sprang into action on Jan. 8 when violence erupted in Brazil’s capital. Supporters of former President Jair Bolsonaro rampaged through the presidential palace, Supreme Court and Congress.Read more.
's coverage of Los Angeles County's worst massacre led to an array of stories and visuals that portrayed not only the human suffering and complex cultural significance of the community where the attack occurred, but also held police accountable for their hours-long delay in alerting the public that a mass killer was on the loose.
Bernard Condon, Jim Mustian and Julie Watson reconstructed a detailed timeline of the shooting to confidently report that it took five hours after the shooting for authorities to alert the public that the gunman was on the loose. The story was widely played and was followed by the Los Angeles Times, which played catch-up on its own turf. AP was one of only several outlets to obtain video surveillance footage showing a hero wresting the weapon from the shooter and was among the first news outlets to report details on all 11 victims.Read more.
relied on emails obtained through open records requests for an exclusive story documenting the competing priorities and tensions that sank negotiations between several western states for voluntary cuts in Colorado River water allotments.
Interviews with water officials cultivated for months -- or in Fonseca's case, years -- were key to supplementing and explaining what the emails showed. A separate public records request by Michael Phillis helped in building a timeline of the negotiations.Read more.
provided an intimate and visually captivating portrait of the Norwegian Arctic archipelago of Svalbard as its residents persevered through the round-the-clock polar night.
The AP team established a close rapport with the pastor in the community, joined the church’s children’s choir on a trip to a Russian/Ukrainian village, and spent a day at a century-old coal mine threatened with closure in two years. The trip had extra challenges for photo and video because it took place in mid-winter. For Cole, it meant developing a special sensitivity for light – from the glow of the aurora to the beam of a headlamp. Read more.
broke the news that gunshot-detection company ShotSpotter gives its human reviewers broad discretion to overrule an artificial intelligence-powered law enforcement tool’s determination about whether something is a gunshot. The exclusive came after Burke, an investigative reporter in San Francisco, obtained a confidential ShotSpotter document. The document provided a unique window into the company whose data is sent to police and used in criminal cases nationwide.Read more.
teamed up for a visually striking package looking at a program that might point the way forward for sustainable development of the Amazon. It involves a major French shoe company, Veja, and traditional rubber tapping.
Tappers working with a local cooperative provide rubber to Veja to use in their shoes. The arrangement is a solutions-based way forward to protect the forest.Read more.
, a treasury reporter in Washington, spent weeks negotiating a commitment for a rare all-formats interview with Janet Yellen during the treasury secretary’s visit to Africa. The interview couldn’t have happened at a better time, as Yellen took questions from AP in Senegal just two days after announcing the U.S. government had bumped up against its debt limit and would need to use “extraordinary measures” to avoid default.Read more.
was approached with the exclusive that the anti-harassment organization, Time’s Up, was folding. The New York-based entertainment writer’s story was uniquely authoritative thanks to her years of diligent reporting on the #MeToo movement that landed her the scoop.
The remaining resources of the organization, which became beset by scandals, are going to a legal defense fund administered by the separate National Women’s Law Center.Read more.
The fatal stabbings of four college students at the University of Idaho campus in Moscow, Idaho, in November 2022 were initially shrouded in mystery and misinformation. As Boise, Idaho, Supervisory Correspondent Rebecca Boone worked to untangle all of this, a judge put up yet another barrier to getting the story to the public: a sweeping gag order prohibiting law enforcement agencies, attorneys or anyone else associated with the case from discussing it publicly.
In the middle of one of the biggest stories in the nation, Boone suddenly had a new task on her plate: singlehandedly spearheading a legal challenge to the gag order — ultimately recruiting a coalition of 22 print and TV media outlets, including The New York Times, to join the cause.
The AP couldn't have had a better advocate for the task. Boone has a track record of fighting for press access and has made the issue a top priority in her lengthy AP career.
The best portraits capture a person’s essence, almost always by focusing on the human face. But AP photographer Ebrahim Noroozi, on assignment in Kabul temporarily from Iran, needed to do something different to show the effects of Afghanistan’s rule banning women playing sports.
Using the emblematic burqa to conceal the identities of the women athletes now forbidden from doing what they love best, Noroozi came up with the haunting series of faceless portraits to illustrate the erasure of Afghan women from public life under the Taliban.
Several female athletes who once played a variety of sports unrestricted posed for Noroozi with their athletic equipment – and their identities hidden by burqas, the all-encompassing robe and hood that completely covers the face, leaving only a swath of mesh to see through.
Noroozi’s images were published in an array of multimedia presentations by AP’s subscribers worldwide, including the Los Angeles Times and the Washington Post. The latter used them to illustrate a story about the near-simultaneous decision by Australia to cancel a men’s one-day international cricket series over the restrictions on women.
