June 18, 2021

Beat of the Week

(Honorable Mention)

As COVID spikes in Africa, AP reveals low vaccine rates

combined to illustrate the severe shortages of vaccines and low levels of vaccinations in poor African countries and elsewhere, just as a worrying new rise in infection levels has emerged and as the issue became a key topic for G-7 leaders gathering for a summit.Imray, AP’s Cape Town, South Africa, sports writer, reported that vaccine shipments to Africa have ground to a “near halt” and that the continent faces a vaccine shortfall of 700 million doses. The reporting used a broad range of sources, including an interview with the head of Africa’s CDC, and strong feeds from colleagues around the world. The story was complemented by a selection of images from AP’s photographic team across Africa.Video freelancer Onen, meanwhile, obtained rare access to a COVID-19 ICU at the Mulago Hospital in Kampala. As a condition of entry, Onen shared his footage as pool with local broadcasters who were desperate for coverage amid a sharp virus spike. Given only a few minutes on the wards, Onen did a skillful job in bringing out the tension and urgency of the situation, images that no other global media organization was able to obtain.https://aplink.news/xw1https://aplink.video/ei8

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April 30, 2021

Beat of the Week

(Honorable Mention)

AP visual journalists lead the way at a one-of-a-kind Oscars

navigated issues of access, multiple locations and complex logistics in covering this year’s one-of-a-kind Academy Awards ceremony, altered from top to bottom by the pandemic.The event was one of the largest photo pools AP has ever run. AP’s remarkable access came as the result of years of relationship building with the film academy, which trusted AP to not only shoot photos of its marquee event, but also distribute those images to news outlets around the globe.Under the leadership of Kaufman, assistant director of photography, and with a workflow developed largely by photo editor Munoz, the team expedited some 1,500 still images to 11 members of the pool. Meanwhile, in London, Jankovic coordinated photographers and editors handling the Oscars’ global satellite locations — from Sydney to Stockholm to Kilkenny, Ireland, and points in between. Success meant assembling a team of AP staffers, including a team of 10 editors — most off-site due to pandemic restrictions — who quickly edited, captioned and transmitted the images. In addition, at the academy’s request, video journalist Turner shot the Oscars’ pool fashion feed – a key position that is highly valuable to clients looking for red carpet looks and unscripted moments.Bottom line: If you saw a photo from the red carpet, or a winner clutching the coveted statuette, chances are it was shot by the AP. The images were used in countless tweets, online stories and on dozens of newspaper front pages, notably above-the-fold play for shots of “Nomadland’s” best picture winners by Pizzello, who also authored a “Virus Diary” with his reflecions on being an entertainment photographer during the pandemic.https://bit.ly/3vpV8HDhttps://bit.ly/3gOI1eY

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April 30, 2021

Best of the Week — First Winner

Chauvin trial verdict, a Tigray refugee family: Diverse coverage exemplifies AP at its best

From major breaking news in the U.S. to unmatched international enterprise reporting, two very different entries — worlds apart but united by excellence — produce a rare joint winner for AP’s Best of the Week.

First, AP’s teamwork delivered unmatched breaking and explanatory cross-format coverage around the verdict in the Derek Chauvin trial, a case that framed the conversation on race and policing. Then, the trio of Cara Anna, Nariman El-Mofty and Mohaned Awad produced a riveting package on a Tigray father’s harrowing journey with his newborn twins, a stark illustration of the devastating war in Ethiopia’s Tigray region.

For powerful journalism that defines the range and depth of AP’s global coverage, the all-formats teams behind this compelling work share AP’s Best of the Week honors.

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April 02, 2021

Best of the Week — First Winner

A master class: AP teams deliver sweeping coverage of the migrant surge at the US-Mexico border

When the U.S.-Mexico border became a major front-page story again in recent weeks, the AP set out to tell the story of newly arriving Central American children and families in trademark AP fashion: with compelling all-formats journalism and richly reported viewpoints from migrants to bring perspective to readers on the topic of immigration.

Photographers Julio Cortez and Dario Lopez-Mills, reporters Adriana Gómez Licón and Elliot Spagat, and video journalists Eugene Garcia and John Mone answered the call and more, delivering a string of stories last week that amounted to a master class in how to cover the border.

