scored a significant scoop and offered the AP’s audience unprecedented insight into the Fulton County special grand jury that considered whether former President Donald Trump illegally meddled in Georgia’s 2020 election through sophisticated open records reporting and strong source cultivation.Read more.
AP’s team in India provided visually compelling, richly reported, all-format coverage of one of the country’s most defining and contentious events, the opening of a controversial Hindu temple built on a razed mosque.
When Indian Prime Minister Narendra Modi opened a controversial Hindu temple, it marked a political triumph for the populist leader under whose watch the line between religion and state has largely eroded in the constitutionally secular country. The temple sits on a site where Hindu mobs tore down a mosque three decades ago, its fraught history still an open wound for many Muslims.
AP’s cross-format team in Delhi and on ground in Ayodhya provided visually rich and nuanced coverage that was both thoughtful and insightful. Photographer Rajesh Kumar Singh was the only international photographer who managed to secure access to the high-security temple complex to exclusively cover the select gathering of invitees and arrival of Modi. AP was first among the global agencies to file self-shot images of the event while other agencies had to rely on handout images.
Singh, senior video journalist Rishi Lekhi, and stringer Biswajeet Banerjee kept the inputs steadily flowing in from Ayodhya, including live coverage from outside the venue, while Shonal Ganguly, Saaliq Sheikh and Krutika Pathi in Delhi helped with a quick turnaround of both text and video edits, enriching them with useful background and voices of ordinary Indians.
For playing a key role in bringing images of this momentous event to global audiences — and putting it in context — Rajesh Kumar Singh, Rishi Lekhi, Biswajeet Banerjee, Sheikh Saaliq, Shonal Ganguly and Krutika Pathi are Best of the Week — First Winner.
Persistence, flexibility and teamwork results in an exclusive interview with Ukrainian President Volodymyr Zelenskyy at a crucial time for the country.Read more
AP scored an exclusive interview with a candidate in the state’s high-stakes legislative elections who was revealed during the campaign to have once live-streamed sex videos with her husband on a pornographic website.Read more
AP produced the first comprehensive, multiformat examination of Oregon’s legalization of psilocybin — “magic mushrooms” — that proponents hope will spark a revolution in mental health care, garnering national and international attention.Read more
When former President Donald Trump was indicted on felony charges Aug. 1 for working to overturn the 2020 election results in the run-up to the Jan. 6 violent riot at the U.S. Capitol, the AP team was ready.Read more
AP took advantage of deep-source work to help score a scoop on an interpretation of a state supreme court decision that made it more difficult for convicted felons to restore their voting rights.Read more
Many of the AP’s most iconic images from the 1998–99 war in Kosovo were the products of video crew Vojislav Stjepanovic and Radul Radovanovic in Bosnia.
Their deep experience meant they knew something big was about to happen when minor disturbances broke out following mayoral victories by ethnic Albanians in Serb-majority towns where Serbs overwhelmingly boycotted the elections.
Soon, the situation in northern Kosovo unraveled as ethnic Serb demonstrators began clashing with NATO-led peacekeepers. Stjepanovic and Radovanovic were at the heart of the action, documenting the story and broadcasting it live, even with Molotov cocktails and tear gas flying just a stone’s throw away.
Some journalists fled the scene, and others were targeted while trying to cover the story. Stjepanovic and Radovanovic found a balcony just above the fray that offered a wide view of the clashes, where soldiers were being pelted with rocks and firearms were being discharged. They delivered live shots through it all, a feat unmatched by local channels, let alone international competitors.
When the violence finally cooled, 30 international soldiers and more than 50 protesters had been injured. The crew delivered 11 hours of live coverage through it, and Belgrade producer Ivana Bzganovic swiftly produced multiple edits that won hundreds of hits.
