for their resolve and on-the-ground savvy, overcoming communications and access challenges to capture stunning images – stills and video – of the devastation following the crash of a Boeing 737 Max 8 jet that killed all 157 people on board in Hejere, Ethiopia.https://bit.ly/2FifRVmhttps://bit.ly/2umvyFY
It was a story that took months of planning and coordination across a half-dozen countries and two continents: the 75th anniversary of the D-Day invasion that marked the turning point for the Allied victory in World War II. The Associated Press has had a presence on the beaches of Normandy since the actual invasion in 1944, but AP’s teams in Europe knew that the 2019 event would require an extra effort – it was likely the last major anniversary that veterans who fought in the battle would be alive to tell their stories.
Staffers in Europe and the U.S. went to work months in advance of this crucial anniversary to lay out detailed plans of the distinctive coverage, bringing together reporters in all formats and in multiple countries.
Thanks to the cross-continent teamwork and significant planning and customer outreach, the play was superb. Dozens of customers used the video packages, and the photos and text stories have been mainstays on front pages since the package rolled out, culminating with standout spot coverage of the anniversary.
For outstanding effort, sensitivity and creativity that gave AP’s audiences unparalleled D-Day anniversary coverage, Schaeffer, Leicester, Combaldieu, Camus, Turnbull and Santana – in coordination with their many colleagues – share AP’s Best of the Week honors.
Early in the planning stage for this year’s Cannes film festival, London-based Dejan Jankovic, deputy director of entertainment content, decided to build his photo team with a combination of experience and fresh eyes, including Athens photographer Petros Giannakouris, who had no Cannes experience, and Invision entertainment specialists Ali Kaufman and photographers Joel Ryan, Vianney le Caer and Arthur Mola
The resulting coverage visually captured the glamour and excitement of the event in new ways without sacrificing the traditional elements that have worked in the past. AP won the Cannes Photograph of the Day award five times over the two weeks, impressive recognition in a competition open to every accredited photographer there.
For showing the glamour, fashion and celebrities of Cannes in a fresh and arresting manner, Jankovic, Giannakouris, Kaufman, Ryan, le Caer and Mola earn AP’s Best of the Week award.
for thoughtfully deploying resources to cover multiple pockets of protest across the capital after protesters supporting losing presidential candidate Prabowo Subianto clashed with police. The team used Iris Bambuser and LiveU to capture unmatched images of the chaos and shot from various angles to show the scene with tear gas filling the streets and helicopters dropping water to extinguish fires.https://bit.ly/2Mkondlhttps://bit.ly/2wgY4tv
As tensions between Iran, its neighbors and the United States ratcheted up last week, AP’s staff in Baghdad, Dubai and Tehran turned out aggressive, yet cautious coverage, bringing facts and unique perspectives to the tense and escalating situation in the Persian Gulf, often well ahead of the competition.
Those stories included reports of “sabotaged” oil tankers off the coast of the UAE, and AP broke the news that Iran had quadrupled its uranium enrichment.
Meanwhile, AP’s Tehran team produced an all-formats piece on the mood of people on the city’s streets that could not be matched by competitors, and AP was first to report an FAA warning that Iran could misidentify commercial flights in the region.
AP was also aggressive on related developments, ensuring that clients had video and text coverage of tweets by President Donald Trump and Iranian officials.
For smart judgment, planning and effective use of AP’s resources to break news and bring facts to a region on edge, the team of Jon Gambrell, Qassim Abdul-Zahra, Mehdi Fattahi, Bassem Mroue, Nasser Karimi and Vahid Salemi wins AP's Best of the Week, with the support of their colleagues and contributors in the region.
It was a merciless attack in a part of the world not immediately associated with Islamic extremism. But what was behind the Easter attacks in Sri Lanka that killed more than 300 people, and why did the government fail to stop it despite early warnings?
Getting images and news out to the world was a monumental task, but one that AP reporters, photographers and videojournalists took on with tremendous skill and dedication.
The initial reporting came from the Colombo-based team of reporters Krishan Francis and Bharatha Mallawarachi and photographer Eranga Jayawardena. They were backed by correspondent Emily Schmall in Delhi, who would join them, breaking news with a live interview of the prime minister.