Among the highlights were the story of a 7-year-old girl crossing the border without her parents in the middle of the night, the story of migrant families dumped by the Biden administration in a dangerous Mexican border town while other families in the same circumstance gained entry into the U.S., and in-flight coverage of a 5-year-old Honduran immigrant en route to Baltimore. The immersive multiformat work received tremendous play. 

For bringing to life the human stories of those seeking entry to the United States, especially the sharp increase in the number of families and children in recent weeks and the struggles of border officials to cope, Gómez Licón, Cortez, Mone, Spagat, Lopez and Garcia share AP’s Best of the Week honors.

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March 26, 2021

Beat of the Week

(Honorable Mention)

Teamwork delivers multiformat coverage of Chauvin jury selection

used planning and strategy to produce standout crossformat coverage of jury selection in the trial of Derek Chauvin, the ex-officer charged in the death of George Floyd. Preparation included a robust package setting the stage: a piece by Steve Karnowski describing the tension in Minneapolis as the trial loomed, a story by Report for America corps member Mohamed Ibrahim with photos from Jim Mone on the significance — and battle over — the intersection where Floyd was confronted by police, and a story by Amy Forliti examining the legal issues at the heart of the case.Karnowski, in the courtroom and a member of rotating pool, concentrated on the proceedings while Forliti and news editor Doug Glass also focused on the livestream. Ibrahim and Mone worked outside the courtroom to capture reaction and protests for text, photos and video. Central Desk reporter Tammy Webber pulled together the text story remotely, with editors Andrea Thomas and Jeff McMurray handling the majority of spot and enterprise coverage. Atlanta-based video producer Ritu Shukla handled most of the video edits as live video was provided to customers.https://bit.ly/3cf5yTzhttps://bit.ly/2QpVBdxhttps://apnews.com/hub/explaining-the-derek-chauvi...

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June 26, 2020

Best of the Week — First Winner

White House homecoming photo speaks volumes on Trump’s Tulsa rally

Washington-based photojournalist Pat Semansky was assigned weekend White House duty – a routine gig that meant waiting for President Donald Trump’s overnight return from Tulsa, Oklahoma, where his much-hyped rally didn’t meet expectations.

The president’s arrival rarely makes a memorable photo, but Semansky dutifully waited until well after 1 a.m., while many of AP’s competitors didn’t bother to cover. When Trump finally stepped off Marine One, Semansky proved the time well spent: His flash caught an atypically rumpled Trump crossing the South Lawn.

The photo quickly became the signature image of the night, capping days of smart AP coverage on the event itself. 

For making the most of a routine assignment to create what is likely to become an iconic photo of the Trump presidency, Pat Semansky wins AP’s Best of the Week award.

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May 15, 2020

Beat of the Week

(Honorable Mention)

Resourceful, innovative coverage of virtual Supreme Court

broke new ground for AP, creating popular new features for the court’s first-ever arguments by telephone with live audio. The pair revived the AP SCOTUS Twitter account @AP_COURTSIDE to live-tweet trivia, analysis and details during the arguments, they worked with the AP broadcast team to get AP pool access to the live audio, and they came up with a brand-new wire feature they also called “Courtside” – a more live-blog style of breaking news to help the public understand what they were hearing (including that weird toilet flush sound during one argument). That approach could become a model for covering future live news events.The features introduced by Sherman and Gresko attracted readers and followers, and complemented AP’s comprehensive stories on the court sessions.https://bit.ly/2WWadB9https://bit.ly/2YYAf9lhttps://bit.ly/2Wuubnk

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Feb. 07, 2020

Best of the Week — First Winner

AP dominates coverage of the UK’s historic withdrawal from the European Union

“So long, farewell, auf wiedersehen, adieu,” sang the lead to AP’s Jan. 31 story when, after years of divisiveness and debate, the United Kingdom finally withdrew from the European Union.

The sharp and pithy writing was a highlight of AP’s unparalleled breadth  of journalism, produced by a staff with the depth of talent, experience and knowledge in all formats that would dominate coverage of the historic withdrawal after nearly 50 years.

Video, text and photos staff were deployed to the U.K., including Scotland and Northern Ireland, and to Belgium, France, Gibraltar, Germany and beyond.

AP’s multiformat package captured the emotion and news developments on all sides – from the final lead-up to Brexit to the ceremonies, celebrations and pro-EU vigils on the night itself. And it included exclusives, like the reunion of the two miners – one French, the other British – who shook hands when they broke through to connect the Channel Tunnel nearly 30 years go.

