April 01, 2022

Beat of the Week

(Honorable Mention)

Standout Oscar photos/coverage of the slap seen round the world

kept AP ahead with fast, definitive all-formats coverage of the Oscars moment that shocked the world: Will Smith’s slap of Chris Rock. As soon as Smith walked onto the stage and struck Rock over a joke about the actor’s wife, the AP Entertainment team pivoted its coverage of the otherwise generally upbeat Academy Awards ceremony, expediting remarkable photos, text and video of the confrontation — quickly but carefully. While other news outlets at first mischaracterized the incident, AP had it right from the start. Read more

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May 31, 2019

Best of the Week — First Winner

AP photo team scores with a fresh approach to annual Cannes festival coverage

Early in the planning stage for this year’s Cannes film festival, London-based Dejan Jankovic, deputy director of entertainment content, decided to build his photo team with a combination of experience and fresh eyes, including Athens photographer Petros Giannakouris, who had no Cannes experience, and Invision entertainment specialists Ali Kaufman and photographers Joel Ryan, Vianney le Caer and Arthur Mola

The resulting coverage visually captured the glamour and excitement of the event in new ways without sacrificing the traditional elements that have worked in the past. AP won the Cannes Photograph of the Day award five times over the two weeks, impressive recognition in a competition open to every accredited photographer there.

For showing the glamour, fashion and celebrities of Cannes in a fresh and arresting manner, Jankovic, Giannakouris, Kaufman, Ryan, le Caer and Mola earn AP’s Best of the Week award.

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June 18, 2021

Beat of the Week

(Honorable Mention)

AP explores Latinos’ challenges, hopes for a Hollywood breakthrough

interviewed an impressive variety of Latino actors to examine the hurdles Latino subjects have encountered in Hollywood, and how 2021 is shaping up to be a potentially breakthrough year. She worked for weeks to secure high-caliber interviews from Rita Moreno, one of the only Latino performers to ever win an Oscar, and stars like John Leguizamo and Jimmy Smits.Spanish-language entertainment editor Ratner-Arias revealed some of the frustrations Latino stars have faced in getting their stories to the big screen. Moreno told film writer Jake Coyle, who teamed up with Ratner-Arias on some of the interviews, that she didn't expect to live long enough to see Latinos get a proper footing in Hollywood. The story weaved in hopes for a turnaround pinned to “In the Heights” and other films releasing in 2021 with voices from relative newcomers like Anthony Ramos and Charise Castro Smith. https://aplink.news/zdz

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March 19, 2021

Beat of the Week

(Honorable Mention)

Backstage access makes AP a big winner on Grammy night

took advantage of agency exclusive all-formats backstage access at the Grammy Awards, resulting in a wealth of interviews for video, and photo access unmatched by wire service rivals. Isaza, Landrum and Pizzello underwent numerous COVID-19 screenings in the six days leading up to the show in order to gain access. That access came about because of the AP’s decade-plus relationship with the Recording Academy — and a firm stand by AP: Some artists demanded approvals of performance photos, which the AP declined, and some talent said they would only do interviews if certain questions were off limits. Again, no.The AP landed at least 20 video interviews with stars such as Dua Lipa, Da Baby, Miranda Lambert and H.E.R, touching on fashion, racial injustice, their pandemic experiences, the return to performing and more. The biggest wins were photos of Beyoncé and Taylor Swift, both rarely photographed by AP, on their big night. AP was one of four photo outlets onsite and the only photo news wire. Competitive news services were forced to use years-old pictures of the pair, as well as several other stars, with their stories.Isaza produced a behind-the-scenes video feature, and Fekadu’s mainbar — powered by photos from Pizzello and Strauss, and quickly updated thanks to his preparedness — racked up nearly 110,000 pageviews by Monday afternoon. Google listed AP’s story first in searches for Grammys or Beyoncé during the evening. https://apnews.com/hub/grammy-awards

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June 26, 2020

Beat of the Week

(Honorable Mention)

