stood out amid competition with comprehensive coverage of disruptions to the lives of residents in a remote Taiwan-ruled island. Situated less than 20 miles off the coast of mainland China, the residents were left stranded without internet for over a month after submarine internet cables were cut off.Read more.
scored huge play with print, online and video customers with a deeply reported, all-formats examination of the crash of the U.S. West Coast’s legal marijuana industry in the absence of federal legalization. Read more.
For years, AP Mexico photo stringer Ginnette Riquelme was aware of clandestine networks helping women obtain abortions in Honduras, where they are banned under all circumstances.
The locations were hidden, the phones untraceable, the contacts used code words to communicate. But Riquelme had a vision of how — and why — to document something that is both illegal and heavily stigmatized. With a grant from the International Women’s Media Foundation, she joined forces with Honduran journalist Iolany Pérez in El Progreso and Mexico City reporter María Verza.
Persistence and the ability to build the trust of more than a dozen women who helped or had received the networks’ assistance resulted in a previously unseen composite of an underground system built up over years of prohibition.
For journalism that illustrates the invisible, and in-depth and unmatched coverage of an issue that resonates far outside Honduras, this team earns Best of the Week — First Winner.
came together in all formats to dominate coverage of Typhoon Mawar’s direct hit on Guam.Read more.
's work on what at first seemed an under-the-radar news brief netted a tragic exclusive and UGC photos after a charter fishing vessel capsized off Alaska’s remote southeast coast, killing five.Read more.
AP provided excellent breaking and in-depth news coverage of Hurricane Idalia and the aftermath with unique video, compelling photos and textured stories of the storm.Read more
AP reported for a year on the 2022 fire of the Trinity Spirit, an aging oil tanker that exploded while anchored off the coast of Nigeria — the ship fit a pattern of old oil tankers put to work storing and extracting oil around the world even while on the brink of mechanical breakdowns.Read more
After reporting in June that thieves made off with at least $280 billion in COVID-19 relief funds, AP dug deeper to answer a simple question. What were the most unusual purchases the crooks made with the cash they grabbed?Read more
AP collaborated on a rare hopeful story about the world’s corals in the age of global warming.Read more
In back-to-back days over the New Year’s holiday, it seemed that the eyes of the world were on Tokyo, as the AP bureau deftly handled a massive earthquake and a fiery plane disaster that rocked the country — two of the biggest stories from Japan in years — and beat the competition in all formats while doing so. Their coverage included exclusive video, print and photos that far surpassed the offerings from our competitors.
The bureau activated immediately once a 7.6-magnitude quake hit western Japan on New Year’s Day, which was followed by more than 100 aftershocks. Business Writer Yuri Kageyama in Tokyo filed alerts and for days wrote stories that explained one of the most quake-prone places on earth. Photographer Hiro Komae and freelance videographer Richard Colombo rushed to the scene, followed by video journalist Ayaka McGill. They braved brutal working conditions — sleeping in their car and navigating wrecked roads, often driving more than 12 hours to reach destinations.
Then, on Jan. 2, another massive story: A Japan Airlines passenger jet struck a coast guard plane on a Tokyo runway. Dramatic video, which AP had faster than competitors, showed the JAL plane bursting into flames as it streaked away from the fireball that engulfed the other plane, where five died. Miraculously, all the JAL passengers evacuated safely. Working off TV coverage, News Director Foster Klug had the first urgents out ahead of competitors, with correspondent Mari Yamaguchi interrupting her holiday to write stories that investigated what went wrong and showed what it was like inside the plane. Business colleagues added invaluable context about the planes.
For dominating the competition on consecutive days in trying conditions on two massive breaking stories, we award the Tokyo bureau Best of the Week — First Winner.
The AP’s groundbreaking investigation of racism and discrimination at the five elite U.S. military academies — based on experiences related by many graduates of color and exclusive analysis of decades of data — exposed racial gaps in the makeup of the academies’ student bodies and graduation rates, despite assurances of diversity and inclusion by the armed services.
Reporters Aaron Morrison and Helen Wieffering, and video journalist Noreen Nasir, gained the trust of current and former academy attendees who described discriminatory treatment, including experiences of being singled out for nonexistent infractions or treated like stereotypes.
Data intern Jasen Lo handled the analysis of demographics and graduation rates, finding that at the Naval Academy, for instance, there were 73 Black midshipmen in the class of 2000 — and just 77 in 2020. Black midshipmen also had the lowest graduation rate of any racial group at the academy.
For an enlightening and enterprising story that showed how far the U.S. military still needs to go to rectify racial inequality at its prestigious service academies, the team of Morrison, Wieffering, Nasir and Lo earns Best of the Week — First Winner.