For standout efforts in a continent-wide team effort in which there are too many to name, Jeffrey Schaeffer, Susie Blann, Jill Lawless, Raf Casert, Danica Kirka, Virginia Mayo, Martin Cleaver and Nicolas Garriga share AP’s Best of the Week honors.

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Sept. 20, 2019

Beat of the Week

(Honorable Mention)

AP: Virtually no regulation of contaminated sludge used as crop fertilizer

for an all-formats package that holds state and federal regulators accountable for doing little or nothing to address rising concerns that sewage sludge, used as cheap farm fertilizer, is contaminating food with potentially harmful chemicals. The team interviewed numerous experts and officials about PFAS, a group of chemicals used in a wide variety of household products and industrial processes. They found concern that certain of these chemicals associated with increased risk of cancer and organ damage could wind up in the food chain fertilized by contaminated sludge. But they also found that the federal government and most states had done little if anything to assess or regulate the amount of PFAS in the sludge being spread on farm fields across America.https://bit.ly/2kRjDiihttps://bit.ly/2mmYxc2https://bit.ly/2lXGo4f

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June 28, 2019

Beat of the Week

(Honorable Mention)

Preparation pays off in live coverage of Trump re-election rally

for his work to broadcast President Donald Trump’s 2020 re-election bid rally live and uninterrupted. Replogle had arranged with local tech organizers to secure a fiber line for AP, an investment that paid off when the satellite pool signal went down, leaving the networks and competitive agencies in the dark. ABC live channel turned to us for the remainder of the rally, and AP’s on-site Global Media Services (GMS) clients had a continuous feed. https://bit.ly/2NrVbSi

March 08, 2019

Beat of the Week

(Honorable Mention)

AP leads fight for access and answers in Hanoi

for leading the way in two formats in Hanoi, asking tough questions of President Donald Trump and then fighting for media access when the White House retaliated. Lemire’s question to Trump about the Michael Cohen hearings prompted the White House to bar reporters – but not photographers – from a dinner for the two leaders. Vucci, recognizing the significance, quickly made a case to his fellow photographers, then approached Press Secretary Sarah Sanders: photographers would not cover the dinner unless reporters were allowed in as well. Sanders conceded to one pool reporter and one TV producer in the room, ensuring that the press – and therefore the public – had access to a historic meeting. https://bit.ly/2H4aSuC

Jan. 26, 2018

Best of the Week — First Winner

Pope responds, in person, after AP scoop on papal letter about Chilean bishop

Holding prominent officials accountable is one of the main missions of journalism, even if it is uncomfortable at times. AP’s Nicole Winfield did just that, politely but firmly pressing Pope Francis on his knowledge of a sexual abuse scandal that has clouded his appointment of a Chilean bishop in 2015 and cast doubt about his commitment to fighting the problem.

AP Santiago correspondent Eva Vergara got the first part of the scoop for AP. She knew a letter she had spent months tracking down was toxic to Francis, to his upcoming trip to Chile, and to the Chilean bishop appointed by Francis and accused of covering up for the country's most notorious pedophile priest.

The letter showed that Francis knew that Bishop Juan Barros was accused of complicity in covering up the sexual abuse by Rev. Fernando Karadima, but appointed Barros bishop anyway. The scandal and Francis' subsequent accusations of slander against abuse victims dominated coverage. It led to Francis trying to explain himself under tough questioning by Winfield on an extraordinary in-flight press conference on his way home.

For Winfield's unflinching questioning of the pope, and Vergara's determined efforts to surface the letter that launched the story, the pair wins Beat of the Week.

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March 02, 2017

Best of the Week — First Winner

Pushing back against access limits at White House briefing, AP’s Julie Pace lauded for walking out

After eight years on the White House beat, AP’s Julie Pace is a leader among correspondents in fighting for access to the president and his advisers, and over those years she routinely has resisted any efforts to exclude the press unreasonably from news events or obscure the president’s schedule.

On Friday, she recognized instantly that what was happening at the White House was anything but routine: a first-in-memory, invitation-only daily briefing by the presidential press secretary from which other news organizations were excluded. Her spot-on instinct to walk out put The Associated Press at the forefront of the fight for access and openness.

Pace’s quick decision reverberated across Washington and the country – and earns the Beat of the Week.

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