For showing immense bravery in providing images no one else could, Stjepanovic, Radovanovic and Bzganovic are this week’s Best of the Week — First Winner.
exclusively reported that a federal judge donated tens of thousands of dollars to New Orleans’ Roman Catholic archdiocese and consistently ruled in favor of the church amid a contentious bankruptcy involving nearly 500 clergy sex abuse victims, an apparent conflict that led to calls for him to recuse himself.Read more.
of the democracy team put AP out front on a story about conspiracy theories prompting Republican election officials to defect from a system that combats voter fraud in the U.S.Read more.
teamed up two months ago on coverage of an expected Social Security cost-of-living increase. In the current economic climate, they anticipated — correctly — the story would have strong audience appeal and would require a range of user-friendly explanatory journalism that would also capture the circumstances and voices of people across the U.S.The result was a week of in-depth all-formats coverage on the jump in benefits. From an overview of how Social Security works to the potential impact on inflation and the midterm elections to on-camera interviews with recipients, the AP team explored and explained the benefits boost from all angles.Read more
The best portraits capture a person’s essence, almost always by focusing on the human face. But AP photographer Ebrahim Noroozi, on assignment in Kabul temporarily from Iran, needed to do something different to show the effects of Afghanistan’s rule banning women playing sports.
Using the emblematic burqa to conceal the identities of the women athletes now forbidden from doing what they love best, Noroozi came up with the haunting series of faceless portraits to illustrate the erasure of Afghan women from public life under the Taliban.
Several female athletes who once played a variety of sports unrestricted posed for Noroozi with their athletic equipment – and their identities hidden by burqas, the all-encompassing robe and hood that completely covers the face, leaving only a swath of mesh to see through.
Noroozi’s images were published in an array of multimedia presentations by AP’s subscribers worldwide, including the Los Angeles Times and the Washington Post. The latter used them to illustrate a story about the near-simultaneous decision by Australia to cancel a men’s one-day international cricket series over the restrictions on women.
For innovation and sensitivity in showing a difficult subject, Noroozi earns Best of the Week – First Winner.
Some likened it to a Renaissance painting – and it certainly belongs in a museum. We’re talking, of course, about Andrew Harnik’s indelible images of a tussle in Congress as a historic House speaker vote threatened to stretch into another week.
As Republicans struggled through 14 fruitless rounds of voting against an internal faction of rebels to elect Kevin McCarthy as House Speaker, the longest such struggle in a century, nerves were fraying.
But AP’s photographers in the chamber remained cool as ever.
Normally, photographers’ access in the House chamber is heavily restricted by the speaker’s office – but with no speaker, the photo team was able to take full advantage of a House with no rules. Able to freely roam the chamber and capture up-close moments, the team shot more than 14,000 images for review and editing. Over the four days of voting, 1,500 images moved to AP’s audiences.
Alex Brandon captured an image of Rep. Matt Gaetz, one of the last anti-McCarthy holdouts, talking tensely with McCarthy after the 14th vote. With most cameras trained on McCarthy, Harnik captured an unbelievable-if-it-weren’t-on-camera near-brawl, as Rep. Mike Rogers started to charge toward Gaetz – only to be pulled back by Rep. Richard Hudson.
That image, which quickly became iconic, and the work of the others in the AP photo team, earns Best of the Week – First Winner honors for Harnik, Applewhite, Brandon, Cortez, Kaster, Rourke and Walsh.
Brazil sportswriter Mauricio Savarese had been preparing for the death of soccer legend Pelé for months, if not years. When it happened, he and his colleagues from all formats delivered a huge win for AP.
Savarese long had been building sources close to Pelé, from among his current and former agents, friends and family of the three-time World Cup winner considered by many as the greatest player ever.
The 82-year-old Pelé was hospitalized in November to treat ailments related to colon cancer. Through sources, Savarese learned that Pelé's condition was critical and that his death could occur at any minute. Colleagues across all formats mobilized to put finishing touches on the preparedness, from the main obituary to stories looking at every aspect of Pelé's life and accomplishments, to video, lives and photo packages.
For extraordinary preparation and source development to beat all competitors on a sports story of major importance globally, Savarese earns Best of the Week – First Winner.
An AP team of journalists around the globe disclosed that governments worldwide used the COVID-19 pandemic to build tools and collect data to help curtail the virus, but those tools and data are being repurposed for surveillance by police and intelligence services.
