April 22, 2022

Beat of the Week

(Honorable Mention)

AP: Video shows Lyoya shot in back of head by officer

teamed up with colleagues elsewhere in the country to provide multiformat coverage of the release by Grand Rapids, Michigan, police of video showing the April 4 shooting death of motorist Patrick Lyoya. Video showed Lyoya, a Black man, facing the ground when he was fatally shot in the back of the head by a police officer after a traffic stop, a brief foot chase and struggle over a stun gun.In addition to AP’s spot coverage and video analysis, distinctive enterprise in ensuing days examined a gap in the police officer’s body camera video, an explainer on what prosecutors will use to determine any charges, and how police stops of Black people are often filled with fear and anxiety and can end in deadly use of force.Read more

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Dec. 23, 2022

Beat of the Week

(Honorable Mention)

AP scores on live video coverage as Argentines erupt in joy after epic World Cup final

used impeccable planning to achieve the live shot and photos that gave the world a historic look as Argentines erupted in joy after their team’s World Cup final win.

A weeklong preparation of navigating a never-ending barrage of obstacles to ensure a live-shot position with connectivity that would overcome a raft of challenges paid off as we offered a live with an elevated view over the gathered multitudes in central Buenos Aires.Read more.

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April 30, 2021

Beat of the Week

(Honorable Mention)

AP visual journalists lead the way at a one-of-a-kind Oscars

navigated issues of access, multiple locations and complex logistics in covering this year’s one-of-a-kind Academy Awards ceremony, altered from top to bottom by the pandemic.The event was one of the largest photo pools AP has ever run. AP’s remarkable access came as the result of years of relationship building with the film academy, which trusted AP to not only shoot photos of its marquee event, but also distribute those images to news outlets around the globe.Under the leadership of Kaufman, assistant director of photography, and with a workflow developed largely by photo editor Munoz, the team expedited some 1,500 still images to 11 members of the pool. Meanwhile, in London, Jankovic coordinated photographers and editors handling the Oscars’ global satellite locations — from Sydney to Stockholm to Kilkenny, Ireland, and points in between. Success meant assembling a team of AP staffers, including a team of 10 editors — most off-site due to pandemic restrictions — who quickly edited, captioned and transmitted the images. In addition, at the academy’s request, video journalist Turner shot the Oscars’ pool fashion feed – a key position that is highly valuable to clients looking for red carpet looks and unscripted moments.Bottom line: If you saw a photo from the red carpet, or a winner clutching the coveted statuette, chances are it was shot by the AP. The images were used in countless tweets, online stories and on dozens of newspaper front pages, notably above-the-fold play for shots of “Nomadland’s” best picture winners by Pizzello, who also authored a “Virus Diary” with his reflecions on being an entertainment photographer during the pandemic.https://bit.ly/3vpV8HDhttps://bit.ly/3gOI1eY

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Dec. 31, 2021

Best of the Week — First Winner

‘This is Joseph Moore’: FBI informant inside KKK reveals himself in riveting AP interview

AP investigative reporter Jason Dearen received a curious email on Dec. 1, claiming to be from Joseph Moore, a man Dearen had written about months earlier. Moore was an FBI undercover informant who had infiltrated the Ku Klux Klan in Florida and disrupted a murder plot by three klansmen working as prison guards.

Dearen and AP visual journalist Robert Bumsted soon found themselves in Florida interviewing Moore about his years in the klan.

Moore said he’d identified dozens of law enforcement officers who were either sympathetic to the klan, or active members, telling AP, “It is more prevalent and consequential than any of them are willing to admit.” Dearen also came away with details to further challenge Florida officials’ claims that they have no indication of wider klan or other criminal gang activity among their prison guards.

The “must read” story, accompanied by Bumsted's video, lit up online and numerous film producers inquired about film rights.

For chasing the story so long and covering it so well that it brought an underground FBI informant out of the shadows, Dearen and Bumsted earn AP’s Best of the Week — First Winner honors.

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Nov. 05, 2021

Best of the Week — First Winner

Distinctive AP photo project depicts Israelis, Palestinians sharing summer on distant shores

For years, AP’s Khalil Hamra and Oded Balilty have captured the Israeli-Palestinian conflict through their award-winning photography. This summer they turned their lenses away from the violence and onto a place of refuge for both sides: the stretch of beaches along the Mediterranean Sea.

With Balilty making images from Tel Aviv and Hamra from Gaza, the Pulitzer Prize-winning photographers produced an evocative essay showing Palestinians and Israelis basking on the beach, separated by 70 kilometers (40 miles) and free from fear of the next eruption of fighting. The photographers have met just once, years ago, but communicated online about what they were seeing, made pictures, shared them and then set out to find similar ones from their respective sides.

The immersive presentation includes an engaging video revealing more about the photographers and how they applied their craft.