Among the human tragedies stemming from irregular migration, an Afghan boy’s drowning leapt out at Athens-based bureau chief Elena Becatoros when Greek authorities took the unprecedented step of charging his father with child endangerment, for embarking on the perilous journey from Turkey to Greece with his son.
Led by Becatoros, the AP’s all-formats team in Athens tracked down the father, then spent weeks using formidable people skills and patience to gently persuade the grieving man to recount how his 5-year-old son slipped from his arms and drowned when the boat carrying migrants smashed against rocks and broke in two. The journalists also overcame the father’s initial refusal to appear in photos or on video, while another survivor added depth and detail too painful for the father to describe.
For their dogged pursuit and sensitive telling of this heart-wrenching story that puts human faces to the grim statistics on migration, the team of Becatoros, senior producer Theodora Tongas, video journalist Srdjan Nedeljkovic, freelancer Michalis Svarnias, chief photographer Thanassis Stavrakis and newsperson Derek Gatopoulos wins AP’s Best of the Week honors.
A true multiformat team of AP journalists produced this Only on AP piece by tracking down data on child abuse from every state to reveal a worrying trend: Reports of abuse are down while signs of severity are up. The team complemented that dogged data work and hard news with the tragic story of one girl who fell through the cracks during the pandemic.
Acting on information sourced by video journalist Manuel Valdes, Seattle reporter Sally Ho coordinated the 50-state data survey and an ambitious analysis with data journalist Camille Fassett. Ho also read through hundreds of child abuse reports to find the case of 9-year-old Ava Lerario, killed by her father in a small Pennsylvania town. Ho worked with Philadelphia photojournalists Matt Rourke and Matt Slocum, and New York video journalist David Martin, to tell the story of about how the system failed Ava.
The team’s deeply reported package drew remarkably high reader engagement, and many news outlets localized the work using AP’s data distribution.
For exposing another disturbing inequality stemming from the pandemic, Ho and colleagues Valdes, Fassett, Rourke, Slocum and Martin share this week’s Best of the States award.
scrambled to provide timely coverage of Hurricane Sally. The storm was expected to hit Mississippi as a low-level hurricane, but at the last minute swung sharply to the east, forcing the AP team to regroup. Reeves and Herbert left Gulfport and hopscotched over Alabama to Pensacola, Florida. Wang stayed in Mobile while Plaisance moved from Louisiana to the Mississippi coast.Their flexibility meant unmatched coverage of the surprisingly strong storm. With the idea of getting photos to the wire fast, Herbert shot some pre-dawn pictures before the flooding could be assessed. When the sun rose, he stepped out of his hotel and took a series of photos that ended up defining the storm, the lead images on the apps for both the The New York Times and The Washington Post. Reeves gathered color to tell the stories of those impacted. Wang and Plaisance sent video that accounted for seven of the top 20 most used pieces of the week.https://bit.ly/32RAParhttps://bit.ly/2G578K3https://bit.ly/2RW4BVbhttps://bit.ly/3kzWSschttps://bit.ly/3hXvOS2https://bit.ly/33SW37c
used their experience and a quick response to cover the week’s fast-moving developments on an attack against Iran’s Natanz nuclear site, the second such assault amid tensions over its nuclear program. Iran initially blamed Israel for a cyberattack that caused a blackout and damage to underground centrifuges at the site, but later named an Iranian-born man as a suspect in the attack, saying he had fled the country “hours before” the sabotage happened.The team’s stellar coverage included six alerts, satellite images of the site and unmatched access to Iran’s nuclear spokesman, who was injured on a visit to the site after what he described as “a possible minor explosion.” AP’s work drew impressive play throughout the week.https://bit.ly/3gw39GJhttps://bit.ly/3tU1E9nhttps://bit.ly/3n9gB4I
produced a string of visually driven exclusives to feed global curiosity about how Japan has fared a decade after one of history’s worst tragedies — the massive earthquake, tsunami and nuclear meltdown that upended the lives of millions in 2011.Nuga and Hoshiko spent time on the battered northeastern coast while Yamaguchi, Tanaka and Komae made their way into the area around the Fukushima nuclear plant. The trips produced compelling before-and-after images of the wreckage, and all-formats vignettes of the lives of the survivors with explainers, galleries, videos and exclusive stories. Among the highlights were the moving story of a man who learned to dive so he could search, week after week, for for the remains of his wife, and gripping visual essays of the still-scarred landscape of northeast Japan, the eerie no-go zones near the nuclear plant and a hotel that has done weekly bus tours for hundreds of thousands of visitors interested in seeing the ravaged landscape. AP’s video showing was particularly strong, including footage of people symbolically searching the beach for bodies of the missing and quick live views of commemorative ceremonies across the country.https://bit.ly/3vBYckXhttps://bit.ly/38ONuxMhttps://bit.ly/2Q62S20https://bit.ly/3f1zFjthttps://bit.ly/3vyESEVhttps://bit.ly/3ttHTVm
