Jan. 05, 2024

Beat of the Week

(Honorable Mention)

Maui wildfire stories showcase team’s monthslong commitment despite daunting challenges

A series of capstone Maui wildfire stories that ran in the final week of 2023 — one focused on Lahaina’s losses and another on its uncertain future — showcase fruits of the extraordinary effort, commitment and selfless teamwork exhibited by AP’s Pacific Northwest, Alaska and Hawaii reporting team over months amid endless challenges to share Lahaina’s plight with the world.Read more

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Feb. 02, 2024

Best of the Week — First Winner

AP scores with the kiss seen around the world

Hail Mary? Hail Julio. As swarms of players and media surrounded Taylor Swift and Travis Kelce after the Kansas City Chiefs’ AFC championship win, photographer Julio Cortez captured the perfect shot: the couple kissing on the field, Swift’s hand pressed against Kelce’s cheek. It was an intimate moment amid chaos, one that only Cortez — AP’s chief photographer for Texas and Oklahoma, temporarily returned to Baltimore — got. Other outlets made photos of the couple embracing, but Cortez had the singular — and viral — angle.

Before Sunday’s game, the only photos of Swift’s football attendee era were made in tunnels or from afar as she watched in luxury suites. But Cortez knew that if the Chiefs punched their ticket to another Super Bowl, players’ friends and families would end up on the field. With AP’s Matt Slocum, Alex Brandon and Nick Wass in their assigned on-field positions, Cortez called an audible, walking around the stage to find Swift. A believer in being “pushy but professional,” Cortez “sweet-talked” bodyguards to get into unique position. Swift and Kelce’s reunion was, well, swift. As Kelce “gave her the fastest kiss,” Cortez jumped in front of the NFL Films camera, raising his own over a guard’s head. About a minute after the photo was made, photo editor Mike Stewart knew it was the shot of the game, affixing the golden APTOPIX stamp. It was immediately picked up by hundreds, rocketing around the world with usage by customers ranging from The New York Times, People to India’s Hindustan Times and Argentina’s La Voz.

For an image that’s assuredly a first-ballot Hall of Famer, Cortez is Best of the Week — First Winner.

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Jan. 26, 2024

Best of the Week — First Winner

Modi opens Hindu temple built on ruins on razed mosque, in political triumph for prime minister

AP’s team in India provided visually compelling, richly reported, all-format coverage of one of the country’s most defining and contentious events, the opening of a controversial Hindu temple built on a razed mosque.

When Indian Prime Minister Narendra Modi opened a controversial Hindu temple, it marked a political triumph for the populist leader under whose watch the line between religion and state has largely eroded in the constitutionally secular country. The temple sits on a site where Hindu mobs tore down a mosque three decades ago, its fraught history still an open wound for many Muslims.

AP’s cross-format team in Delhi and on ground in Ayodhya provided visually rich and nuanced coverage that was both thoughtful and insightful. Photographer Rajesh Kumar Singh was the only international photographer who managed to secure access to the high-security temple complex to exclusively cover the select gathering of invitees and arrival of Modi. AP was first among the global agencies to file self-shot images of the event while other agencies had to rely on handout images.

Singh, senior video journalist Rishi Lekhi, and stringer Biswajeet Banerjee kept the inputs steadily flowing in from Ayodhya, including live coverage from outside the venue, while Shonal Ganguly, Saaliq Sheikh and Krutika Pathi in Delhi helped with a quick turnaround of both text and video edits, enriching them with useful background and voices of ordinary Indians.

For playing a key role in bringing images of this momentous event to global audiences — and putting it in context — Rajesh Kumar Singh, Rishi Lekhi, Biswajeet Banerjee, Sheikh Saaliq, Shonal Ganguly and Krutika Pathi are Best of the Week — First Winner.

