provided fast and comprehensive all-formats coverage of protests against a move to demolish a hamlet to make way for a coal mine in western Germany. The team braved rain, mud and frigid temperatures to bring the coverage -- including more than 20 hours of live video and an interview with climate campaigner Greta Thunberg – to the world.Read more.
For years, AP’s Khalil Hamra and Oded Balilty have captured the Israeli-Palestinian conflict through their award-winning photography. This summer they turned their lenses away from the violence and onto a place of refuge for both sides: the stretch of beaches along the Mediterranean Sea.
With Balilty making images from Tel Aviv and Hamra from Gaza, the Pulitzer Prize-winning photographers produced an evocative essay showing Palestinians and Israelis basking on the beach, separated by 70 kilometers (40 miles) and free from fear of the next eruption of fighting. The photographers have met just once, years ago, but communicated online about what they were seeing, made pictures, shared them and then set out to find similar ones from their respective sides.
The immersive presentation includes an engaging video revealing more about the photographers and how they applied their craft.
For a strikingly unique, creative collaboration that brought, in Balilty’s words, “something positive” from a part of the world beset by conflict, Hamra and Balilty earn this week’s Best of the Week — First Winner award.
delivered a 24-hour text and video exclusive, reporting that 12-year-old Keedron Bryant had signed a record deal after his single, “I just Wanna Live” – written by his mother following George Floyd’s death – went viral. https://bit.ly/3hUVQqh
spent two days chronicling three nursing homes in France’s Haut-Rhin region as the patients and staff all underwent comprehensive testing to determine who must be isolated and who would be allowed the freedom to leave their rooms. One goal: to give patients who are not infected the opportunity to chat face to face, to play board games, to share meals. Badias had rare and exclusive access to the nursing homes, providing compelling photos, video and key text elements for the story he bylined with Paris reporter Lori Hinnant. https://bit.ly/2Y23kAm
found an unconventional angle on the coronavirus, revealing that the crews aboard nuclear-armed submarines are almost certainly being kept in the dark about the extent of the coronavirus pandemic while at sea, deliberately shielded from morale-busting bad news. Leicester, reporting in text and video, tracked down and interviewed a former chief medical officer who had served aboard a French sub, as well the former commander of the French ballistic submarine fleet who told AP: “Since (a submariner) cannot do anything, better that he know nothing.” https://bit.ly/2waaXcyhttps://bit.ly/3dODoNV
kept AP ahead of the competition throughout coverage of the first U.S. cruise ship to be struck by the coronavirus, repeatedly scoring exclusive photos and video from passengers stuck aboard the ship. After learning about the ship, Rodriguez began scouring social media looking for passengers and stayed in touch with them for several days, some of them becoming citizen reporters on the ship, sending regular updates, photos and video to AP.https://bit.ly/2TLsyADhttp://bit.ly/3aHzOCYhttp://bit.ly/39yMBYi
for delivering exclusive text, video and photos from the ground in Wuhan, China, just as the virus began to spread. Their quick deployment meant that the AP was the only agency on the ground producing content for two days, and almost the only media at all on the first day. Shooting from a taxi outside the hospital, they recorded dramatic images of workers dressed head to toe in white protective suits. And they were questioned by police, but not detained, while shooting exteriors of the market where the outbreak may have started. Their coverage gave AP exclusive images and interviews in all formats, with their video edits on day one leading all stories, including impeachment.https://bit.ly/3aQ4V01https://bit.ly/38HWulIhttps://bit.ly/2uH5adi
for scoring a rare, lengthy and exclusive all-formats interview with 38-year-old tennis great Roger Federer in which Federer – who repeatedly faces questions about how long he will continue on tour – said he does not consider it important to walk away at the top of his game and the top of his sport. The sit-down in Dubai during Federer’s pre-season training resulted in numerous text stories and an 8-minute video package. Fendrich has been covering tennis for AP for nearly two decades and Federer thought of Fendrich when he decided to do an exclusive interview with a U.S. or British outlet. https://bit.ly/2PUBUbe
In the weeks after Jocelyn Gecker’s bombshell investigation detailing multiple sexual harassment allegations against Placido Domingo, competitors were out in full force, trying to produce their own stories about women who had encounters with the opera superstar.
But only the AP was able to advance the story, offering the accounts of an additional 11 women who said the legend had behaved inappropriately, including one who said on the record that Domingo insisted on kissing her and later forcefully grabbed her bare breast under her robe. In addition, backstage staff told the Jocelyns – AP’s Gecker and Noveck – how they strove to keep young women from ever being alone with Domingo.
No one could match the pair’s reporting, which produced one of the most-read stories on AP’s platform and formed the basis of stories by many other media outlets. Meanwhile, more opera companies announced they were canceling or reassessing their relationship with Domingo.