Local stringer Jay Palipane shot the first video, reinforced by Delhi-based videojournalists Shonal Ganguly and Rishabh Jain, who joined Palipane in providing hours of live coverage.
Bangkok-based Sri Lankan photographer Gemunu Amarasinghe flew in, covering intimate moments of grieving relatives, soon to be joined by Delhi-based Manish Swarup who produced a moving photo essay from one of the attack sites.
Other highlights included coverage of a raid on militants and an Only on AP story about the first post-attack church service by Gulf News Director Jon Gambrell. Seoul Chief of Bureau Foster Klug examined the little-known local terror cell behind the attack.
Play was tremendous in all formats as the world remained fixated on the continuously developing story.
For their outstanding work in the face of stiff challenges, the team of Francis, Mallawarachi, Jayawardena, Palipane, Schmall, Ganguly, Jain, Amarasinghe, Gambrell, Swarup and Klug wins this week’s Best of the AP.
The AP bulletin rocketed around the world just minutes after the release of the much-anticipated report by special counsel Robert Mueller:
WASHINGTON (AP) — Mueller’s report reveals Trump's efforts to seize control of Russia probe and force the special counsel’s removal.
That set the tone for a day of dominant AP coverage in every format on the historic findings in the Mueller report.
The success was the result of planning and deep knowledge of the subject matter by AP’s Russia team – Eric Tucker, Mike Balsamo, Chad Day and Mary Clare Jalonick – along with lightning-fast speed and precision execution by White House news editor Nancy Benac and the entire Washington bureau.
As soon as they were allowed to open the report, Tucker and Balsamo called the Washington bureau and kept two open lines to the newsroom, where they fed material Day and Jalonick, while Benac began crafting the story that hit the wire right after the report was posted online.
By then, the AP was off and running with outstanding all-formats coverage, including sharp handling of photos and live video. Our speed was so impressive that clients were able to get a complete set of critical and comprehensive edits by mid-afternoon. Our interactive had unheard-of play for a non-election story, while the Trump Investigation hub on APNews more than doubled its previous high pageviews. The standout coverage also ran on front pages of newspapers around the country.
“While we were sending bulletins saying that Trump had tried to stop the investigation, everyone else was still saying, ‘We have the report, we’re reading it, we’ll get back to you,’” Executive Editor Sally Buzbee said.
For their efforts, Balsamo, Tucker, Day, Jalonick and Benac win AP’s Best of the Week.
Twenty years have passed since the Columbine high school massacre, which was, to many people, the beginning of school shootings as we know them. In those years, life has changed: Mass shootings happen again and again, schoolchildren participate in lockdowns instead of fire drills, and many reflect on the moment in time when two young men took 13 lives with them on their suicidal quest.
AP was uniquely positioned to cover the two decades since the massacre, with journalists who were there, those who cover the Colorado community every day, and experts in polling, education and guns. Stories by Denver reporter Kathleen Foody and videojournalist Peter Banda led a deep all-formats package by dozens of journalists across the AP telling not just of the carnage but of those who survived it, their struggle, and the future.
But all the planning couldn't prepare anyone for this spot development: Early in the week, Sol Pais, a young Florida woman, prompted panic over a possible attack at Columbine, later taking her own life near the Colorado school. Miami reporter Kelli Kennedy tracked down a good friend of Pais who not only filled in personal details about her in an exclusive interview, but supplied photos of Pais and cast doubt on the official narrative about her friend.
The overarching theme of the spot and enterprise coverage focused on the short and long-term mental health issues from school shootings. The result was a unique, meaningful package that received impressive play nationally – online and in print. The video was among the top-used AP videos of the week.
For their work spearheading the package, and breaking news, Foody, Banda and Kennedy win this week’s Best of the States.
For weeks, journalists in Washington had been chasing tips that special counsel Robert Mueller’s investigation of Russian interference in the 2016 race for the White House was winding down. Knowing that appetite for the story was huge, our Washington team created a comprehensive coverage plan for the day the report would be delivered to Attorney General William Barr.
