worked around the clock for days to cover a historic space launch while overcoming logistical hurdles during the pandemic. Their comprehensive all-formats coverage was a hit with AP customers, widely used by news outlets at a time when media access to the launch was limited by coronavirus restrictions.https://bit.ly/3eQ9f0vhttps://bit.ly/2AFu7sy
covering mass protests against racial injustice overcame the challenges of reporting from fluid, often chaotic scenes, sometimes punctuated by confrontation and violence, to tell the personal stories of individual demonstrators in a rich multimedia package. More than a dozen AP video journalists, reporters and photographers fanned out across the globe to ask protesters their reasons for taking to the streets, providing a diverse, intimate look inside the movement.https://bit.ly/3dvfeqyhttps://bit.ly/3ewaMZR
Washington-based photojournalist Pat Semansky was assigned weekend White House duty – a routine gig that meant waiting for President Donald Trump’s overnight return from Tulsa, Oklahoma, where his much-hyped rally didn’t meet expectations.
The president’s arrival rarely makes a memorable photo, but Semansky dutifully waited until well after 1 a.m., while many of AP’s competitors didn’t bother to cover. When Trump finally stepped off Marine One, Semansky proved the time well spent: His flash caught an atypically rumpled Trump crossing the South Lawn.
The photo quickly became the signature image of the night, capping days of smart AP coverage on the event itself.
For making the most of a routine assignment to create what is likely to become an iconic photo of the Trump presidency, Pat Semansky wins AP’s Best of the Week award.
As the coronavirus pandemic enters a new phase in a reopening nation, its psychological toll is sinking in for the frontline workers who have cared for the sickest patients.
Writer Jennifer Peltz, video journalists Robert Bumsted and Ted Shaffrey, and photographer John Minchillo went into New York City hospitals to see the impact in person, in real time and on the record. They interviewed health care workers and spent time with them on the job, seeing firsthand the lingering effects of months spent treating COVID-19 patients.
“In my wildest dreams, I never imagined how hard it would be,’’ one doctor said.
For a fully rendered package that takes a close personal look at this important aspect of the pandemic, the team of Peltz, Bumsted, Shaffrey and Minchillo earns this week’s Best of the States award.
turned an unpleasant task into a unique coverage opportunity last week. He had been identified as someone who had been in the vicinity of a market at the center of a new coronavirus outbreak in the Chinese capital, and a local official told him to report for coronavirus testing.AP and other foreign media had been barred from the site, so when Schiefelbein reported for testing, he began discreetly taking photos and reporting a first-person account from the Beijing’s testing program. The story and photo gallery, including the voices of others who were summoned for testing, gave AP’s audience a distinctive look inside the testing process as the Beijing outbreak drew global attention. https://bit.ly/2Vh0xRL
The story of George Floyd’s death will likely endure as a pivotal moment in civil rights and police accountability, but his life – from a start in Houston public housing to his death in Minneapolis, where he hoped to start a new chapter – wasn’t lived in a spotlight.
In a uniquely AP collaboration across states and disciplines, AP journalists turned to people who knew Floyd from his childhood through his adult years, weaving together his story in all formats, enhanced by existing video of the man. The result was a revealing, deeply reported profile, including Floyd’s brief turns as a football player, rapper and bouncer, time in prison and days spent trying to help mentor kids to avoid his mistakes.
For persistent, collaborative and creative storytelling that goes to the heart of the tragedy that unfolded in Minneapolis, the multiformat team of Luis Andres Henao, Juan Lozano, Nomaan Merchant, Adam Geller, John Mone, David Phillip and Aaron Morrison shares this week’s Best of the States award.
studied how soccer has applied rules against activist protest without considering the impact of major issues outside of sports. Harris wrote his analysis after a player for Borussia Dortmund, Jason Sancho, received a yellow card for showing his undershirt with a handwritten message of support for the George Floyd protests, contrary to the rule for players not to lift their jerseys in celebration. “Rarely has a rule looked so out of touch,” Harris wrote, noting that the killing of Floyd had resonated far beyond the United States. After the piece, FIFA reconsidered its policy and urged organizers to show common sense. The AP story was widely cited in other media.https://bit.ly/30VeCI4https://bit.ly/30VeQ1S
produced in text and video a compelling look at members of America’s high school Class of 2020, focusing on eventful lives shaped by a series of crises.