For remarkable source building and reporting that continued to give AP ownership of this highly competitive story, Gecker and Noveck earn this week’s Best of the States award.
for a cross-country, all-formats response to the mass shooting that left three dead at the Gilroy (Calif.) Garlic Festival. Rod Jussim, Washington video producer, leapt into the story, moving 10 video edits, including gripping user-generated clips, followed with live video from the scene at sunrise. Meanwhile, freelance photographer Noah Berger captured images that led local media outlets for hours and also shot aerials of the scene, something no other agency had, as San Francisco reporter Martha Mendoza, interviewed witnesses and getting good early descriptions of the scene. https://bit.ly/2ZjdnPq
for sharp all-formats coverage in obtaining the first Western news and video of an Australian student released from North Korean custody, a scoop hailed as “brilliant” by the news director of the Australian Broadcasting Corp.https://bit.ly/2NxraAfhttps://bit.ly/2JxcrQI
for accompanying D-Day survivor Ray Lambert, 98, to Normandy on the 75th anniversary of the battle, providing a rich, emotion-laden personal travel diary as the former Army medic made what is likely his last trip back to the site of the June 6 landings. Working in all formats, Breed captured Lambert’s activities, from packing his bags to his triumphant return to France. The four-part video series included intimate moments such as a visit with school children in a local village and a trip to the shores of Omaha Beach, where Lambert had saved numerous comrades. And on the day of the anniversary, President Trump singled out Lambert in his D-Day speech at the U.S. cemetery.https://bit.ly/2ZkkSF6https://bit.ly/2XONru8
for thoughtfully deploying resources to cover multiple pockets of protest across the capital after protesters supporting losing presidential candidate Prabowo Subianto clashed with police. The team used Iris Bambuser and LiveU to capture unmatched images of the chaos and shot from various angles to show the scene with tear gas filling the streets and helicopters dropping water to extinguish fires.https://bit.ly/2Mkondlhttps://bit.ly/2wgY4tv
for exclusive and compelling AP coverage of a burning high-rise that killed 26 and injured more than 70 in the Bangladeshi capital. In a textbook use of live video, Garjon had a live shot up and running within an hour of the fire being reported. His exclusive top-angle shot from the roof of a nearby building showed people trapped on upper floors and shouting for help from windows, as firefighters deployed hydraulic cranes to rescue them. While Julhas got the news alert out and worked the phones, Delhi pitched in with text reported from the live coverage. And before freelance photos were transmitted, the Asia photo desk moved captured frames from Garjon’s live video.
The quick cross-format response and the excellent live shot, plus dramatic user-generated video picked up from a bystander, put AP well ahead of other agencies.https://bit.ly/2FOlfjjhttps://bit.ly/2FN94TJ
As video journalist Carrie Antlfinger awaited a news conference outside a Chicago hospital where a gunman had killed three people a day earlier, a deliveryman waiting for the emergency room to reopen showed her a photo he had taken.
The cellphone photo captured a pivotal moment in the story – the shooter standing next to his first victim, his former fiancee, whom he had shot in front of the hospital.
Antlfinger, who had been dispatched from Milwaukee to cover the breaking story, immediately recognized the value of the image and the man’s firsthand account. While the deliveryman was at first reluctant, Antlfinger was able to persuade him not only to provide the AP with the photo but to go on camera for an interview describing what he saw: the gunman standing over the body with a handgun in his hand, police pulling up to the scene and the gunman shooting at police.
Antlfinger’s scoops – central to the AP’s second-day coverage of the story – were part of an aggressive cross-format effort by AP staff to cover all aspects of the story from day one.
For recognizing a critical way to advance the AP’s reporting and then negotiating exclusive access to the photo and interview, Antlfinger wins this week’s Best of the States.
It’s not often you have to write an obituary for a town. Yet that’s what Martha Mendoza and Jocelyn Gecker did, with Gillian Flaccus producing a compelling video component. Their tribute to Paradise, California – leveled by a devastating wildfire that killed so many residents – painted a picture of all that was lost. Paradise was a gold prospector’s town, then a lumber town, and until two weeks ago was the home of 27,000 people “who lived and loved here; they built homes and businesses, schools and houses of worship, parks and museums that proudly honored Paradise's place in American history.”
Mendoza worked from the field, in the ashes of the town, with Gecker in San Francisco tracking down leads, helping to write the finished piece and finding photographs to illustrate “the town’s history and spirit.” Their nuanced reporting, along with that of many colleagues, drew forth tales of town holidays, and residents ruminating whether those staples of small-town America would continue.
The accompanying video by Gillian Flaccus, recorded during a ride-along with a long-time resident, complemented the text piece by showing street after street of utter devastation over the man’s narration.
Paradise is gone, and until it rebuilds in some fashion, Mendoza, Gecker and Flaccus have given the world the definitive piece on what it represented. For their deft depiction of the town behind the headlines, the trio wins AP's Best of the States.
for their revealing story of the secret digital lives many kids are leading on social media that their parents know little or nothing about.https://bit.ly/2lUYYH5https://bit.ly/2MSYkW3
for providing quick, accurate all-formats coverage of the dual extremist attacks in Ouagadougou in all formats. http://bit.ly/2Ii8L40
for turning exclusive access to the right-wing neo-fascist group Casapound into compelling text and video that explained why the group is gaining political ground in Italy. http://bit.ly/2xXGWJc
for their video that blended Crutsinger’s recollections and perspective from covering four leaders of the Federal Reserve with AP's archival footage and photos. http://bit.ly/2ddoumX