaZulu-Natal and Gauteng provinces, leaving scores of people dead, the crew of staff and freelancers delivered strong, distinctive visuals, including multiple video edits, live video of rioting at a Soweto mall, drone images and dramatic photos despite attacks on journalists.Amid the chaos, multiple reports of violence, deaths, looting were deftly edited day after day into a comprehensive report that also provided political and societal context referencing South Africa’s underlying economic problems. The story “‘I was in tears’: South Africans take stand against rioting” stands out in the week’s strong body of work.https://aplink.news/qqjhttps://aplink.news/436https://aplink.news/brxhttps://aplink.video/q6ghttps://aplink.video/uchhttps://aplink.video/6uk

Best of the Week — First Winner

Dedicated source work produces rare video as Tigray forces retake regional capital

Through months of patient contacts, Nairobi-based senior producer Khaled Kazziha built trust with an Ethiopian freelancer who promised AP first refusal on video and photos he made as events unfolded in the embattled Tigray region. That promise was fulfilled recently with images that included celebrations as Tigrayan forces retook the regional capital Mekele, prisoners of war in detention and an on-camera interview with Tigray's leader, among other rare scenes.

Kazziha had trained the freelancer and knew he was in Mekele when Ethiopian government forces fled Tigray, allowing the region's former leaders, the Tigray People’s Liberation Front, to return. But with communication and transportation blocked, Kazziha had to wait almost two weeks for the footage to reach him. He then worked tirelessly with colleagues in Addis Ababa to cut multiple video packages that have been widely used by AP’s global video clients and platforms.

“This is a reminder that a journalist never knows whose help might prove critically useful in the future, and training and teaching people wherever one goes ... especially in the world’s trouble spots,” said Andy Drake, deputy director of newsgathering for Africa.

For exceptional collaboration and video production work that led to multiple world exclusives, Kazziha and the video freelancer — unnamed for his security — share AP’s Best of the Week award.

Beat of the Week

(Honorable Mention)

AP delivers rare visuals inside deadly Bangladesh factory fire

managed to get where other journalists did not: inside a tragic factory fire that killed dozens of workers who were locked inside the food and beverage factory outside Bangladesh’s capital. Police initially gave a toll of three dead, but the following afternoon firefighters discovered 49 more bodies, many of whom were trapped inside by an illegally locked door.Video journalist Garjon and photographer Opu had scrambled to the scene as soon as the scale of the tragedy became clear. Once there, they got inside the factory and despite intense heat and smoke, captured dramatic scenes of firefighters, with Garjon setting up an exclusive livestream using the Bambuser app on his iPhone as rescuers searched for bodies amid the burning debris. The pair’s video and and still images of firefighters’ efforts and the grim consequences of the blaze set AP's all-formats coverage apart on this latest industrial disaster in Bangladesh.https://aplink.video/196https://aplink.news/yothttps://aplink.video/wsq

Best of the States

AP takes immersive look as drought puts ‘flatlining’ Great Salt Lake at historic risk

As the western U.S. finds itself in the grips of one of the worst droughts in recent history, the AP West region staff has delved into every aspect of the drought’s impact across the region. In one of the hardest-hit areas, the Salt Lake City-based team of Rick Bowmer, Lindsay Whitehurst and Brady McCombs documented that Utah’s Great Salt Lake may be headed to the lowest water levels in 170 years.

Reporting ahead of other news outlets, they delivered an all-formats package with stunning visuals showing readers how the dying lake is impacting people and wildlife and is a harbinger of worrisome drought-related consequences ahead. Decades of drought and water diversion in the booming region have hurt bird habitats, forced boats from shallow water and exposed dry lakebed that could send arsenic-laced dust into the air that millions breathe.

The result was a compelling package that had the highest engagement of all AP stories on July 6 and fourth-most for the week.

For distinctive work that expands AP’s ongoing coverage of climate and drought in the West, the team of Bowmer, Whitehurst and McCombs wins this week’s Best of the States award.

Best of the States

A photographer’s unique vision merges past and present for front-line nurses

With the U.S. slowly emerging from COVID-19, it might be easy to assume that the pandemic will soon be in the past, but for many, particularly health care workers, the trauma of what they experienced while caring for deathly sick patients will be with them for years to come.