For a strikingly unique, creative collaboration that brought, in Balilty’s words, “something positive” from a part of the world beset by conflict, Hamra and Balilty earn this week’s Best of the Week — First Winner award.

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Oct. 22, 2021

Beat of the Week

(Honorable Mention)

From sea and air, AP covers Mediterranean migrant rescues

documented migrant activity that peaked during the late summer months as many set off from Libya’s shores on dangerous crossings of the Mediterranean Sea.Cairo-based reporter Magdy and video journalist Hatem spent several weeks aboard a search-and-rescue ship that patrols the central Mediterranean. They witnessed the rescues of more than 60 migrants who were at risk of drowning; several of the migrants told harrowing stories of torture and abuse in migrant detention centers in Libya. The pair’s reporting was among the most in-depth coverage since the pandemic of the atrocities migrants face on the journey toward Europe.Meanwhile, after months of trying, Barcelona-based Brito got a seat aboard a small aircraft that non-governmental rescue groups use to monitor the migrants at sea. Working all formats, Brito showed over the course of multiple flights how the crew searched for boats in distress and prodded ships in the area to take part in rescues.The coverage coincided with the largest crackdown on migrants inside Libya in recent years, during which some 5,000 were detained by Libyan forces, reported by Magdy from the ship operated by Doctors Without Borders. AP’s multiformat work at sea and from the air saw widespread use in Europe, the Middle East and beyond. https://aplink.news/yz1https://aplink.video/3xohttps://aplink.news/sfrhttps://aplink.video/w4q

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Oct. 15, 2021

Beat of the Week

(Honorable Mention)

AP first with report of abuse, cover-up by French clergy

broke news with an early scoop on the staggering scale — hundreds of thousands of victims — in a long-awaited report on sexual abuse in the French Catholic Church. That was just the start of a week of powerful and delicate AP coverage of France’s first nationwide reckoning with systemic church abuse, cover-ups and decades of trauma.On the eve of the report’s release, Paris-based senior field producer Masha Macpherson and video journalist Alex Turnbull tracked down an abuse victim who had inside information about the findings — notably, an estimated 216,000 children had been abused by clergy over the past 70 years. Their on-camera interview saw massive use.The following day, reporter Sylvie Corbet, senior producer Jeff Schaeffer, Macpherson and other Paris staffers, working closely with AP Vatican authority Nicole Winfield, produced fast-moving, comprehensive coverage on the release of the 2,500-page report. AP had live video, six video edits and two stories, including emotional reaction from victims and bishops; victims’ groups shared AP's stories online. And Schaeffer found a searing, intimate way to tell the victims’ side of the story in all formats: through the eyes of actor Laurent Martinez, who was abused by a priest and is working out the trauma onstage.https://aplink.news/30jhttps://aplink.video/tpthttps://aplink.news/sirhttps://aplink.video/v1t

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Oct. 01, 2021

Beat of the Week

(Honorable Mention)

Iberian team delivers stunning coverage of Canaries eruption

overcame roadblocks and other obstacles to deliver outstanding coverage of the violent volcanic eruption on La Palma in the Canary Islands. That included some of the most striking visuals of the week showing the destructive power of the eruption and the evacuations of thousands of residents.Knowing the earliest AP could get a crew on the ground would be the next day, journalists Wilson, Brito, Morenatti and Leon spent the first few hours after Sunday’s eruption remotely gathering material for all formats from sources on the island.

The next morning video freelancer Leon and Aritz Parra, chief correspondent for Spain and Portugal, took the first flight from Madrid to La Palma and hit the ground running, interviewing shocked residents who had grabbed what they could before abandoning their homes to the advancing wall of molten rock.They were joined by video journalist Brito and photographer Morenatti who made images with his drone and from a rescue helicopter, capturing the vast reach of the lava flows from above, including iconic shots of an isolated house left seemingly untouched amid a sea of lava.Meanwhile, in Lisbon, correspondent Barry Hatton wrote the stories, gathering material from the team on the ground and others. Helena Alves, did the same for video, handling incoming footage from various sources. The video edits and live shots were among the AP’s most-used throughout the week while the photos and text received prominent play in major online media.https://aplink.news/4zthttps://aplink.video/c5nhttps://aplink.video/djn

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July 16, 2021

Beat of the Week

(Honorable Mention)