provided a week of outstanding coverage on one of the largest oil spills in modern California history after oil leaked from a damaged underwater pipeline, washing up on Huntington Beach, otherwise known as “Surf City USA.” The all-formats coverage, including reporting on potential lapses in response by the pipeline company and the Coast Guard, kept the the story among AP’s most popular of AP’s offerings.Among the highlights, reporters Melley and Brown chased documents to find that the response by the company, Amplify Energy, and the Coast Guard was apparently delayed by hours despite reports of a suspected spill.Dazio pressed company and Coast Guard officials, both in news conferences and one-on-one, to clarify often conflicting or evasive information on the response. Taxin, meanwhile, who lives in Huntington Beach, had been first on the scene and delivered daily reporting on the cleanup. A week after the leak she wrote that while the long-term environmental effects aren’t known, the spill wasn’t the catastrophe first feared by conservationists and city officials.Video and photos virtually owned this story. Freelance photographer Chiu captured photos of oiled birds and workers painstakingly cleaning the beach, as well as drone video and stills for perspective. Video journalists Garcia and Daley offered clients a morning live shot each day and hustled to cover everything from news conferences to the cleanup effort, and reaction from local residents and business owners.https://aplink.news/yochttps://aplink.news/1qehttps://aplink.news/pznhttps://aplink.photos/udchttps://aplink.video/h9zhttps://aplink.video/5g2https://aplink.video/glu
took advantage of agency exclusive all-formats backstage access at the Grammy Awards, resulting in a wealth of interviews for video, and photo access unmatched by wire service rivals. Isaza, Landrum and Pizzello underwent numerous COVID-19 screenings in the six days leading up to the show in order to gain access. That access came about because of the AP’s decade-plus relationship with the Recording Academy — and a firm stand by AP: Some artists demanded approvals of performance photos, which the AP declined, and some talent said they would only do interviews if certain questions were off limits. Again, no.The AP landed at least 20 video interviews with stars such as Dua Lipa, Da Baby, Miranda Lambert and H.E.R, touching on fashion, racial injustice, their pandemic experiences, the return to performing and more. The biggest wins were photos of Beyoncé and Taylor Swift, both rarely photographed by AP, on their big night. AP was one of four photo outlets onsite and the only photo news wire. Competitive news services were forced to use years-old pictures of the pair, as well as several other stars, with their stories.Isaza produced a behind-the-scenes video feature, and Fekadu’s mainbar — powered by photos from Pizzello and Strauss, and quickly updated thanks to his preparedness — racked up nearly 110,000 pageviews by Monday afternoon. Google listed AP’s story first in searches for Grammys or Beyoncé during the evening. https://apnews.com/hub/grammy-awards
delivered a unique story on the people directly affected by the high-stakes trade talks reaching a crescendo in Brussels. While competitive news organizations focused on the post-Brexit political wrangling, AP took an exclusive look at struggling French fishing crews and overwhelmed British truck drivers stuck in traffic jams at the English Channel. Thanks to years of source building in the region, the journalists were able to identify subjects that provided strong visuals, capturing the attention of AP clients and the public.https://bit.ly/382rj5Ghttps://bit.ly/3gQud1Fhttps://bit.ly/387pGnn
teamed up to break the news that American journalist Danny Fenster was free from prison in Myanmar and heading home via Qatar.Former U.S. diplomat Bill Richardon had unexpectedly announced the release during a routine call, setting the AP, which had covered Fenster’s detention closely, in motion. Building on close contacts they’d nurtured with Richardson’s team, AP coordinated with its bureaus across continents to meet Fenster and Richardson en route to deliver visuals, video and text in advance of the competition.Bangkok reporter Grant Peck, alerted to the release by Southeast Asia news director Kiko Rosario,broke the news that Fenster was free and traveling with Richardson. Peck and Asian-Pacific correspondent David Rising anchored the fast-moving story, then Asia news director Adam Schreck worked with his Persian Gulf counterpart, Jon Gambrell, who arranged for a freelancer to get comments and visuals of Fenster in Qatar.The Asia team also coordinated with New York. where photographers Craig Ruttle and Seth Wenig captured images of Fenster’s arrival. Reporter Bobby Calvan, with video journalists Ted Shaffrey and Joe Frederick, then secured interviews with Fenster and Richardson after their news conference.https://aplink.news/d62https://aplink.news/5zghttps://aplink.video/21fhttps://aplink.video/7rx