To capture the idea that the past can be part of the present, Los Angeles photographer Jae Hong focused on intensive care nurses at a Southern California hospital who had taken care of extremely ill COVID patients and, despite all efforts, had lost many. That ward closed this spring, but the memories endure for these nurses.

Hong’s approach called for a photo technique not typically used in reporting the news: He made multiple exposure portraits of 10 of the nurses in the hospital, resulting in haunting images that show each nurse both in the photo, the present, and seemingly somewhere else in the past.

Accompanied by revealing interviews, the piece played widely in the U.S. and beyond, and attracted attention on social media.

For arresting, interpretive photography that evokes the lingering effects of the pandemic on these front-line medical workers, Hong earns this week’s Best of the States award.

Beat of the Week

(Honorable Mention)

Powerful photos anchor all-formats coverage of Florida condo collapse

delivered standout photo coverage of the Surfside, Florida, condo collapse, anchoring an impressive AP response in all formats.Lee was at home a few blocks away when the tragic, catastrophic story broke early Thursday morning. He quickly made his way to the scene to make some of the first images the world would see of the pancaked Champlain Towers South. His fast work on the ground also earned him a text byline, with customers and readers across the country waking up to a comprehensive AP story with his images. More AP journalists were soon on the scene digging into spot developments as well as the history of the building, churning out urgent series after urgent series and sensitively reporting the human toll, finding names and details of the missing to round out a well-received vignettes package. Early video also scored heavily with AP customers. Throughout the coverage, the photo team, led by Lavandier and South regional photo editor Mike Stewart, fought restricted access and had to innovate visually. Herbert first chartered a plane, then a helicopter, making handheld aerial photos with an 800mm lens from as much as two miles offshore as flight restrictions tightened. Then the team hit on the idea of using a boat. That allowed closer access but still required long lenses from a moving craft, with the photographers effectively timing their shots to coincide with the peaks and troughs of the waves to minimize movement. Competitors scrambled to emulate AP's strategy with their own vessels. AP wins on visuals included powerful photos by Sladky and Lavandier of people comforting each other, and three different AP photos rotating as the lead photo on Saturday’s New York Times home page — images showing the destruction, the rescue operation and the emotional toll. The Miami Herald praised AP’s visuals and has used much of the work, even as its own photographers produced strong content. The Herald and other members have shared some of their best images in AP’s photo report. In addition to AP’s photography, members have praised the all-formats coverage, including the “microstories” AP published practically in real time, showcasing good nuggets of information throughout the news cycles. Coverage of the collapse topped AP’s measures of readership and reader engagement for the month. https://apnews.com/hub/buildin...

Beat of the Week

(Honorable Mention)

Exceptional planning, execution of summit coverage yields big AP wins

collaborated on sweeping coverage of the Biden-Putin summit that outpaced all the competition.In advance of the summit, AP chased down all the moving parts, staying in touch with local officials and the U.S. mission, clarifying early on where the events would happen and establishing positions.Thanks to that preparation, the truly international video crew delivered outstanding live shots and features, including the summit venue at Parc de La Grange, security, arrivals and departures, reactions of residents and diplomats, protests and impressive shots of the city, among them a continuous live shot from the balcony of Geneva’s Ritz-Carlton from sunrise to sunset. AP offered more live signals and was faster than other outlets, offering more video edits and content than our main competitors.Meanwhile, text reporters from Washington and Moscow combined to put together smart enterprise and preview pieces, then quickly, deftly but firmly shifted to the main event, chronicling the day’s spot developments — a job that required throwing a few shoulders to get through the media scrum and past a Russian security guard for access to the opening photo op of the two leaders seated in a small study. AP managed to pose two questions to Putin that would dominate his post-summit news conference a few hours later: What would he do if Ukraine joined NATO? And why was he so afraid of opposition leader Alexei Navalny? At that, several members of Russian security pushed AP’s reporter from the room.The reporting team in Geneva, working closely with the Washington-based trip desk, filed a running stream of alerts and updates on spot developments, along with sidebars and takeaways on the upshot of the two leaders’ meeting.The photo team, drawing on Moscow, Washington and European staffers, was no less formidable. AP’s initial images of Putin and Biden together were the first to reach our clients, beating the opposition by almost two minutes. Remote photo editing in Washington ensured fast and seamless delivery of images, completing AP’s standout performance across all formats.https://aplink.news/89rhttps://aplink.video/vufhttps://aplink.video/u67