AP Exclusive: US leaves Bagram base; Afghans left in the dark

were quick to deliver an all-formats look — and an exclusive — from Bagram Airfield in Afghanistan after the U.S. departure from the base that served for nearly 20 years as the epicenter of America’s war to unseat the Taliban and hunt down al-Qaida.Media around the world were watching for the U.S. withdrawal from Bagram, but Gannon, AP’s Afghanistan/Pakistan news director with decades of hard-won experience in the region, broke news. First, she pressed for access to the base after the U.S. military's July 2 departure. Joined by Kabul-based video journalist Amin and photographer Gul, the trio were granted access on July 5 and arrived to provide a rare glimpse of what had been the largest U.S. military base in the country.But that access was only one element of the story. The new Afghan commander of Bagram was initially reluctant to share details about how he and his troops took control of the base. Gannon told him there had been rumors about looting, and with her persistent questioning, the commander finally shared the full story: U.S. troops left quietly, switched off the lights and never bothered to tell the Afghan military that they were gone. The gap of two hours between the U.S. departure and the arrival of the Afghan military at Bagram enabled looters to sneak into the once heavily guarded base.The story made a splash, with Gannon fielding interview requests from major news outlets to describe what she had seen and heard at Bagram. The Pentagon, facing criticism after Gannon’s story appeared, later said the Afghans had been informed two days in advance of the U.S. intention to leave, but that the precise hour was left secret for security reasons. The team’s all-formats reporting provided an early look at the post-U.S. era in Afghanistan, in a package that was stunning for its detail and news value.https://aplink.news/95ehttps://aplink.video/odbhttps://aplink.video/5bq

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June 18, 2021

Beat of the Week

(Honorable Mention)

Deep preparation and experience put AP ahead on Mladic verdict

teamed up to provide exceptional coverage in all formats of the final verdict for Bosnian Serb military chief Ratko Mladic, in which U.N. judges rejected his appeals on charges of orchestrating genocide, crimes against humanity and war crimes, affirming his life sentence.Chief correspondent Corder worked closely with AP colleagues in the Balkans in the days leading up to the verdict to prepare for all the possible outcomes, preparing alerts and urgents for each, as well as for the possibility that victims’ groups could leak the verdict early. Knowing that the victims’ representatives are not always accurate, Corder held off on the alert until AP had the full verdict from the judges, and other major world media followed his lead.Photographer Dejong, who had covered Mladic’s appearances at the court over several years, patiently waited for the one moment during the long verdict when the ex-commander made a hand gesture — holding up his fingers as if clicking a shutter to mimic the photographers fixed on him. The image circled the world.AP had four different live shots up for a good part of the day on AP Direct and Live Choice, compared with a single courtroom feed that a major competitor accessed at the last minute. AP put out a video edit of the verdict 44 minutes ahead of the competition, and was much faster with reaction from the victims and their families in Sarajevo and Srebrenica, and from Serb veterans, comrades of Mladic and people in Belgrade.https://aplink.news/h1rhttps://aplink.video/ub0https://aplink.video/rz4https://aplink.video/gmx

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May 14, 2021

Beat of the Week

(Honorable Mention)

Outspoken Glenn Close opens up to AP about ‘loser’ label

scored a revealing interview with actress Glenn Close, who was candid about journalists and others who have focused more on her Oscar losses than on celebrating her eight career nominations. Fekadu, AP entertainment journalist, conducted the interview on Zoom for both text and video. Close addressed the Academy Awards issue, saying: "First of all, I don't think I’m a loser ... who in (the best supporting actress category) is a loser?” And in reference to her critics she emphatically ended with: “I say, (expletive) them!”The quotes were widely picked up by publications from Vanity Fair to the New York Daily News, while other outlets ran AP’s full story. Clients using the interview video included USA Today, MSN, Entertainment Tonight, Fox and ABC.https://tinyurl.com/3ye74rbwhttps://tinyurl.com/yrc3yxye

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May 14, 2021

Beat of the Week

(Honorable Mention)

Sourcing, teamwork deliver scoop on federal charges in Floyd killing

delivered a 20-minute beat on the news that four former officers involved in the death of George Floyd were indicted on federal civil rights charges — an unusual move for the Justice Department because three of the officers haven’t faced state trial yet.Balsamo had learned that the federal charges were imminent, and Forliti worked her sources to get the full story: off-the-record details about the still-sealed indictment that allowed her to write robust, fully-formed prep. She was even tipped off that the charges would drop early Friday morning.But when that didn't happen, a source quietly tipped Forliti to phone into a federal hearing happening live. The officers were appearing in federal court, with the charges still sealed. The AP pair — possibly the only reporters listening during the hearing — put out a fast cover story that the former cops were facing federal charges. Balsamo then went to his sources, asking them to send the indictment, because, while it hadn’t been made public yet, he had heard the judge order it made public. AP soon had the indictment. He and Forliti filed alerts, writethrus loaded with context and a full story within 15 minutes. Forliti also filed a video brief on the charges. Meanwhile, no one matched their story for a full 20 minutes, and major national publications were 40 minutes or more behind the AP. Even the hometown Star Tribune used AP’s story on its website.https://bit.ly/3tJ9YYqhttps://bit.ly/3w2BvFF

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