AP scoops celeb media on Billie Eilish hearing

was the only reporter who attended a hearing involving singer Billie Eilish, who sought a restraining order against a man who trespassed at her home. With Eilish and her family attending remotely, Dalton convinced a bailiff to let him in and was the only one in the courtroom aside from court staff. Other news outlets were forced to rely on details in his exclusive story for their own reporting. https://bit.ly/3fWVNZw

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June 04, 2021

Beat of the Week

(Honorable Mention)

Sourcing, research break new details in secretive Jolie-Pitt divorce

teamed up to act on a tip about an Angelina Jolie court filing in her divorce from actor Brad Pitt, revealing new details and providing a rare look into one of Hollywood's highest profile divorces, which has been kept mostly secret due to the actors’ use of a private judge.Using a combination of source work and court research, the AP pair reported that Jolie has sought to disqualify the judge who is deciding child custody in the case, saying in her filing that he refused to allow the couple’s children to testify, declining to hear evidence relevant to the children’s safety and well-being before issuing a tentative ruling. The documents don’t elaborate on what that evidence may be.The story was was widely credited to AP by outlets like Page 6, People magazine, Vanity Fair and more. https://bit.ly/3vSYvHM

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April 30, 2021

Beat of the Week

(Honorable Mention)

AP visual journalists lead the way at a one-of-a-kind Oscars

navigated issues of access, multiple locations and complex logistics in covering this year’s one-of-a-kind Academy Awards ceremony, altered from top to bottom by the pandemic.The event was one of the largest photo pools AP has ever run. AP’s remarkable access came as the result of years of relationship building with the film academy, which trusted AP to not only shoot photos of its marquee event, but also distribute those images to news outlets around the globe.Under the leadership of Kaufman, assistant director of photography, and with a workflow developed largely by photo editor Munoz, the team expedited some 1,500 still images to 11 members of the pool. Meanwhile, in London, Jankovic coordinated photographers and editors handling the Oscars’ global satellite locations — from Sydney to Stockholm to Kilkenny, Ireland, and points in between. Success meant assembling a team of AP staffers, including a team of 10 editors — most off-site due to pandemic restrictions — who quickly edited, captioned and transmitted the images. In addition, at the academy’s request, video journalist Turner shot the Oscars’ pool fashion feed – a key position that is highly valuable to clients looking for red carpet looks and unscripted moments.Bottom line: If you saw a photo from the red carpet, or a winner clutching the coveted statuette, chances are it was shot by the AP. The images were used in countless tweets, online stories and on dozens of newspaper front pages, notably above-the-fold play for shots of “Nomadland’s” best picture winners by Pizzello, who also authored a “Virus Diary” with his reflecions on being an entertainment photographer during the pandemic.https://bit.ly/3vpV8HDhttps://bit.ly/3gOI1eY

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June 10, 2022

Beat of the Week

(Honorable Mention)

AP owns Depp-Heard verdict with planning, fast execution

teamed up for a decisive all-formats win on the ultracompetitive Johnny Depp-Amber Heard verdict with lightning-fast alerts, an insightful text story and a quickly prepared, extensively reported video package.Detailed planning across multiple formats for all the possible verdicts, and sharp, coordinated coverage as the verdict was announced ensured that AP does what it does best: owning key moments of a breaking story.The fast, sweeping coverage scored heavily: AP’s all-formats mainbar was used by nearly 1,000 outlets in the first 24 hours with high readership and social media engagement, while the video edits made AP’s top seven stories for client usage for the week.Read more

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Feb. 12, 2021

Beat of the Week

(Honorable Mention)

Dolly Parton tells AP she’s waiting to get her vaccination

scored an exclusive interview with Dolly Parton who announced her new Super Bowl commercial.During the interview, Fekadu asked if she had gotten her Covid-19 vaccine, and Parton, who donated $1 million to coronavirus research, said she was waiting to get her vaccination shot because she didn’t want to seem like she was “jumping the line,” a story that was picked up by the “Today” show, WebMD, People magazine, Yahoo! and many more. She rocked the commercial too. https://bit.ly/3d3E6Jk

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