Best of the States

A photographer’s affecting portrait of Korean American seniors, fearful amid anti-Asian violence

The Koreatown area of Los Angeles can be a challenging place to report — many residents are hesitant to speak to the press. That makes what Los Angeles-based photographer Jae Hong pulled off that much more impressive. 

Hong, a Korean American who moved to LA as a teenager, had recently spent a year on assignment in Tokyo. When he returned to the U.S., he was astonished by the increased aggression he saw toward Asian Americans, who were being blamed by some for COVID-19. 

After much outreach and many conversations with the local Korean community, he found a few families willing to let him into their lives. The end result — Hong’s somber photos and poignant text — is a compelling portrait of a community experiencing very real fear amid attacks targeting Asians. 

For timely, revealing enterprise reporting in both text and photos, Jae Hong wins this week’s Best of the States award.

Best of the States

Multiformat team delivers expansive AP coverage during centennial of Tulsa Race Massacre

With the 100th anniversary of the Tulsa Race Massacre months away, text and visual journalists from AP’s Race and Ethnicity, Central Region and Enterprise teams embarked on a plan to dig deeper into the story of the atrocity, well beyond just covering the centennial events.

The team started arriving in Tulsa weeks ahead of the anniversary to explore the city and meet descendants of massacre survivors, who opened up about the horrific event and how it continues to impact their families and the community. Among those they met was the family of Ernestine Alpha Gibbs, who survived the massacre and died 18 years ago at age 100.

Their efforts resulted in a comprehensive package of enterprise stories, from the lost wealth and racial inequality that Black Tulsans have endured, to the descendants of Black victims preparing to resume a search for mass graves, to an examination of how history books and law enforcement have depicted the massacre, and much more. 

The coverage was not without breaking news. In addition to a visit by President Joe Biden, AP learned that the weekend’s headline event was canceled because of a disagreement over payments to three survivors for their appearance at the event. 

For sweeping enterprise and spot coverage that raises awareness of this grim milestone in American race relations, this multiformat team earns AP’s Best of the States award.

Best of the Week — First Winner

Unique AP visual investigation reveals Myanmar's junta using bodies to terrorize civilians

The video was startling: As a motorcycle carrying three men speeds down a city street in Myanmar, a soldier traveling in the back of a pickup truck opens fire. A man falls to the ground, mortally wounded, while the other two run away. 

Investigative reporters Robin McDowell and Margie Mason found that the video was one of many seeming to show the military firing at civilians indiscriminately in the wake of February’s coup. They also noticed that security forces appear to go out of their way to mutilate and drag bodies in the street, seemingly to terrorize the populace. The pair teamed up with the Human Rights Center Investigations Lab at the University of California, Berkeley, applying cutting-edge image analysis to thousands of social media posts and images online to reveal how the junta in Myanmar was using the bodies as tools of terror, according to human rights activists. 

With important contributions by Southeast Asia news director Kiko Rosario, and video by Manuel Valdes, the piece received more than 53,000 views on AP platforms.

For finding a way to analyze visual data from one of the world’s most secretive countries and presenting it in a rich and compelling multiformat narrative, McDowell, Mason, Rosario and Valdes earn AP’s Best of the Week award.