Irvine, collaborating with colleague Stephanie Mullen, set out to tell the story of a generation born in the aftermath of Sept. 11 that has faced a number of challenges – from the loss of a parent to wildfires and hurricanes, the Great Recession and, most recently, a pandemic and civil unrest over police brutality.
The result was a multiformat package with stunning portraits and a print story that took the reader through the graduates’ stories in order of the events that have impacted them. Irvine also produced a video that featured several photos interspersed with self-shot video of three of the graduates.https://bit.ly/37jR80ihttps://bit.ly/3cTBASh
followed up on their initial spot story about a Madrid nursing home that became a flash point when the Spanish army found the body of an 84-year-old resident locked in his room at the height of the virus outbreak. The AP team gained the trust of relatives of residents who had died as well as workers from the care home, learning that the 160-bed facility had seen widespread cost cutting for years and that management made a series of highly questionable decisions during the crisis.https://bit.ly/2U9jdCshttps://bit.ly/2XyMf0l
When smartphone video emerged more than two months after Ahmaud Arbery was killed by a white father and son while running through a Georgia neighborhood, the case burst into the national consciousness. AP race and ethnicity writer Aaron Morrison headed to Brunswick, Georgia, seeking to tell the full story of the 25-year-old’s life.
Morrison and video journalist Sarah Blake Morgan interviewed Arbery’s mother on the road where her son was killed. That conversation became a centerpiece of the text and visual package, with further reporting by Russ Bynum and Kate Brumback completing the picture.
For a nuanced and unflinching profile of Arbery’s life that spotlights the racism experienced by many young black men and captures the pain of a grieving family, Morrison, Morgan, Bynum and Brumback share this week’s Best of the States award.
For weeks, critics had complained that the Trump administration was putting political concerns ahead of scientific recommendations from the Centers for Disease Control.
A blockbuster AP scoop amplified those complaints: Reporters Jason Dearen and Mike Stobbe worked sources to reveal that President Donald Trump’s administration shelved the CDC’s guidelines containing step-by-step advice to authorities on how and when to reopen businesses and other public places during the pandemic.
The story dominated news media and was by far the best-performing story on AP News for the week. And in a follow-up exclusive, Dearen reported on documents showing the decision to withhold came from the highest levels of the White House, and that the Trump administration ordered key parts of the CDC guidelines fast-tracked for approval after the AP’s story appeared.
For a major scoop that resonated among customers and readers and finally brought to light the scientists’ suppressed guidelines for how the country should reopen, Dearen and Stobbe win AP’s Best of The Week award.
With contact tracing in the spotlight as one of the keys to stopping the spread of the coronavirus, journalists across the AP have sought access to the investigators, only to be rebuffed for privacy concerns. But Utah-based correspondent Brady McCombs convinced a county health department that he and photographer Rick Bowmer could show the world how contact tracing is conducted, while protecting private details.
Once they were in the door, the curtain rolled back. The pair spent parts of five days shadowing investigators as they talked, commiserated and cajoled people to comply with tracing – something simply unseen in other coverage or descriptions of contact tracing.
And in a major break, McCombs used social media to identify one of the subjects of tracing, getting exclusive all-formats access to tell the story of a family on the other end of a tracer’s call.
For a timely and revealing package on a vital element of the pandemic response, McCombs and Bowmer share this week’s Best of the States award.
The end of May saw unprecedented news: The coronavirus pandemic continued to spread infection and wreak economic havoc around the globe, while much of the world’s attention pivoted suddenly to protests across the U.S. that spread to Paris, London, Australia and elsewhere after the suffocation death of George Floyd in Minneapolis on May 25.
This week’s Best of the Week recognizes AP’s work surrounding each of those mega-stories, with top honors going to Baltimore-based photographer Julio Cortez for his iconic photo of a protester holding an American flag aloft, and to the AP all-formats team in Brazil for continuing coverage of the virus in a nation being ravaged by COVID-19.
As the COVID-19 pandemic raged across the world last week, and the confirmed U.S. death toll approached 100,000, AP photographers on two continents found unusual and meaningful ways to bring home the tragedy of lives lost. They were:
– Photographer David Goldman, who met with the families of COVID-19 victims at a Massachusetts soldiers’ home, literally projecting veterans’ images onto the exterior of the families’ homes for a series of arresting, ghostly and emotion-laden scenes.