Eric Tucker, Justice Department reporter, and Chad Day, Trump investigations reporter, kicked off the coverage with “Mueller in Plain Sight,” a sweeping narrative of everything that had already been revealed by Mueller in his public indictments.
As speculation intensified, Tucker and law enforcement reporter Mike Balsamo alternated shifts at the Justice Department, while AP photographers and videojournalists staked out Mueller and Barr. Photographer Andrew Harnik scored with images of Mueller arriving at the Justice Department, the first image of Mueller by a news photographer in more than a year.
Word finally came on Friday, March 22 that Mueller’s work had ended. Within minutes of moving an alert, the AP sent a series of richly reported stories by the team that led AP’s coverage for months: Tucker, Day, Balsamo and Congress reporter Mary Clare Jalonick.
And on Sunday morning AP scored another visual scoop when freelance photographer Cliff Owen learned that Mueller was at church. Owen’s photos of Mueller exiting St. John’s church ricocheted around the internet.
Later Sunday, when a Justice Department official handed reporters copies of Barr’s summary, Tucker calmly read the highlights over an open phone line to the bureau while Balsamo sent full quotes. AP’s first alert, that Mueller had not exonerated Trump on obstruction of justice, moved a full 10 minutes before the Washington Post and five minutes before the New York Times.
The video team also provided unmatched live coverage from a wide range of locations in Washington, at Mar-a-Lago in Florida and in New York throughout the weekend.
For exceptional planning, teamwork and execution, Eric Tucker, Chad Day, Mike Balsamo, Mary Clare Jalonick, Andrew Harnik and Cliff Owen win AP’s Best of the Week award.
Police videos of officers shooting unarmed black men have sparked angry protests in Chicago, Sacramento and other U.S. cities. But AP’s Ryan Foley wondered: Is it the norm for departments to release footage from body-worn and dashboard cameras?
Foley, based in Iowa City, Iowa, a member of AP’s state government team, investigated and found that many departments routinely deny public access to their videos of officer-involved shootings and other uses of force.
Foley filed open records requests related to roughly 20 recent use-of-force incidents in a dozen states. His letters were met with denial after denial as police departments routinely cited a broad exemption to state open records laws: They claimed that releasing the video would undermine an ongoing investigation. But critics say the exemption is often misapplied to keep embarrassing or compromising video footage from public view.
To tell the story visually, Central Region video journalist Noreen Nasir dug through AP’s archives to highlight the moments and emotions that followed the deaths of unarmed black men, including the fatal police shooting of teenager Michael Brown in Ferguson, Missouri. She also interviewed a woman in North Dakota whose brother died after being shot in the back of the head during a struggle with police, adding a crucial perspective to the video.
At the same time, Panagiotis Mouzakis, multimedia animation producer in London, used the many denial letters Foley had collected to create a video graphic that was incorporated into Nasir’s video, and Beat Team visuals editor Alina Hartounian developed a social plan that helped the package find a huge audience.
For shining a light on how police departments continue to withhold visual evidence and for devising creative ways to illustrate the story, Foley, Nassir and Mouzakis share this week’s Best of the States award.
As soon as the ground stopped violently shaking in Anchorage on the morning of Nov. 30, Anchorage newsman Dan Joling calmed his nerves and started reporting. Then, within minutes, he went from producing urgents to plotting out with Stephanie Mullen, the West region’s deputy director of storytelling based in San Francisco, how AP would get the most compelling visuals at first light.
Already adept at capturing still photos, Joling would use a tool new to him, the live video streaming app Bambuser, to report on the damage from the two powerful back-to-back earthquakes centered just outside Alaska’s biggest city.
Out in the field, Joling drove up to a vehicle stranded on a crumpled roadway, first using his iPhone to snap photos that he quickly sent to a photo editor. He then fired up the Bambuser app, a tool that he had been trained on exactly one month before.
The live footage he streamed was scooped up immediately by customers in the United States and Europe.
His quick thinking and improvisation put the AP far ahead of the competition and gave viewers and customers unmatched views of the quakes’ aftermath, earning him AP’s Best of the Week honors.
