Through dogged reporting and the extensive use of public records, AP uncovered how an artificial intelligence-powered tool has fallen short of its claim to be a technological revolution for the world of child welfare.Read more
AP investigated discipline disparities experienced by kids with disabilities and an increase in “emergency petitions” — when a school orders a child to go to the ER for a psychiatric evaluation.Read more
In the runup to Super Tuesday, The Associated Press showed why it’s at the top of the class when it comes to elections coverage.
As Super Tuesday neared, the AP had an issue on its hands: how will it call races that night when it would have no VoteCast poll — but the TV networks had their exit polling, which could have put the AP at a competitive disadvantage? Serena Hawkins, data scientist for AP’s Decision Team, got to work.
In just two weeks, she researched, developed, tested and deployed a new approach to race calling that allowed the AP to declare Donald Trump and Joe Biden winners in several states with a very small return of counted votes.
That new model, used by the AP on Super Tuesday, put AP’s race calls ahead in states where the TV networks didn’t have a poll, and only a few minutes behind in states where they did — and with no errors in its calls.
Meanwhile, the AP, for the first time, was able to deliver its vote count directly to news consumers through a new immersive elections experience on APNews.
The effort was captained by development lead Linda Gorman, with team members Ryan Best, Michelle Minkoff Carlson, Chaithra Chandraiah, Shelly Cheng, Chad Day, Phil Holm, Dan Kempton, Humera Lodhi, Maya Sweedler, Pablo Barria Urenda and Robert Weston. On the night of Super Tuesday, the recirculation rate for these pages was, in a word, stratospheric.
For all these reasons, Serena Hawkins and the Elections Data Visualizations Team are Best of the Week — First Winner.
AP’s story illustrates how evolving state legislation on physician-assisted death impacts Americans.Read more
Legislative debates over restricting abortion access in the U.S. have been among the most hotly contested and thoroughly covered state government topics of recent years. But what of the women affected by those laws? A distinctive, data-driven investigation by the state government and data teams provided answers: Each year thousands of women travel to get abortions in another state, and the share of non-resident women getting abortions had risen significantly in states where conservative legislatures passed measures restricting the procedure.
To arrive at that conclusion, state government team reporter Christina Cassidy went state-by-state to gather the most recent abortion data, while data team editor Meghan Hoyer oversaw the methodology and analysis. Cassidy also worked sources to find women who had left their home state for an abortion, humanizing the story behind the data. Colleagues Alina Hartounian, Susan Montoya Bryan, Gillian Flaccus and Francois Duckett produced compelling all-formats content for the package.
A unique dataset released before publication allowed AP’s member publications to produce localized graphics and stories. The project checked all the boxes for customer and reader engagement, which was extraordinarily strong.
For putting the AP out front on one of the most contentious issues roiling American politics, Cassidy, Hoyer, Flaccus, Montoya Bryan, Hartounian and Duckett share AP’s Best of the Week award.
The envelope was opened, “Green Book” was announced as best picture at the 91st Oscars, and entertainment writer Andrew Dalton’s eyes shifted over to Spike Lee.
The director threw up his hands in exasperation and attempted to storm out of the Dolby Theatre before being told to return to his seat. Social media quickly lit up with disdain for the selection by the Academy of Motion Picture Arts and Sciences, and Dalton’s eyewitness reporting quickly fueled the criticism.
In a packed theater filled with actors and other journalists, Dalton reported what few saw and the television cameras didn’t show, giving the AP exclusive material and driving audiences to its comprehensive Oscars coverage.
Later that night, entertainment producer Mike Cidoni Lennox interviewed “Green Book’s” producers outside the Oscars’ official after-party, helping drive the following day’s coverage of the controversial win.
The reaction to the best picture winner capped dominating all-formats team coverage of the Oscars, the result of months of planning and preparation. AP customers received a steady stream of photos, video and stories, including film writer Jake Coyle’s deadline story which was viewed more than 88,000 times. Coyle had crafted prep for all the likely winners, allowing for fast updates when the envelopes were opened.
For their extensive planning, professional expertise and swift work, Dalton, Coyle and Lennox win AP’s Best of the Week award.
told the story of a stumbling start to a historic wildfire mitigation effort intended to avoid a repeat of the climate-driven conflagrations that destroyed Western communities in recent years.Read more.
AP’s coverage showed how the political fight in Washington over abortion threatens global HIV treatment supplies for millions of people.Read more
The scene is dreamlike – or, more precisely, nightmarish. The untethered camera swoops and swerves through a depopulated wasteland of rubble and bombed-out buildings and wrecked vehicles.
This is Raqqa, devastated capital of the Islamic State group’s self-proclaimed caliphate. And this extraordinary footage – the Beat of the Week – was brought to viewers around the world by freelance drone videographer Gabriel Chaim. He shares the prize with Mideast photo editor Maya Alleruzzo.
It was just one of the many mysteries surrounding the Las Vegas concert shooting: How did the gunman, perched up on the 32nd floor of the Mandalay Bay resort, fire off as many as 90 rounds onto thousands of concert-goers in just 10 seconds, killing 58 people and injuring hundreds?
Reporters Sadie Gurman and Mike Balsamo found the answer. Through sourcework, they learned that Stephen Paddock was able to carry out his assault in moments because he had used two “bump stocks,” devices that allow a semi-automatic rifle to repeatedly fire like a machine gun.
The scoop was part of an impressive week of coverage by staff in the Las Vegas bureau and across the AP that also included photographer John Locher’s dramatic images of police screaming for people to take cover as the gunman sprayed the crowd with bullets.