– And Rodrigo Abd, who spent weeks with Venezuelan migrants collecting bodies in a poor area of Lima, Peru, showing the abject desperation of that city’s victims. Also honored is Lima reporter Franklin Briceño who accompanied Abd, documenting for text and video the funeral home workers on their grueling rounds.
Both projects had immense impact online and in print, drawing praise from readers and editors. For intrepid and creative multiformat storytelling emphasized by unforgettable images, Goldman, Abd and Briceño share AP’s Best of the Week honors.
secured exclusive access to take a camera into an ICU in a working class city north of Rio. With Brazil suffering the most COVID-19 cases and deaths in Latin America, media outlets have clamored for access to hospitals, without success. Fisch worked associates and contacts, finally convincing a city health secretary to grant access to the Sao Jose municipal hospital. She made the most of an hour inside the unit on Saturday, working among medical staff to produce all-formats content that was well-received by clients. Her video was the most-used on AP Video Hub for the weekend.https://bit.ly/2AQ81Uqhttps://bit.ly/3e8tRRc
Thousands upon thousands of funerals, many not related to COVID-19, are being held during the global pandemic. Washington photographer Jacquelyn Martin provided a very personal look at one of them.
Martin spent weeks getting to know the family whose mother had died, gaining their trust. But the family’s plans for an elaborate funeral were interrupted by the pandemic and social distancing rules. More weeks passed before the funeral home said it could go ahead. Martin was ready, poised with her camera and notebook, given extraordinary access to a family’s very private moment.
Her moving text and photos captured the essence of the funeral and the family's grief – and its celebration of a life. “Beautiful images shown with so much dignity,” one person wrote.
For her heartfelt account and elegant images, Jacquelyn Martin receives AP’s Best of the Week honors.
gave AP the first national interview with a black woman who faced down an armed all-white group – led by a sheriff’s deputy – that tried to force its way into her home. The woman, Monica Shepard, had talked to two local television stations but was avoiding further media contact. Foreman, however, felt there was a deeper story to be told.
He eventually reached Shepard and her son through their attorney, arranging for an online interview to capture video. “I was vulnerable. They had the crowd. They had the weapons. I had nothing,” Shepard told Foreman. “I was standing before a crowd, but I had the faith.” Foreman’s compelling story gave AP the beat on other media that were trying to interview the family, and was used even by outlets that had previously covered the incident.https://bit.ly/2Xfxtdnhttps://bit.ly/2zl3sB5
Video journalist Mstyslav Chernov and freelance photographer Evgeniy Maloletka used their extraordinary access to western Ukrainian hospitals to produce powerful images of medical workers desperately treating COVID-19 patients despite a medical system in crisis. They also visited one hospital’s makeshift morgue and a cemetery where families grieved over lost loved ones. Chernov had driven 2,500 kilometers (1,600 miles) across three countries, then worked tirelessly to earn the trust of medics who eventually gave him and Maloletka rare access to document the dire situation. The play was impressive among AP customers and across media in Ukraine. One foundation even reached out to the pathologist who had set up an outdoor morgue, supplying the medic with protective gear, disinfectants and a tent.https://bit.ly/2LmvBKuhttps://bit.ly/2WsZdvWhttps://bit.ly/2WwwUNb
teamed up to put a very human face on the millions in America who are struggling to put food on the table during the pandemic. The pair spent an extended period with Janeth and Roberto, an immigrant couple on the outskirts of the nation’s capital who regularly skip meals to ensure their 5-year-old daughter has enough to eat. Their moving text and photo package, sensitively rendered, brought home how the virus outbreak stalks people on the margins with hunger, as well as disease, and how the social safety net fails many.https://bit.ly/3601QIR
gave a 94-year-old British World War II veteran a new reason for hope despite the isolation brought on by the pandemic, with an exclusive all-format package about his pen-pal relationship with Normandy teenagers grateful to veterans like him who saved France from the Nazis 75 years ago. AP was the first media organization to cover the uplifting story, which brought Bill Ridgewell attention in his hometown paper, on BBC and around the world. “When he realized he was all over the U.S. and Canada, to say nothing of Sumatra, he was actually lost for words,” read his daughter’s letter to AP. “I think you have probably given him at least another year of life.” https://bit.ly/2zF8oQThttps://bit.ly/2WUIIId
