Oct. 07, 2022

Beat of the Week

(Honorable Mention)

Teamwork delivers fast, full coverage of Indonesia soccer tragedy

responded quickly Saturday night, coordinating comprehensive all-formats coverage of the Indonesia soccer tragedy that left 125 people dead after police-fired tear gas triggered a stampede for the stadium exits.Staffers in the Jakarta immediately reached out to stringers on the ground in Malang, site of the tragedy, about 750 km (470 miles) from the capital, quickly getting an alert and story out, as well as visuals, including agency-exclusive live video outside the stadium.Robust coverage continued, and when Jakarta staffers arrived, they delivered fresh multiformat reporting from the stadium, memorials and the hospital, where injured survivors recounted their experiences.Read More

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Nov. 04, 2022

Beat of the Week

(Honorable Mention)

10 years after Sandy, AP looks ahead to the next superstorm

teamed up for enterprising coverage to mark the 10th anniversary of Superstorm Sandy, looking at the recovery from Sandy and how the nation prepares for major storms to come.The all-formats coverage included an examination of what remains to be done in the Northeast and the across the nation as sea levels rise and severe storms become more common; survivors’ post-storm experiences — not just after Sandy — revealing that the nation’s disaster response system is broken and needs reform to get money into victims’ hands more quickly; and an in-depth look at inequity in the distribution of post-storm aid and resources.Read more

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Jan. 20, 2023

Best of the Week — First Winner

Faceless portraits: Noroozi innovates to show struggle of Afghan women athletes

The best portraits capture a person’s essence, almost always by focusing on the human face. But AP photographer Ebrahim Noroozi, on assignment in Kabul temporarily from Iran, needed to do something different to show the effects of Afghanistan’s rule banning women playing sports.

Using the emblematic burqa to conceal the identities of the women athletes now forbidden from doing what they love best, Noroozi came up with the haunting series of faceless portraits to illustrate the erasure of Afghan women from public life under the Taliban.

Several female athletes who once played a variety of sports unrestricted posed for Noroozi with their athletic equipment – and their identities hidden by burqas, the all-encompassing robe and hood that completely covers the face, leaving only a swath of mesh to see through.

Noroozi’s images were published in an array of multimedia presentations by AP’s subscribers worldwide, including the Los Angeles Times and the Washington Post. The latter used them to illustrate a story about the near-simultaneous decision by Australia to cancel a men’s one-day international cricket series over the restrictions on women.

For innovation and sensitivity in showing a difficult subject, Noroozi earns Best of the Week – First Winner.

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Feb. 09, 2024

Best of the Week — First Winner

Live from the Grammys, AP scores massive wins with real-time stories

AP’s Global Entertainment team knew the game had changed when it came to the Grammys. They knew that the sense of the moment — in the moment — was going to win the day. And they were right. 

Collaborating with Digital colleagues, the team delivered unprecedented audiences to APNews through two real-time vehicles: a hosted live video show streamed on YouTube and a multiformat Live Blog. It was a success in two spaces crucial to bringing in new audiences to AP, and the viewership on both reflects how AP can engage viewers on high-value entertainment events. For this major accomplishment that put AP ahead and in the spotlight on one of entertainment’s most important evenings, Global Entertainment’s Live Blog and Live Stream teams and their Digital colleagues are awarded Best of the Week — First Winner.

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Feb. 16, 2024

Best of the Week — First Winner

Up close to Iceland’s volcanic eruption, AP dominates with awe-inspiring visuals

When tremors struck in the early hours of Thursday morning, AP stringer Marco di Marco knew he didn’t have long to reach the scene of Iceland’s latest volcanic eruption before access would be limited by rescuers. His swiftness put the AP ahead of competitors with stunning photos and video coverage that amazed global audiences.

Iceland-based visual journalist Marco di Marco, a specialist in volcano photography and videography, has developed strong relationships with scientists, rescuers and local officials in his work with the AP. He was en route as soon as the eruption occurred, immediately alerting Stockholm-based journalist David Keyton, who put in place all-formats coverage including much-used live video feeds.

Di Marco’s knowledge of the terrain and relationship with local law enforcement enabled him to quickly position himself near where the lava flow would breach a key road, providing unique coverage of the fast-moving event. On site, he filed compressed photos to the global photo desk, edited from his phone amid extremely limited network coverage. That enabled the AP to provide clients with strong visuals just as the world was waking up to news of the eruption. Throughout the day, he provided stunning photography and videography, including aerial perspectives, while also updating AP colleagues on the developing situation on the ground.

For being the driving force behind our stunning coverage of this volcanic eruption, Marco di Marco wins Best of the Week — First Winner.

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Feb. 23, 2024

Best of the Week — First Winner

AP responds when gunfire erupts at Kansas City Chiefs’ Super Bowl parade

Kansas City’s AP staff was just wrapping up what was supposed to be a day of fun as the city was celebrating the Chiefs’ Super Bowl win with a parade and rally. They were regrouping in the office — and some had family nearby at the parade — when shots rang out.

Photographer Charlie Riedel and video journalist Nick Ingram rushed out the door, while correspondent Heather Hollingsworth tried to confirm what happened. After she alerted that shots had been fired — the first of many alerts on this story — she also raced outside, and days of exhaustive coverage began.

Riedel and stringers sent in photos showing the reality of the shooting’s aftermath — people on stretchers, bloodied and shocked. Ingram went live, interviewing people who were stunned by the violence and gathering background video, or b-roll. Hollingsworth sought out witnesses, while other AP staffers helped from afar, including Oklahoma City correspondent Sean Murphy, who jumped in to help stitch the story together as it was developing.

AP’s coverage was a collaboration across teams and formats for the next several days.

For leaping into a fast-breaking story, supported by colleagues around the United States, Ingram, Hollingsworth and Riedel earn Best of the Week — First Winner.

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