For their work in bringing critical details and images of the worst mass shooting in modern U.S. history, Gurman, Balsamo and Locher win this week’s Beat of the Week prize.
One of the most vulnerable senators up for re-election in 2018 – Democrat Joe Donnelly of Indiana - has staked his nearly two-decade political career on opposition to outsourcing and free-trade agreements that ship American jobs abroad.
Following up on a tip from Washington, D.C., colleague Erica Werner, Indiana Statehouse reporter Brian Slodysko pulled together public documents and customs records to reveal that Donnelly has benefited financially from the very free trade policies he has decried since his first run for Congress. As Slodysko reported in his “Only on AP” story, Donnelly earned thousands of dollars in 2016 alone from stock in the arts and crafts business his family has owned for generations, which ships raw materials to its Mexican factory that produces ink pads and other supplies.
For shining light on something a politician would have preferred left unknown to his constituents, Slodysko wins this week’s Best of the States award.
They’re called “golden visas” – legal permission for non-citizens to reside in the U.S. or other countries in exchange for investment. But how much are such investments worth, and who is making them?
These were questions that AP’s Nomaan Merchant set out to answer, encouraged by Greater China news director Gillian Wong.
After months of searching out data from 20-plus countries, analyzing it and interviewing investors, Merchant could report that more than 100,000 Chinese have poured $24 billion in the last decade into "golden visa" programs across the world, and notably in the U.S. – an exclusive AP analysis that earns the Beat of the Week.
It was supposed to be a 15-minute interview. Instead, Associated Press Chief White House Correspondent Julie Pace kept President Donald Trump talking for an hour in a wide-ranging Oval Office discussion that was exclusive, illuminating and full of news.
Pace's sit-down with the president – resulting in multiple stories that others scrambled to follow and a transcript that readers devoured despite its 8,000-word length – earns the Beat of the Week.
A face transplant: It’s one of the rarest of surgeries, a medically complex, emotionally fraught procedure – and a challenge to cover as a truly revealing news story and not just a sensational headline.
That’s why AP National Writer Sharon Cohen’s narrative of the first face transplant performed at the renowned Mayo Clinic was so remarkable, combining detailed reporting on state-of-the-art medical science with a unique tragedy-to-triumph human story. The narrative, Andy’s New Face, which engaged readers and commanded front pages for days after its release, earns the Beat of the Week.
What AP’s Lori Hinnant knew, from a conversation with Beirut bureau chief Zeina Karam early this year, amounted to a fascinating mystery: A series of Syrian villages had been emptied and many of their people taken hostage by the Islamic State group, but now most appeared to be free. It was clear that ransoms were paid, but no one would talk about how it happened.
The hostages were more than 200 Assyrian Christians who were rescued through a fundraising effort among the vanishing people’s global diaspora that brought in millions of dollars. These were the broad outlines of the story that Hinnant’s months of reporting confirmed, but even better were the exclusive details she unearthed _ including IS sending one villager with a ransom note to his bishop, the church dinners and concerts held around the world for donations, and the decision, fraught with ethical qualms and legal risks, to pay a ransom.
Hinnant’s resulting “thriller,” as one admirer called it, is the Beat of the Week.
As the bitter election season winds down, a recurring theme has been the conviction among many white men that they have been losing ground in society. National writer Matt Sedensky wanted to find a way to tell their story for a concluding installment in the series Divided America.
The yearlong assessment of America’s national disunity comprised more than two dozen deeply reported, multi-format stories exploring splits along racial, religious and socio-economic lines, as well as clashing attitudes on issues ranging from gun regulation to immigration.
Sedensky focused on the views of white men turning toward Republican nominee Donald Trump and rejecting Democrat Hillary Clinton. He listened to the voices on a call-in radio show in Texas _ both host and callers revealing their angst _ and then, through backgrounding interviews with them and reporting on research, showed why these men feel as they do.
Donald Trump's public comments about women have been a familiar theme in the tumultuous presidential campaign. But what had he said behind the scenes on "The Apprentice," the TV show that made him a household name?
That's the question AP’s Garance Burke set out to answer. Combining shoe-leather reporting with an adept use of social media, the San Francisco-based national investigative reporter tracked down more than 20 people willing to talk about the Republican nominee's language on the set. They recalled Trump making demeaning, crude and sexist comments toward and about female cast and crew members, and that he discussed which contestants he would like to have sex with.
The scene, presented in the most vivid close-up, shows a paramedic frantically pushing an IV full of an opioid blocker into the vein of a woman turning blue and barely breathing. Then the radio squawks: Two more overdoses just reported. Where will Claire Galofaro’s riveting narrative go from here?
“The woman’s eyes blinked open” she writes next. Then: “Red lights on the phone at the 911 dispatch center flashed faster and faster until all 16 lines were screaming. They called from the dining room of a rickety house, the parking lot of a fast food restaurant, the bathroom of a gas station. `People are dying everywhere,’ one caller said.”
The video is, quite simply, bone-chilling. Taken from a rooftop, the footage shows Micah Johnson shooting a Dallas police officer at point-blank range.
Ahead of the Olympics, an AP team in Rio wanted a close look at the city's slums, which have long been plagued with violence, to learn whether high-profile community policing programs are working in areas deemed `pacified.' Braving gunfire in what is considered a no-go area for reporters, AP produced up-close, all-formats coverage showing deadly violence continues to flare.