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Jan. 05, 2024

Best of the Week — First Winner

AP investigates Russia’s cover-up of deaths caused by dam explosion in Ukraine

More than six months after the explosion that destroyed the Kakhovka Dam in Ukraine’s Kherson region, an AP investigation by Samya Kullab and Ilia Novikov found that Russian occupation authorities vastly and deliberately undercounted the dead. The AP inquiry came the closest yet to revealing the real number of deaths Russia tried to hide from the dam’s destruction, which Ukrainians believe was carried out to hamper the Ukrainian counteroffensive across the Dnipro River. Russia has denied it was responsible.

AP Kyiv correspondent Kullab and news assistant Novikov were working on a different story about how residents of the affected town of Oleshky were returning slowly to Ukraine. During their reporting, a source told them of a mass grave. That sent Kullab and Novikov in a fresh direction, and the story of the hidden deaths developed from there. Eventually, the AP spoke to health workers, volunteers, residents and recent escapees who provided invaluable details. Instead of the 59 people Russian authorities said drowned in the territory they control, AP found the real number is at least in the hundreds in just one town.

For dogged pursuit of the facts and allowing victims and their survivors to be heard, Kullab and Novikov earn Best of the Week — First Winner.

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Jan. 05, 2024

Best of the Week — First Winner

36 days at sea: How castaways survived hallucinations, thirst and desperation

In a partner story to “Adrift,” an AP team tracked down migrants who survived 36 days and told the story of their journey.

When video journalist Renata Brito saw the news of the rescue of several dozen men who survived 36 days at sea, she was shocked. Brito has been covering migrant crossings for years and had never heard of people on the route from West Africa to the Canary Islands surviving that long. She wondered what they might have endured during those 36 days, and so, she and photographer Felipe Dana set out to find out.

When the survivors were rescued, they were taken to Cape Verde and locked up in a school. A few days later, Brito and Dana were on a plane to Cape Verde’s Sal Island. Access to survivors, who were essentially detained, was restricted and authorities announced they would fly them back to Dakar in a few hours.

Brito and Dana followed them there, working with AP Dakar colleague Ndeye Sene Mbengue to make contacts with survivors and their families in Fass Boye but found many of the survivors had gone into hiding after returning to Senegal.

Together with Ndeye, they drove to more than five towns across different regions to meet with them. With Ndeye’s help they translated hours of on- and off-camera interviews. Brito kept in touch with survivors after leaving Senegal and obtained the contact of one of the rescuers who had made several cellphone videos the day they were found and brought on board.

The AP got strong user-generated content that showed what the survivors looked like when they were found, barely alive. The result was an all-formats story, complete with an immersive presentation that included creative motion graphics and illustrations.

For powerfully telling an exclusive story that otherwise might not have been told, Brito and Dana win Best of the Week — First Winner.

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Dec. 22, 2023

Best of the Week — First Winner

Team shines spotlight on underage Rohingya girls forced into abusive marriages

Underage Rohingya girls are forced into abusive marriages in Malaysia so their families in Bangladesh can eat. In safehouses, AP met with child brides who managed to get unlocked from their bedrooms to share their plights.

Human rights workers warned it would be almost impossible to track the girls down. Yet an AP team not only found them, but interviewed them without putting them at risk of reprisal.

Investigative correspondent Kristen Gelineau, based in Sydney, Australia, tracked down an advocate in Malaysia who was herself a Rohingya child bride and carefully coordinated a plan with each girl. Some concocted an excuse to leave their homes and met with AP at safehouses. Many simply could not get unlocked.

The team coordinated interview times with the girls so they could arrive at their homes after their husbands had left for work and leave well before they returned.

Indonesia video journalist and business correspondent Victoria Milko filmed in their dark and claustrophobic apartments, capturing both the youth and isolation of the girls while protecting their anonymity.

McKinnon de Kuyper made a heartbreaking edit of the video, taking advantage of previous filming of Rohingya families who were victims of a boat drowning by video journalist Garjon Al-emrun.

For allowing the AP to be the first media to give these girls a voice, Gelineau, Milko, de Kuyper and Al-emrun are Best of the Week — First Winners.

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