AP staffers are often called the “Marines of journalism.” First in, last out.
Our small New Zealand team of Mark Baker and Nick Perry showed what that looks like as they responded to horrific mass shootings at two mosques. Their swift response securing early, definitive images and witness accounts laid the foundation for the AP’s dominant, agenda-setting coverage of the tragedy in the hours and days that followed.
Baker, the Southeast Asia photo editor known widely as “Crusty,” lives in Christchurch, where the attack happened. He heard radio reports of a possible shooting at a mosque and quickly alerted Perry, the Wellington correspondent, to get words on the wire. Baker headed immediately to the scene, where his early images of survivors became the definitive shots of the tragedy.
Back in Wellington, Perry aggressively filed on breaking developments before going to Christchurch, where he scored another major win for AP by interviewing an Afghan refugee who would be hailed as a hero for confronting the gunman, likely preventing more deaths.
Asia quickly deployed reinforcements, with cross-format teams ensuring AP kept up its advantage on the ground while colleagues from afar kept the story fresh as Asia slept.
For their quick response that showcased AP’s fundamental advantage when news breaks across the world, Baker and Perry share AP’s Best of the Week award.
The envelope was opened, “Green Book” was announced as best picture at the 91st Oscars, and entertainment writer Andrew Dalton’s eyes shifted over to Spike Lee.
The director threw up his hands in exasperation and attempted to storm out of the Dolby Theatre before being told to return to his seat. Social media quickly lit up with disdain for the selection by the Academy of Motion Picture Arts and Sciences, and Dalton’s eyewitness reporting quickly fueled the criticism.
In a packed theater filled with actors and other journalists, Dalton reported what few saw and the television cameras didn’t show, giving the AP exclusive material and driving audiences to its comprehensive Oscars coverage.
Later that night, entertainment producer Mike Cidoni Lennox interviewed “Green Book’s” producers outside the Oscars’ official after-party, helping drive the following day’s coverage of the controversial win.
The reaction to the best picture winner capped dominating all-formats team coverage of the Oscars, the result of months of planning and preparation. AP customers received a steady stream of photos, video and stories, including film writer Jake Coyle’s deadline story which was viewed more than 88,000 times. Coyle had crafted prep for all the likely winners, allowing for fast updates when the envelopes were opened.
For their extensive planning, professional expertise and swift work, Dalton, Coyle and Lennox win AP’s Best of the Week award.
The wildfire that consumed Paradise, California, claimed 85 lives while virtually burning the town off the map. But beyond those facts lay a rich narrative of the individuals who perished while calling Paradise home.
AP San Francisco reporters Janie Har and Jocelyn Gecker set out to tell the stories of the victims of the deadly Paradise fire far more comprehensively than was possible in the immediate aftermath: Who were they? Where and when did they die? Did they even have a chance to flee?
To paint a picture of how the tragedy unfolded, the pair spent months tracking down family members – many of whom were wary – to talk about their loved ones, assuring them that AP’s coverage would be more than a recitation of the grim facts. Interviews with California fire officials, a newly available simulation of the fire’s movement on the fateful morning and public records requests enabled AP to produce an interactive graphic giving the exact locations where people died and their approximate times of death.
The result was a riveting package that coupled intimate portraits of the victims with the circumstances of their death. Most never had a chance to flee their homes as the fast-moving fire barreled through.
The moving package was well-received by members throughout California and from coast-to-coast.
For carrying the Paradise story forward with enterprising, sensitive work that focused on the victims’ narratives, Har and Gecker share this week’s Best of the States award.
The Virginia governor’s medical school yearbook page was stunning. A photo in the 1984 Eastern Virginia Medical School yearbook showed two people looking at the camera – one in blackface wearing a hat, bow tie and plaid pants; the other in white Klan robes.
Hours after a conservative news outlet first reported the racist photo late on a Friday afternoon, Gov. Ralph Northam apologized and acknowledged that he appeared in the photo. The Virginia Legislative Black Caucus and several Democratic presidential candidates called for his resignation.