For innovation and sensitivity in showing a difficult subject, Noroozi earns Best of the Week – First Winner.
dominated the trial over the shooting-down of Malaysian Airlines Flight MH17, continuing the AP’s ownership of this story from the time since the plane crashed down in a Ukrainian sunflower field in 2014. A Dutch court convicted three men of murder for their role in the shooting down of the plane with a Russian surface-to-air missile that killed all 298 people aboard as it flew over a separatist-controlled region of eastern Ukraine. There were some 1,000 hits on AP video filed the day of the verdict.Read more.
on the ground in Las Vegas drove unprecedented audience engagement for the annual CES tech show, where more than 3,000 companies push their innovations. AP provided comprehensive coverage that touched on the metaverse, sustainability, the future of electric vehicles, the economic climate for startups and more. There were dozens of video edits, at least a dozen lives, hundreds of photos, and daily roundups of the coolest, most buzz-worthy tech, all curated on the Technology hub of APnews.com.Read more.
Some likened it to a Renaissance painting – and it certainly belongs in a museum. We’re talking, of course, about Andrew Harnik’s indelible images of a tussle in Congress as a historic House speaker vote threatened to stretch into another week.
As Republicans struggled through 14 fruitless rounds of voting against an internal faction of rebels to elect Kevin McCarthy as House Speaker, the longest such struggle in a century, nerves were fraying.
But AP’s photographers in the chamber remained cool as ever.
Normally, photographers’ access in the House chamber is heavily restricted by the speaker’s office – but with no speaker, the photo team was able to take full advantage of a House with no rules. Able to freely roam the chamber and capture up-close moments, the team shot more than 14,000 images for review and editing. Over the four days of voting, 1,500 images moved to AP’s audiences.
Alex Brandon captured an image of Rep. Matt Gaetz, one of the last anti-McCarthy holdouts, talking tensely with McCarthy after the 14th vote. With most cameras trained on McCarthy, Harnik captured an unbelievable-if-it-weren’t-on-camera near-brawl, as Rep. Mike Rogers started to charge toward Gaetz – only to be pulled back by Rep. Richard Hudson.
That image, which quickly became iconic, and the work of the others in the AP photo team, earns Best of the Week – First Winner honors for Harnik, Applewhite, Brandon, Cortez, Kaster, Rourke and Walsh.
broke news that likely would never have happened had it not been for their more than two years of dogged, consistently groundbreaking reporting: Five Louisiana law officers were indicted on state charges ranging from negligent homicide to malfeasance in the deadly 2019 arrest of Black motorist Ronald Greene.Read more.
Mike Balsamo in Washington and Mike Sisak in New York trained a lens on a single Bureau of Prisons official, Thomas Ray Hinkle, who received promotions across four decades despite repeated allegations of abuse, misconduct and even admissions by him that he’d beaten inmates in the past as part of a gang of guards called “The Cowboys.”
After being tipped earlier this year to Hinkle’s past, Sisak and Balsamo went about securing and scrutinizing 1,600 pages of documents that provided details of the allegations and developed key sources within the prisons system who corroborated the accusations. Finally, toward the end of the reporting process, they secured comment from Hinkle and the bureau, both of which acknowledged his previous excesses but said he was a changed man.
For a dogged and impactful investigation that caps a year in which their reporting has shaken the hierarchy of the federal prison systems and forced officials to confront abuses long out of public view, Balsamo and Sisak are Best of the Week 1st Winners.
showed how authorities knew the suspect in Colorado’s Club Q shooting was a danger, well before the tragedy. Besides getting an exclusive interview with a relative who said the deaths could have been prevented, the team also showed how the suspect’s being nonbinary fits into the case.Read more.
dominated coverage of the prisoner swap involving the U.S. basketball star and Russian arms dealer known as the “Merchant of Death.”Read more.
were among the staffers who responded quickly and thoughtfully as soon as word of a mass shooting at a gay nightclub in Colorado Spring broke in the wee Sunday morning hours, resulting in all-formats response and top-notch coverage that lasted for days to come.
Read more.
took readers deep into the heart of conservative America, with an up-close, unflinching portrait of residents of a small town who reject caricatures that paint them as gun-toting extremists, despite their sometimes shocking views on the future of democracy.Read more.
When photographer Jae C. Hong returned to Los Angeles after a year in Japan, he was struck by how the number of homeless people had vastly multiplied. It was immediately before the pandemic -- and Hong, like so many reporters in the AP, spent much of the next year chronicling the impact of coronavirus.
Earlier this year, he was able to get back to the project he’d yearned to pursue and started chronicling homeless Angelenos between other assignments. One night, he encountered two police officers standing over a dead body -- and his project, spotlighting the lives, and sometimes the deaths, of fentanyl addicts, began to take shape.
Hong spent about six months documenting the humanitarian disaster. What he produced were gut-wrenching photos that gave a rare, intensely personal and brutally honest look into the tragedy unfolding on the streets of LA, an unconscionable scene often overlooked. AP writer Brian Melley, using Hong's reporting and experiences, crafted a story of equally vivid imagery that portrayed the raw human suffering with sensitivity to complete the package. The package was widely used and kept readers’ attention. The engagement score on AP News was a perfect 100 and Facebook featured it on its news feed.
For focusing on a problem that is too often unseen and producing a raw, compelling visual package, this week’s first Best of the Week is awarded to Los Angeles photojournalist Jae C. Hong.
