teamed up on a multiformat package highlighting an issue that is typically under covered at the national level: the effects of gerrymandering on local governments.Read more.
set AP up to not just document the first state to enact drag restrictions this year but to deliver a comprehensive look at the effects.Read more.
collaborated to cover one of the most tragic shipwrecks on Italian shores in recent years. Their quick and efficient response allowed AP to be the first international media to be on the ground, and their teamwork provided a great cross-format advantage, allowing media around the world highlight the tragedy. Read more.
quickly responded to the potential for a viral story in a sparse email that went out late on a Thursday afternoon, about a Native American group acquiring the rights to one of America’s most enduring advertisements. The 1970s anti-pollution ad shows a man in Native American attire shed a single tear after he canoed through a littered lake.Read more.
dominated with lightning fast and in-depth stories and exclusive photos from President Joe Biden’s secret trip to Ukraine. Read more.
scored a significant scoop and offered the AP’s audience unprecedented insight into the Fulton County special grand jury that considered whether former President Donald Trump illegally meddled in Georgia’s 2020 election through sophisticated open records reporting and strong source cultivation.Read more.
Months of reporting by Victoria Milko, David Rising and a colleague in Myanmar led to the most authoritative look yet at the problem of landmines in the country.
Their story recounted how a boy was maimed and teenagers killed. The team was also able to get military defectors and others in the country to share with AP how civilians are used as human shields and how groups reuse mines they claim to have cleared. The story demonstrates that this will be an issue in the country for years to come.
For their work documenting the horror of landmines in one of the world’s most isolated countries, we are honored to award Milko, our AP colleague in Myanmar and Rising this week’s Best of the Week — First Winner.
swung into action starting Jan. 30 but took off the week of the big game. Sportswriters Rob Maaddi, Josh Dubow, Dave Skretta, David Brandt, John Marshall and Simmi Buttar stayed on top of news.Read more.
were the multiformat team that unearthed a newsy gem: spirits supplier revenues for alcoholic spirits have surpassed beer in overall market share.Read more.
looked behind the news of a man who was killed by police after he fired an AR-15-style rifle in an Omaha Target store. Funk located the uncle of the shooter to explore his issues with mental health.Read more.
in Los Angeles humanized, in the most gripping fashion, the floods that hit California. His interviews with the parents of a 5-year-old boy who was swept away by floodwaters give a heart-wrenching look at the impacts of the flooding. With sensitive reporting, exclusive details and vivid storytelling, Melley offered a compelling and comprehensive account of the tragedy.Read more.
For innovation and connecting with new audiences, the AP Entertainment video team of West Coast Entertainment Video Editor Ryan Pearson, U.S. Entertainment Video Editor Brooke Lefferts, and video producers Gary Hamilton and Leslie Ambriz are the first winners of this week’s Best of the Week award. The team used its contacts at the Recording Academy to develop and successfully execute a hosted 2 ½-hour red carpet livestream from the Grammy Awards that drew in more than a half million viewers, outpacing rival streaming shows. The AP’s new social video team quickly cut and posted videos from the live feed on a variety of social sites, which garnered nearly 1 million views. The Grammys livestream took weeks of planning and technical assistance to pull off and showed that AP can produce a highly technical live event in the entertainment space, and that entertainers will seek out AP’s spot on a bustling carpet. The video recording of the livestream also will greatly improve the AP’s archive of early hip-hop artists who were not covered by AP in their heyday.
's coverage of Los Angeles County's worst massacre led to an array of stories and visuals that portrayed not only the human suffering and complex cultural significance of the community where the attack occurred, but also held police accountable for their hours-long delay in alerting the public that a mass killer was on the loose.