By the next day, however, he had a change of heart and Virginia statehouse correspondent Alan Suderman broke the news ahead of everyone else. Through a hard-won source he had cultivated during his five years at the statehouse, Suderman revealed that Northam did not believe he was in the photo and would not resign, hours before the governor made that decision public.
Then the scandal took a turn as sexual assault allegations were made against Virginia Lt. Gov. Justin Fairfax, a Democrat who is only the second African-American to win statewide office in the state. Suderman secured a denial from Fairfax after the second woman’s accusation.
But Suderman wasn’t done. Again working his sources, he revealed that Virginia Attorney General Mark Herring, the potential successor to Northam and Fairfax, had admitted that he wore blackface during a party when he was a 19-year-old student at the University of Virginia.
The stories drew tremendous play with readers and customers, with more than 1,000 website matches on several days and 103,000 social media interactions in one day.
For his deft source-building and strong reporting on this highly competitive series of stories, Alan Suderman wins the AP’s Best of the Week award.
The unusually short careers of NFL players have long been a thorny issue among the players, the league and even fans of one of the most injury-prone leagues in sports. A pair of high-profile contract disputes during the 2018 season placed the topic front-and-center yet again.
But what more was there to say?
Denver-based national sports writer Eddie Pells and Global Sports Editor Michael Giarrusso came up with the idea of mining data to illustrate how average experience on NFL rosters has changed since 2011, when the league and players agreed to a contract designed in part to help veterans get a bigger share of revenue.
Pells was joined by New York-based data journalist Larry Fenn who started digging. After scouring season-opening rosters from the last 14 years, Pells and Fenn had the data: Average experience in the league was going down consistently as every team chose younger players over veterans who would earn more – even if the veterans were better players.
Pells then asked more than a dozen AP writers in the field for reaction from key players on the teams they covered, while Fenn worked with Top Stories designer Phil Holm, who produced insightful illustrations of the data. Pells also collaborated on videos that were used on social media and embedded in the story.
Other stories in the package included a profile of a typical 4-year player who is cut just as he became eligible for a larger contract, a piece on shortened careers at the center position, and a column foreshadowing collective-bargaining hurdles. Pells also did a story looking at how Super Bowl champions shed expensive players after winning the title.
The package was released in the week leading up to the Super Bowl, commanding attention across the football landscape and getting about double the usage of typical top sports stories. Senior Vice President and Executive Editor Sally Buzbee called it a blueprint for how to plan coverage around big events by timing enterprise and breaking news when attention is high.
For using data and creative storytelling to quantify one of the NFL’s central issues and break news during the biggest sports week of the year, Pells, Fenn and Holm share AP’s Best of the Week award.
From the first blasts, gunfire and panicked phone calls, the Nairobi bureau immediately assumed a terror attack, aggressively mobilizing resources in a textbook example of cross-format journalism that put the AP ahead on every element of a major breaking story: an extremist attack on a hotel complex that left 21 people dead, in addition to the five attackers.
Senior video producer Khaled Kazziha called freelance video journalist Joe Mwihia, who slipped into the scene with Kenyan special forces, filming exclusive footage as officers cleared rooms, guns drawn, and ran down rumors of a grenade. His three hours of exclusive reporting earned him the byline on the text story based on his detailed contributions.
Meanwhile, staff video journalist Josphat Kasire rushed to the scene with a LiveU and quickly scooped competitors with the first live shot showing burning cars, injured people, survivors fleeing in droves and witness accounts. His compelling footage became the heart of the text story, and the live images continued overnight as the attack unfolded.
Contributing to the outstanding video coverage were freelance cameraman Idi Ali Juma, freelance camera assistant Moses Ndungu and freelance producers Geoffrey Kaviti and Desmond Tiro.
“Sheer bravery,” international editor Ian Phillips said later of the team’s work.
Around the same time, Nairobi photographers Ben Curtis and Khalil Senosi captured gripping images of people fleeing the mayhem and security forces aiming weapons at attackers, among their standout photos.
The play for the photos, video and text was off the charts, including major client Sky News running live and packaged videos on a day busy with Brexit news.