Fresh off a fellowship studying artificial intelligence at Stanford University, reporter Garance Burke returned to AP’s investigative team with an idea for a gripping global project: Could AP staff track how policing worldwide had changed since the pandemic began?
More than a year later, Burke and the cross-format, cross-border team she led produced a sweeping investigation revealing how law enforcement across the globe mobilized new mass surveillance tools during the pandemic for purposes entirely unrelated to COVID-19.
For using Burke’s newfound knowledge and keen interest in AI to bring forth a disturbing story on surveillance and policing with global ramifications, the team of Burke, Federman, Jain, Wu, McGuirk and Myers, supported by numerous other colleagues across the AP, share Best of the Week – First Winner.
immediately reached out to state and county officials in Georgia to find out if they had also received subpoenas and was told they had not. She filed open records requests with state and local governments and was told there were no records to provide. But she stayed on it. The extra effort paid off. Nearly a week into her reporting, a source called to say that Georgia Secretary of State Brad Raffensberger got a subpoena that day. Brumback immediately prepared a story while her source sent her the actual subpoena. The Atlanta Journal-Constitution credited the AP in describing the effort to compel Raffensberger’s cooperation.
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Mike Balsamo in Washington and Mike Sisak in New York trained a lens on a single Bureau of Prisons official, Thomas Ray Hinkle, who received promotions across four decades despite repeated allegations of abuse, misconduct and even admissions by him that he’d beaten inmates in the past as part of a gang of guards called “The Cowboys.”
After being tipped earlier this year to Hinkle’s past, Sisak and Balsamo went about securing and scrutinizing 1,600 pages of documents that provided details of the allegations and developed key sources within the prisons system who corroborated the accusations. Finally, toward the end of the reporting process, they secured comment from Hinkle and the bureau, both of which acknowledged his previous excesses but said he was a changed man.
For a dogged and impactful investigation that caps a year in which their reporting has shaken the hierarchy of the federal prison systems and forced officials to confront abuses long out of public view, Balsamo and Sisak are Best of the Week 1st Winners.
When photographer Jae C. Hong returned to Los Angeles after a year in Japan, he was struck by how the number of homeless people had vastly multiplied. It was immediately before the pandemic -- and Hong, like so many reporters in the AP, spent much of the next year chronicling the impact of coronavirus.
Earlier this year, he was able to get back to the project he’d yearned to pursue and started chronicling homeless Angelenos between other assignments. One night, he encountered two police officers standing over a dead body -- and his project, spotlighting the lives, and sometimes the deaths, of fentanyl addicts, began to take shape.
Hong spent about six months documenting the humanitarian disaster. What he produced were gut-wrenching photos that gave a rare, intensely personal and brutally honest look into the tragedy unfolding on the streets of LA, an unconscionable scene often overlooked. AP writer Brian Melley, using Hong's reporting and experiences, crafted a story of equally vivid imagery that portrayed the raw human suffering with sensitivity to complete the package. The package was widely used and kept readers’ attention. The engagement score on AP News was a perfect 100 and Facebook featured it on its news feed.
For focusing on a problem that is too often unseen and producing a raw, compelling visual package, this week’s first Best of the Week is awarded to Los Angeles photojournalist Jae C. Hong.
revealed historic milestones for LGBTQ political representation in California and beyond. Well before Election Day, Thompson learned from LGBTQ groups that California lawmakers could hit a historic milestone this year: 10% representation in the state Legislature.
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teamed up with a cast of AP colleagues to deliver scoop after scoop on Elon Musk’s tumultuous first week at Twitter. AP prevailed by placing a premium on one defining element of the storyline: How the platform is changing and how that affects regular people and their discourse on the platform.After Musk acquired Twitter for $44 billion, the Technology team knew that the first week would be critical to determining what the celebrity CEO intended for the platform. As the company veered into uncharted territory, the journalists worked sources, aggressively but responsibly reporting what AP could see and confirm, ensuring reliable, fact-based coverage.From the chaotic layoffs to the fire sale on blue check marks to a sweeping look at Musk’s debut as Twitter CEO, the AP team broke news, setting the standard for coverage of the social media giant.Read more