Bernard Condon, Jim Mustian and Julie Watson reconstructed a detailed timeline of the shooting to confidently report that it took five hours after the shooting for authorities to alert the public that the gunman was on the loose. The story was widely played and was followed by the Los Angeles Times, which played catch-up on its own turf. AP was one of only several outlets to obtain video surveillance footage showing a hero wresting the weapon from the shooter and was among the first news outlets to report details on all 11 victims.Read more.
provided an intimate and visually captivating portrait of the Norwegian Arctic archipelago of Svalbard as its residents persevered through the round-the-clock polar night.
The AP team established a close rapport with the pastor in the community, joined the church’s children’s choir on a trip to a Russian/Ukrainian village, and spent a day at a century-old coal mine threatened with closure in two years. The trip had extra challenges for photo and video because it took place in mid-winter. For Cole, it meant developing a special sensitivity for light – from the glow of the aurora to the beam of a headlamp. Read more.
broke the news that gunshot-detection company ShotSpotter gives its human reviewers broad discretion to overrule an artificial intelligence-powered law enforcement tool’s determination about whether something is a gunshot. The exclusive came after Burke, an investigative reporter in San Francisco, obtained a confidential ShotSpotter document. The document provided a unique window into the company whose data is sent to police and used in criminal cases nationwide.Read more.
teamed up for a visually striking package looking at a program that might point the way forward for sustainable development of the Amazon. It involves a major French shoe company, Veja, and traditional rubber tapping.
Tappers working with a local cooperative provide rubber to Veja to use in their shoes. The arrangement is a solutions-based way forward to protect the forest.Read more.
, a treasury reporter in Washington, spent weeks negotiating a commitment for a rare all-formats interview with Janet Yellen during the treasury secretary’s visit to Africa. The interview couldn’t have happened at a better time, as Yellen took questions from AP in Senegal just two days after announcing the U.S. government had bumped up against its debt limit and would need to use “extraordinary measures” to avoid default.Read more.
was approached with the exclusive that the anti-harassment organization, Time’s Up, was folding. The New York-based entertainment writer’s story was uniquely authoritative thanks to her years of diligent reporting on the #MeToo movement that landed her the scoop.
The remaining resources of the organization, which became beset by scandals, are going to a legal defense fund administered by the separate National Women’s Law Center.Read more.
The fatal stabbings of four college students at the University of Idaho campus in Moscow, Idaho, in November 2022 were initially shrouded in mystery and misinformation. As Boise, Idaho, Supervisory Correspondent Rebecca Boone worked to untangle all of this, a judge put up yet another barrier to getting the story to the public: a sweeping gag order prohibiting law enforcement agencies, attorneys or anyone else associated with the case from discussing it publicly.
In the middle of one of the biggest stories in the nation, Boone suddenly had a new task on her plate: singlehandedly spearheading a legal challenge to the gag order — ultimately recruiting a coalition of 22 print and TV media outlets, including The New York Times, to join the cause.
The AP couldn't have had a better advocate for the task. Boone has a track record of fighting for press access and has made the issue a top priority in her lengthy AP career.
The best portraits capture a person’s essence, almost always by focusing on the human face. But AP photographer Ebrahim Noroozi, on assignment in Kabul temporarily from Iran, needed to do something different to show the effects of Afghanistan’s rule banning women playing sports.
Using the emblematic burqa to conceal the identities of the women athletes now forbidden from doing what they love best, Noroozi came up with the haunting series of faceless portraits to illustrate the erasure of Afghan women from public life under the Taliban.
Several female athletes who once played a variety of sports unrestricted posed for Noroozi with their athletic equipment – and their identities hidden by burqas, the all-encompassing robe and hood that completely covers the face, leaving only a swath of mesh to see through.
Noroozi’s images were published in an array of multimedia presentations by AP’s subscribers worldwide, including the Los Angeles Times and the Washington Post. The latter used them to illustrate a story about the near-simultaneous decision by Australia to cancel a men’s one-day international cricket series over the restrictions on women.
For innovation and sensitivity in showing a difficult subject, Noroozi earns Best of the Week – First Winner.
