dominated coverage of the prisoner swap involving the U.S. basketball star and Russian arms dealer known as the “Merchant of Death.”Read more.
The best portraits capture a person’s essence, almost always by focusing on the human face. But AP photographer Ebrahim Noroozi, on assignment in Kabul temporarily from Iran, needed to do something different to show the effects of Afghanistan’s rule banning women playing sports.
Using the emblematic burqa to conceal the identities of the women athletes now forbidden from doing what they love best, Noroozi came up with the haunting series of faceless portraits to illustrate the erasure of Afghan women from public life under the Taliban.
Several female athletes who once played a variety of sports unrestricted posed for Noroozi with their athletic equipment – and their identities hidden by burqas, the all-encompassing robe and hood that completely covers the face, leaving only a swath of mesh to see through.
Noroozi’s images were published in an array of multimedia presentations by AP’s subscribers worldwide, including the Los Angeles Times and the Washington Post. The latter used them to illustrate a story about the near-simultaneous decision by Australia to cancel a men’s one-day international cricket series over the restrictions on women.
For innovation and sensitivity in showing a difficult subject, Noroozi earns Best of the Week – First Winner.
has been tracking the changes in obesity care.Read more.
For years, AP Mexico photo stringer Ginnette Riquelme was aware of clandestine networks helping women obtain abortions in Honduras, where they are banned under all circumstances.
The locations were hidden, the phones untraceable, the contacts used code words to communicate. But Riquelme had a vision of how — and why — to document something that is both illegal and heavily stigmatized. With a grant from the International Women’s Media Foundation, she joined forces with Honduran journalist Iolany Pérez in El Progreso and Mexico City reporter María Verza.
Persistence and the ability to build the trust of more than a dozen women who helped or had received the networks’ assistance resulted in a previously unseen composite of an underground system built up over years of prohibition.
For journalism that illustrates the invisible, and in-depth and unmatched coverage of an issue that resonates far outside Honduras, this team earns Best of the Week — First Winner.
AP explored the effect of new guidelines for treatment of kids with severe obesity that came out in January. Read more
When reports emerged of a shooting in Jacksonville, Florida, AP quickly assessed that it was more than an ordinary shooting.Read more
Kansas City’s AP staff was just wrapping up what was supposed to be a day of fun as the city was celebrating the Chiefs’ Super Bowl win with a parade and rally. They were regrouping in the office — and some had family nearby at the parade — when shots rang out.
Photographer Charlie Riedel and video journalist Nick Ingram rushed out the door, while correspondent Heather Hollingsworth tried to confirm what happened. After she alerted that shots had been fired — the first of many alerts on this story — she also raced outside, and days of exhaustive coverage began.
Riedel and stringers sent in photos showing the reality of the shooting’s aftermath — people on stretchers, bloodied and shocked. Ingram went live, interviewing people who were stunned by the violence and gathering background video, or b-roll. Hollingsworth sought out witnesses, while other AP staffers helped from afar, including Oklahoma City correspondent Sean Murphy, who jumped in to help stitch the story together as it was developing.
AP’s coverage was a collaboration across teams and formats for the next several days.
For leaping into a fast-breaking story, supported by colleagues around the United States, Ingram, Hollingsworth and Riedel earn Best of the Week — First Winner.
AP’s story illustrates how evolving state legislation on physician-assisted death impacts Americans.Read more