Beat of the Week

(Honorable Mention)

French spirit elegantly rendered in reopening of Monet’s gardens

were not alone in trying to find a way to capture the essence of France after more than six months of virus lockdown — AP’s Paris bureau pulled out all the stops to cover the reopening of museums, restaurants and other sites in a country famous for its “joie de vivre,” and other news organizations were looking to do the same. But multiformat journalist Leicester and photographer Mori outmaneuvered the competition by securing exclusive access two days beforehand to Monet’s gardens in Giverny where the gardeners were furiously weeding, sewing and planting to make the site picture-perfect for visitors. Leicester’s widely used video package complemented his elegantly written text piece. And Mori, drawing inspiration from Monet, delivered a knock-out package of images that verged on art, evoking the historic setting. The all-formats package played for days around the world, from New York to South Korea to Hong Kong. The piece even netted a rare byline for Mori and Leicester in The Guardian.https://aplink.news/pg6https://aplink.video/nghhttps://bit.ly/3hYlEUP

Beat of the Week

(Honorable Mention)

All-formats team puts AP ahead on Spain-Morocco migrant crisis

alertly put AP out front of a burgeoning migration crisis on both sides of the Spain-Morocco border.While much of the world focused on the conflict in Gaza, Parra noticed something unusual on May 17: Dozens of migrants had entered Ceuta, Spain, that morning by swimming from Morocco. Usually, migrants seeking to enter Ceuta — in Spanish territory in North Africa — do so by climbing the border fence in small groups, evading the Moroccan security forces that keep would-be migrants away from the frontier. Parra filed a brief story and flagged it to other formats. Additional reporting confirmed something bigger was brewing, with the Moroccan authorities relaxing border security amid a diplomatic dispute. The all-formats team quickly responded, capturing riveting images of migrants swimming ashore by the thousands as Spain deployed troops and armored personnel carriers. Video coverage, both live and edited, showed migrants, including children, being rounded up on the beach and immediately returned to Morocco through a border gate by baton-wielding Spanish soldiers. There were also dramatic photos from the Moroccan side of the border, giving AP comprehensive coverage from both sides of the humanitarian crisis.Play for the story was tremendous. The video edits scored heavily and Armangue’s photos landed on news sites and in newspapers around the world, including in Spain, where the top papers used his photos on the front page two days in a row. His photo of a young migrant hugging a Red Cross volunteer on the beach went viral in social media and became perhaps the most iconic image of the crisis.https://aplink.news/mefhttps://aplink.news/vqihttps://aplink.photos/emahttps://aplink.video/j7whttps://aplink.video/zxuhttps://aplink.news/h8zhttps://aplink.photos/f8x

Best of the Week — First Winner

Gaza team evacuates, responds with outstanding coverage as airstrike destroys AP’s building

Last Saturday afternoon, the AP’s staff in the Gaza Strip received an urgent call: They had less than an hour to evacuate the office before the Israeli military planned to destroy the entire building. Staff and freelancers scrambled to pack up whatever equipment and belongings they could carry, but even as they rushed to safety they continued reporting the news, including smartphone video of the evacuation and a live shot set up on a neighboring building. 

Moments later, an Israeli airstrike flattened the 12-story building that had served as a second home in one of the world’s most challenging war zones for the past 15 years. The AP team captured the dramatic scene for all formats, then, despite the stunning turn of events, quickly regrouped to continue their coverage of the ongoing conflict. 

The destruction of the building capped a difficult week in which Gaza came under intense Israeli aerial bombing, and thousands of rockets were launched into Israel.  AP’s staff on both sides of the conflict rose to the occasion, presenting fast, accurate stories, powerful photography, gripping video. 

For extreme dedication in the most difficult of circumstances, and their commitment to covering the conflict even at great personal risk, the Gaza team of Fares Akram, Najib Jobain, Rashed Rashid, Khalil Hamra, Hatem Moussa, Adel Hana, Mohammed Jahjouh and Wafaa Shurafa is the unanimous pick for Best of the Week honors.

Beat of the Week

(Honorable Mention)

AP: WHO knew of sex misconduct by personnel in Congo

revealed that, contrary to World Health Organization claims, WHO senior management did know about at least two cases of doctors accused of sex abuse and misconduct during the Ebola outbreak in the Democratic Republic of Congo, but did not fire or even apparently discipline them.Health and science reporter Cheng advanced the story by putting names, for the first time, to the implicated doctors and a senior manager. She discovered that WHO managers even witnessed an agreement in which a WHO doctor agreed to pay a young woman he had allegedly impregnated.While Cheng worked with her sources, Congo stringer Kudra Maliro tracked down several alleged victims of both doctors, adding text and images. The investigation was based on interviews with dozens of WHO staffers, Ebola officials in Congo, private emails, legal documents and recordings of internal meetings obtained by the AP.The story drew strong and immediate international response. Paula Donovan, co-director of a group that tracks sex abuse, wrote: “Never ... have I seen such a detailed exposé containing so many unanswerable indictments against so many UN personnel. You’ve broken real ground here.”https://aplink.news/f39https://aplink.video/pk5