For their formidable breaking news coverage across all formats, the Nairobi team of Kazziha, Curtis, Senosi, Mwihia, Kasire, Ali Juma, Tiro, Kavita and Ndungu wins AP’s Best of the Week.
Special Citation
The Best of the AP committee has also awarded a special lifetime citation to Libya freelance photographer and video journalist Mohamed Ben Khalifa, who died Jan. 19 when the military convoy with which he was traveling came under missile fire in southern Tripoli.
The committee honored Ben Khalifa for the body of his work, carried out with integrity and courage for The Associated Press and his other media clients.
The nation’s health isn’t improving. In some key measures, it’s getting worse. How is that even possible in an era of genetic medicine and other advances? And how could the AP connect that story to our customers’ own neighborhoods?
AP medical writer Mike Stobbe and data journalist Nicky Forster started with those questions and delivered a winning package on why American life expectancy is getting shorter.
The package ran shortly after the release of the CDC’s annual mortality report which found that U.S. life expectancy had declined again. To find out what was behind the numbers, Stobbe returned to West Virginia, a place he declared the unhealthiest place in America 10 years ago. He connected with people trying to get healthier, witnessed the headwinds of the opioid crisis and explained how difficult it is to improve health en masse.
Forster, meanwhile, assembled an array of data that explained what was happening around the U.S. He matched longevity estimates for more than 65,000 neighborhoods with demographics, and found striking connections to income, race and education. He then built an interactive that allowed readers to see life expectancy in their own neighborhood and wrote a sidebar on the AP’s findings.
For getting beyond the numbers for a richer understanding of why American lifespans are shrinking, and giving AP customers the data to localize their stories, Stobbe and Forster win the week’s Best of the States award.
For several intense weeks, AP’s all-formats Paris team had been contending with the violent street protests of the yellow vest movement. But a new threat to France’s peace suddenly arose when a man opened fire near the well-known Christmas market in Strasbourg.
On the evening of Dec. 11, the gunman shot and fatally wounded five people and injured a dozen more at the market. French authorities soon identified the suspect and said that the attack was being investigated as an act of terrorism. With that, France and Benelux Bureau Chief Angela Charlton and her all-formats crew quickly pivoted from the street protesters to focus on the attack, just as a massive manhunt was getting under way.
After AP confirmed that that police in Strasbourg had shot and killed the suspect on Dec. 13, Charlton scoured online white pages for potential witnesses, reaching a neighbor who, amazingly, was able to share images from directly across the street.
The exclusive video and photos that they negotiated were the result of teamwork and lessons learned from covering past attacks in identifying sources and deploying AP forces. And the close-up images told the story: the shooter’s body is seen slumped in a doorway as police and forensic officers move in.
The content, which had not yet appeared anywhere, was heavily used by broadcast and online clients around the world, both as video and for screengrabs.
For their resourceful, determined efforts to obtain exclusive images on this breaking story, the team of Angela Charlton, Alex Turnbull, Chris Noelting, Mstyslav Chernov, Jeff Schaeffer and Masha Macpherson receives the AP’s Best of the Week award.
For more than a decade, Washington photo editor Jon Elswick has negotiated with the Department of Defense over coverage plans for the funeral of former President George H.W. Bush, while Houston photojournalist David Phillip fostered a relationship with the Bush family and their spokesman to secure AP’s shooting positions for the eventual funeral events.
Those relationships were crucial to arranging and executing coverage, paving the way for more than two dozen staffers to parachute into Washington, Houston and College Station, Texas, where they produced outstanding photos in real time and for the history books.
Among the highlights: Photographer Morry Gash fired a remote-controlled camera that captured a stunning bird’s-eye view of the U.S. Capitol rotunda during visitation and services, and David Phillip negotiated to shoot inside the railroad car carrying the coffin as the funeral train passed through Texas. Phillip called it “the most incredible event I have ever covered.”
The photo coverage was part of an impressive dayslong cross-format effort by scores of AP staff across the country and globe that included hours of live video and spot and breaking text, video, audio and graphics coverage that explored Bush’s life and presidency from every angle.
For exceptional planning and execution on one of the largest news events of the year, this week’s Best of the States goes to the team of photo staff covering the Bush funeral.