Best of the Week — First Winner

Resolute AP crew in Chad, where not a single shot has been administered, highlights vaccine inequity

In Chad to cover the sudden death of the country’s longtime president, the AP team of West Africa Bureau Chief Krista Larson, Nigeria-based video journalist Lekan Oyekanmi and photographer Sunday Alamba decided to look at the COVID situation in a country that has yet to administer its first shot. Political unrest made the assignment far more challenging, with police on the hunt for journalists. Alamba and Oyekanmi had already been detained for eight hours and warned not to venture out into the street again.

After days of prodding, the team was granted just a brief interview with medical staff in a hospital conference room. But the all-formats crew pressed the case to see the COVID ward for themselves, eventually winning access. Accounts of bravery and deprivation among overwhelmed medical staff, and the images shot by Alamba and Oyekanmi, speak volumes, highlighting a deep global inequity despite promises by wealthy nations to help vaccinate the world.

For intrepid coverage in the harshest of reporting environments, Larson, Alamba and Oyekanmi win AP’s Best of the Week award.

Best of the Week — First Winner

AP’s ace soccer journalist scores in all formats as protest turns violent at Manchester United

Building on his recent coverage of the collapse of the Super League, AP global soccer writer Rob Harris knew he needed to attend Sunday’s match between two teams that were part of the failed breakaway league — Manchester United and Liverpool — amid rising fan anger at the clubs.

Reporters were prevented from entering the stadium hours before the scheduled kickoff, with most waiting outside the entrance to Old Trafford. But Harris looped around the opposite side of the stadium to get closer to the expected protests.

What followed was a multiformat win. As the the crowd grew unruly, eventually breaking into the stadium and onto the field, lighting flares and lobbing bottles, Harris phoned in text and uploaded video from the melee, including the start of clashes between fans and police. He and a pair of stringers supplemented with photos. On an important day for Premier League coverage, Harris’ video was featured in major networks’ coverage, and AP’s text alert on the postponement of the game beat even Britain’s top agency. 

For all-formats command of his beat under difficult circumstances, and significant wins against the competition, Harris earns AP’s Best of the Week honors.

Beat of the Week

(Honorable Mention)

AP visual journalists lead the way at a one-of-a-kind Oscars

navigated issues of access, multiple locations and complex logistics in covering this year’s one-of-a-kind Academy Awards ceremony, altered from top to bottom by the pandemic.The event was one of the largest photo pools AP has ever run. AP’s remarkable access came as the result of years of relationship building with the film academy, which trusted AP to not only shoot photos of its marquee event, but also distribute those images to news outlets around the globe.Under the leadership of Kaufman, assistant director of photography, and with a workflow developed largely by photo editor Munoz, the team expedited some 1,500 still images to 11 members of the pool. Meanwhile, in London, Jankovic coordinated photographers and editors handling the Oscars’ global satellite locations — from Sydney to Stockholm to Kilkenny, Ireland, and points in between. Success meant assembling a team of AP staffers, including a team of 10 editors — most off-site due to pandemic restrictions — who quickly edited, captioned and transmitted the images. In addition, at the academy’s request, video journalist Turner shot the Oscars’ pool fashion feed – a key position that is highly valuable to clients looking for red carpet looks and unscripted moments.Bottom line: If you saw a photo from the red carpet, or a winner clutching the coveted statuette, chances are it was shot by the AP. The images were used in countless tweets, online stories and on dozens of newspaper front pages, notably above-the-fold play for shots of “Nomadland’s” best picture winners by Pizzello, who also authored a “Virus Diary” with his reflecions on being an entertainment photographer during the pandemic.https://bit.ly/3vpV8HDhttps://bit.ly/3gOI1eY